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Fonissa

  • 2023
  • 1 Std. 37 Min.
IMDb-BEWERTUNG
7,3/10
2343
IHRE BEWERTUNG
Karyofyllia Karabeti in Fonissa (2023)
Drama

Basierend auf dem Klassiker von Alexandros Papadiamantis spielt "Murderess" auf einer abgelegenen Insel in Griechenland um 1900.Basierend auf dem Klassiker von Alexandros Papadiamantis spielt "Murderess" auf einer abgelegenen Insel in Griechenland um 1900.Basierend auf dem Klassiker von Alexandros Papadiamantis spielt "Murderess" auf einer abgelegenen Insel in Griechenland um 1900.

  • Regie
    • Eva Nathena
  • Drehbuch
    • Katerina Bei
  • Hauptbesetzung
    • Karyofyllia Karabeti
    • Maria Protopappa
    • Elena Topalidou
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,3/10
    2343
    IHRE BEWERTUNG
    • Regie
      • Eva Nathena
    • Drehbuch
      • Katerina Bei
    • Hauptbesetzung
      • Karyofyllia Karabeti
      • Maria Protopappa
      • Elena Topalidou
    • 10Benutzerrezensionen
    • 4Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 12 Gewinne & 16 Nominierungen insgesamt

    Fotos20

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    Topbesetzung48

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    Karyofyllia Karabeti
    Karyofyllia Karabeti
    • Hadoula 'Frangoyannou'
    Maria Protopappa
    Maria Protopappa
    • Delcharo (Hadoula's mother)
    Elena Topalidou
    Elena Topalidou
    • Amersa
    Penelope Tsilika
    Penelope Tsilika
    • Delhcaro (Hadoula's daughter)
    Georgianna Dalara
    Georgianna Dalara
    • Hadoula (young)
    Christos Stergioglou
    Christos Stergioglou
    • Priest Nicholas
    Niki Papandreou
    • Krinio
    Dimitris Imellos
    Dimitris Imellos
    • Dadis
    Giannis Tsortekis
    Giannis Tsortekis
    • Lyringos
    Olga Damani
    Olga Damani
    • Priest's wife
    Ersi Malikenzou
    Ersi Malikenzou
    • Lyringos' mother-in-law
    Maria Skoula
    Maria Skoula
    • Perivolas' wife
    Agoritsa Oikonomou
    Agoritsa Oikonomou
    • Moscho
    Michalis Ikonomou
    Michalis Ikonomou
    • Yannis Perivolas
    Rita Lytou
    • Kambanachmakis' wife
    Stathis Stamoulakatos
    Stathis Stamoulakatos
    • Kambanachmakis
    Veronika Davaki
    • Lyringos' wife
    Mania Papadimitriou
    Mania Papadimitriou
    • Hadoula's sister-in-law
    • Regie
      • Eva Nathena
    • Drehbuch
      • Katerina Bei
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen10

    7,32.3K
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    Empfohlene Bewertungen

    6g_bit

    It s a maybe for me

    Nai men alla...

    The story needed more work; as Georgousopoulos once told me when we were having coffee in Kolonaki, if a creator uses Papadiamantis' work they should respect the main structure, and then they may add whatever the heck they wish to add; if they don't, the plot starts to have problems.

    I went to watch the movie hoping it would be a masterpiece. I think they did a good job but something was missing...

    On the other hand I loved the level of production; them cloths; the scenery; the beautiful village; the actresses; Karampeti, in particular.

    Maybe next time a creator makes a movie out of Fonissa they try to use Zoulias' work for "the women of Papadianantis".
    1persefan

    A Dull Movie!!

    Lets start with the basics. The same name novel is outstanding!!

    A great thriller novel with ethographic (represents the ethic and customs of a society) elements of a poor agricultural society.

    The novel explores the psyche of an old woman (Hadoula), who lived on the margins of society and suffered a lot from poverty and other people mostly from her mother. The old woman having existential thoughts, starts to "Psilonei o nous tis" that means to embrace madness. These thoughts and her insane believings lead her to become a serial killer of young girls.

    On the other hand the movie has nothing to do with this. On the movie the society not only seems to know about Hadoula killing girls, but also invite her sometimes to kill their girls. There is no suspence, no existential dilemmas, only a sick corrupted society where all the problems comes from the evil slothful Men. And of course the film doesnt explore the psyche of a troubled woman who turns into serial killer, which is amazing on the book, reaching Dostoyevskys explorations of troubled people!!!

    In few words the film has a dull and misleading atmosphere with no suspence and very slow plot. Without any deeper meanings and dilemmas.
    10kosmasp

    Born to be bad

    The movie is killer would be another (no pun intended) summary headline I could have used. And I am quite sure that after I watched it, I had another one in mind. Which I do not remember - but I am content with my choice. Now is the main character content with her choices? Well let's not get ahead of ourselves.

    Let's start with the source (book) material ... I have not read. I was not even aware of it - same is true of the story (or rather true history behind it all). Now while we do not get to see things explicitly ... this still is not for the faint of heart ... this really cuts to the bone ... takes away your breath one might say (again no pun intended).

    Some of the acting may feel ... well not top notch and I understand that the movie also feels low budget and many other things ... but the rawness of it is exhilarating to say the least. With a title like that, you may have some notion of where this might go - if you read the book you already know obviously. But if like me you haven't ... not sure if you will guess it from the start - it took me a minute to realize what this was about and what dark turns it would take.

    When you look back - the way you lived, you handled your life ... you likely will make up excuses for poor choices you made (and I am being a bit nonchalant considering what we are talking about here) ... but everyone is a hero in their own story ... and the same is true for the main character here ... she does not see herself as a bad person ... she thinks she helps. The dialog may be too on the nose, too obvious instead of reading things between the lines ... but the message is strong nonetheless ... a powerful movie/theme ... that is hard to grasp if you have a modicum of empathy ...
    2DemetriosConstantinides

    Papadiamantis rolling in his tomb

    A pretentious boring film hyped by the local media as an artistic masterpiece!!! All we have instead are schematic characters, bad acting from all, even from the leading actress, lack of directing guidance to the actors, inferior sound design as it was often the case voices to sound dettached from the image context, questionable soundrack foreign to the spirit of the story and more keen to the spirit of Herzog's Nosferatu!!!

    Angelopoulos 50 years earlier with his "Reconstitution" has so much more poignantly described and blended his story into its socially anthropological and geographhical context.

    Modern Greek Cinema has so many better samples to offer in world viewers.
    8jhknicola

    When we want to, we Greeks make great films

    I went to watch this movie fearing that because of its female directorship, it would focus more on the "patriarchy" issue and not on the rest of the stuff. Thankfully, I was completely wrong. The movie perfectly captures the mental and psychological world of the protagonist as well as the era (1902, Skiathos Island). As far as the acting goes, it was not something special but is surely stands out from most Greek movies. Papadiamantis wrote a masterpiece and Eve Nathena transfered that masterpiece into the big screen in a way well beyond what we have to get used to in Greece. In other words, go and see it!

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    Details

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    • Erscheinungsdatum
      • 1. Dezember 2023 (Griechenland)
    • Herkunftsland
      • Griechenland
    • Offizieller Standort
      • Official Film Website
    • Sprache
      • Griechisch
    • Auch bekannt als
      • Murderess
    • Produktionsfirmen
      • Tanweer Productions
      • View Master Films
      • Cosmote TV
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    • Laufzeit
      1 Stunde 37 Minuten
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