I, Olga

Nowadays, the tactic the terrorists using is to ram a truck into the crowds. Since the automobile revolution, such incidents have been called accidents. But there were some intentional incidents and this is was one of those. If I'm not wrong, this could be the first such event that recorded as early as in the 1973. Olga Hepnarova in her 20s has not had a pleasant life so far. Victim of bullying, family trouble, she left alone to be a loner most of her life. Her sexual life was another obstacle to get along with the society, but she had a decent paying job. And then suddenly, unexpectedly, she unleashes her inner devil.

Like I said, what this film based on was simply another crime. But what's happening right now made it to get into the spotlight. Otherwise, I don't think they would have made this film. Yes for nationally, but Internationally, there would have been less interested in it. Now this story is definitely an international level. Everyone would know about Olga. The actress who played that role was good too.

The film was black and white. Gives a perfect 70s look. Though a little boring film. The screenplay was not engaging enough. There were too many plain scenes like what we see the art films. They should have highlighted more on the bully and other Olga's struggling life, I mean physically. What I saw was leaning towards the side of the story result. The film is not for everyone, particularly being dull presentation makes people turn it down. Otherwise, it's not bad to ignore.

5/10

The movie plunges us into a world of nihilism, where the darkness of the human psyche reigns supreme. It is a portrait of a young woman who is disillusioned with society and driven to commit a heinous crime. The movie explores the depths of human despair and the impact of social isolation on the individual psyche.

Director Tomas Weinreb and Petr Kazda don't shy away from the darkness that engulfs Olga's world. They craft a bleak and unrelenting atmosphere, one that is suffused with a sense of futility and despair. The cinematography is austere and bleak, reflecting the emotional landscape of the protagonist.

The movie presents a provocative challenge to the viewer's values and beliefs. It forces us to confront the darker aspects of the human condition and consider the ways in which society fails to address the needs of its most vulnerable members. It is a stark reminder that the human psyche is a fragile and complex thing, one that can be pushed to the brink of madness under the right conditions.

In movie, Weinreb and Kazda have created a chilling portrait of a young woman who is pushed to the edge by a society that refuses to accept her. It is a powerful reminder of the need for compassion, empathy, and understanding in a world that can be so cold and unforgiving.

I watched the movie without knowing anything about the real case of Olga Hepnarova and so I didn't know what to expect.

I must say the movie succeeded in creating the atmosphere of depression, social detachment and schizophrenia and portrayed Olga Hapnerova as a very complex and complicated being, and especially the second half of the movie is very chilly and revealing in terms of the personality and especially that part is very well played by Michalina Olszanska.

It is definitely worth watching although, you can't get rid of the feeling that certain things in terms of filmmaking didn't fit quite well into the whole picture.

The movie is black and white, and almost completely without music. That is a very good idea, because it mimics the inner world of Olga and translate it to the audience. Black and white movies can really do the job as with Sindler list or The Turin horse, provided that other elements fit into the mosaic. There were long and still takes which sometimes focused solely on Olga's face, which I found bit odd because sometimes maybe it would be much better to shift to camera focus on people around following her gaze and how she look at the world rather than trying to decipher that from her face. For example in We Need To Talk About Kevin (which has almost identical story- just different context) Lynne Ramsay done excellent job in doing just that by fragmenting narrative and focusing camera on miniscule details of what is significant for the character psyche. Another thing is that the movie felt a bit disintegrated at times. For people that don't know anything about the real case, it's hard to decipher what happened or where are we in the story exactly. It felt kind arrogant to the viewers as it expected that we all know everything about the story already and that the movie works only as a visual media to translate the story fact to fact in the shortest possible time.

Having said all that, this is a powerful movie with great performance at times by the lead actress and with some deep psychological nuances of the character, who you can't help but sympathize with and/or understand on some level. I would definitely add to the WE NEED TO TALK ABOUT KEVIN category where the main character -although antihero and "evil" of the story, has a very complex reasons and personality. Which is great, because in today's society we need more stories and movies that could explain seemingly random or evil acts in such a complex and socially interconnected way. In fact if you know anything about psychology of "evil", you know that it's almost always a reflection of how those murderers were treated either by society or their parents, caregivers or peers. Here I agree with a previous review that, movie as such would benefit much more from more scenes of the family interactions or history (for example in Flashback maybe).

Overall, this is very powerful psychological drama that certainly delivers the chill and a lot to think about. So definitely worth watching.

Greetings again from the darkness. Most youngsters have executed a perfect eye roll on at least one occasion after receiving a dose of parental advice that seemed irrelevant to them at the time. An early scene in this biopic finds teenage Olga listening as her mother says, "To commit suicide you need a strong will, my child. Something you certainly don't have. Accept it." This is a warning shot fired at the audience to be cautious when judging the actions of the last woman executed in Czechoslovakia.

Co-directors Petr Kazda and Tomas Weinred seem to believe that most viewers will be familiar with Olga's story, and presume the film's austere look, lack of flow, and structure of seemingly unrelated scenes will provide a sense of the choppiness and isolation that might explain her otherwise inexplicable actions. Based on Olga's true story and the book from Roman Cilek, the film will have you questioning whether her behavior was the result of horrible parenting, or more closely related to her psychological issues – perhaps even schizophrenia.

Michalina Olszamska (The Lure) delivers a committed performance as Olga, the 22 year old woman who in 1972 drove a truck into a group of people in Prague, killing 8 (all between the ages of 60 and 79). A year later she was hanged, becoming the last woman executed in Czechoslovachia.

The movie focuses on the various elements and key moments of her life – father's abuse, mother's iciness, attempted suicide, treatment in asylum, rejection by a lover – that led to her isolation and feelings of alienation. We sense her internal rage building over time, and her inability to cope or even connect with others; though at times we question whether her troubles are by choice or a result of her treatment … it's kind of a twist on the nature vs. nurture debate.

There have been other fine movies that have dealt with a similar theme: There's Something About Kevin, The Omen, The Bad Seed. Each of these deal with the whole good vs evil idea … are some kids born "bad" or are they pushed that way? Either way, it's a parent's worst nightmare. This black and white presentation allows us to keep our emotional distance from Olga, and the no frills approach provides a quite chilling reenactment of how Olga ended up sending a letter to the local newspaper announcing her intention to seek "revenge" for the hatred that society had heaped upon her for years.

Tackling a very difficult subject in a rigid social environment like communist Czechoslovakia in the 70's, this film has done it great!

The female lead -the very young Polish actress Michalina Olszanska is doing the impossible while portraying an extremely complex character that no-one would otherwise understand or empathize.

The cinematic recreation of the atmosphere of Prague in the early 70's is so true, that this this black & white film looks like it was really shot in the Seventies. Only the stable digital image suggests else.

I do recommend this movie to all sensitive viewers who wish to look deeper in to the human and social issues.