Kung Fu Killer

Old school style narrative for contemporary times.

A physically challenged man who could be an inspiration to anyone (if he was not the bad guy) over comes his uneven legs to become a super strong Kung fu master with the goal of killing seven of the greatest masters of their styles.

The legendary action movie star, Donne Yen plays a prisoner released from jail to find him and stop his killing spree.

The movie is a who's who in Hong Kong action cinema with cameos from some of the biggest and best in the business like Raymond Chow, who was the only one I really recognized by face to go oh wow! (Some of these cameos are from action stars who date back to the 1960s, so they don't look the same)

It's a real modern take on a classic style of Kung fu storytelling, with the Kung fu killer going from land to land village to village to find the masters and kill them, but now the village is the urban jungle of china.

One of my favorite scenes is when the kung fu killer goes up against the master swords man, who is an action hero faking his blade skills on camera. Possible the best example in the movie of how contemporary the village has become.

Everybody's Kung fu fighting, but it's also a cool police drama about hunting one the most interesting serial killers in cinema history. The Don does it again!!

As much as we love the 'Ip Man' star, we'll be frank to admit that Donnie Yen needs a hit – bad. Which is why his latest, which reteams him with 'Bodyguards and Assassins' helmer Teddy Chen, is such a huge sigh of relief for us – it packs Yen's signature brand of hard- hitting action with a compelling narrative to be both thrilling and moving at the same time, and is indeed as good a comeback as we could have asked for.

The setup isn't complicated, and fuses the themes in a kung fu picture into a police procedural. A brief prologue which shows Yen turning himself in at the police station after killing his exponent in a fight frames the former, while the latter unfolds three years later with the emergence of a serial killer who is targeting experts in different martial arts disciplines, i.e. boxing, kicking, grappling, weaponry etc. Immediately after hearing a news report of one such victim, Yen's martial arts instructor Mo Hahou starts a prison brawl just to get the attention of its lead investigator (Charlie Yeung), proceeding to name the others whom he claims would be next.

As it turns out, Yen's portents come true one by one, and he gets a temporary release from prison to aid in the manhunt. To be sure, there is no doubt on who that is – an unhinged psychopath called Fung Yu- sae (Wang Baoqiang) who has just lost his wife to cancer and now possesses only a murderous motivation to prove himself the best of the best. Unsurprisingly, the film builds to an ultimate challenge between Yen and Wang, the former's motivations and the latter's intentions more personal and intertwined than what you are likely to have thought at the start.

Chan isn't a storyteller without purpose, and none of that seems lost in Lau Ho Leung and Mak Tin Shu's tight scripting from Chan's own story. Chan's character-driven tale depicts Yen and Wang's on- screen personas as two sides of the same coin, both of them highly trained pugilists tempted to use their skills to kill rather than to protect and whose personal quests for supremacy has blinded them to the consequences of getting there. It is a familiar conceit all right, but Chan's incredibly assured direction fleshes it out convincingly.

His ingenuity doesn't quite end there; by placing such themes within the context of a modern day setting, Chan has truly accomplished a rare feat of making a contemporary martial arts movie; in fact, we'd even go as far as to say that 'Kung Fu Jungle' is the very embodiment of such a movie. The use of martial arts here makes complete and perfect sense, woven beautifully into the plotting and given a gritty down-to-earth polish that makes it all the more authentic. Chan's aim here is also homage, and eagle-eyed fans of the genre will have a field day spotting – among others – Mang Hoi, Tony Leung Siu-Hung, Tsui Siu-Ming, Yuen Cheung Yan and Sharon Yeung in cameos.

Yes, many of these stars have paved the ground on which Yen's stature as a martial arts actor stands on, and their appearances – no matter how brief – has clearly energised Yen. His work as action director here is among his best in years, but it is probably no coincidence that he is joined by other luminaries like Yuen Bun and Tung Wai. Each kill provides an expedient setting for a quick burst of adrenaline, with trained kung fu actors like Shi Yanneng and Louis Fan in brief but memorable supporting roles that Wang challenges to a one-on-one fight to the death.

Quick, clean but brutal – they pretty much establish the tone for the more elaborate setpieces to come, and it is in the latter that one is reminded why Yen is arguably the best active kung fu actor out there today. From a signature 'one against many' brawl in prison to a cat-and-mouse chase in and out of the stilt houses that form Lantau Island's fishing community to an exhilarating finish along the Container Port Road leading out of the Kwai Tsing Container Terminals, Yen impresses with his speed, agility and execution. In particular, the latter ranks as one of his best in intensity and inventiveness, especially with a wowing mid-section that sees Yen and Wang duelling with wooden poles.

If Wang ever seemed an odd choice for Yen's opponent given his filmography, the Shaolin-trained Mainland actor finally redeems himself here. This isn't their first match-up – that ignominy goes to the atrocious 'Iceman 3D' – but seeing Wang fight the way he does here is truly an eye-opener, firmly putting to rest any doubts of his ability in a physically demanding role like this. Wang is also chillingly good as the snarling murderer whose hood hides a deliberately scarred face, but is equally persuasive when portraying the part of a loving husband to his dying wife. Yen's acting is in equally fine form as an honourable man wracked by his past demons and trying to stop a monster for more personal reasons than he is willing to admit to anyone.

Truth be told, we weren't quite sold when we heard that Yen and Wang were re-teaming after 'Iceman 3D', and if you're having similar reservations, we're here to tell you that they are unfounded. 'Kung Fu Jungle' is a thrilling showcase of martial arts action and gripping storytelling, a shining example of a contemporary kung fu movie and an earnest and befitting tribute to a bedrock of Hong Kong cinema.

if you're a big fan of old-school kung fu flicks (i.e, stuff with Shaolin monks, Iron monkey, people doing fancy kung fu moves) you'll probably enjoy this movie. If not, your mileage may vary, and this movie may be a 6 or 7 out of 10 for you. Don't expect the more "realistic" fight scenes we've seen lately out of stuff like "the Raid", Bourne flicks, or Jason Statham. Even though this movie takes place in present day, it's in many ways a homage to classic kung fu movies of the past.

Donnie Yen plays an imprisoned martial artist who's released on the condition that he helps the police apprehend a serial killer hunting kung-fu masters. The plot develops like something you'd expect from a kung-fu film taking place centuries ago. The villain chooses his victims based on their mastery of the arts. He wants to defeat the best kicker, the best grappler, the best weapon user, etc.. in order to prove he is the greatest fighter in the land. The action scenes are pretty good - fast and frenetic, minimal apparent cgi/wirework, and well choreographed. I should also note the producers do a nice job finding and designing creative set pieces for the action, with various scenes taking place on a busy freeway, inside a dinosaur museum, etc...

Another plus is the characterization and portrayal of the villain (played by Wang Baoqiang). He's given enough depth and backstory to separate him from the typical one-dimensional baddies we've all seen, and Wang's earnest (although somewhat melodramatic) performance is one of the highlights of this movie.

I think it's apparent from watching this that the filmmakers put a lot of effort into making this a quality kung-fu movie. Sure, maybe it falls prey to some of the usual action movie tropes (this ain't high art we're talking about after all), maybe there's cheesiness here and there, and Donnie Yen isn't a great actor, but it's easy to appreciate the little details and work invested into this film that elevate it above random xyz action movies that have good fight scenes, but are otherwise unmemorable.

Leave it to Donnie Yen, to pay respect and make a movie that is sort of a tribute to a lot of Martial Arts heroes of the past. Acting martial arts heroes that is of course. And this movie does have a lot of them. But it does pay respect to almost everyone in the credits too (stay seated or watch them through if you are a fan).

The movie also is a combination of different fighting styles. It's sort of a best of. The story is pretty decent for a movie like this too. The stunts action scenes are fantastic we knew that (if you've been aware of Donnie Yens body of work, if you'll excuse the pun). But it's also the story that you want to enjoy too. It might have a couple of bumps along the way, but overall a very good movie, especially for the martial arts fan

Granted, they had me at Donnie Yen, but then they gave me incredible production values, a fairly competent storyline, and met the action/fight-sequence quality of the first two IPman's.

This was ranked 6.4 this morning, 6.5 this afternoon, and could be headed higher.

It deserves it. It's a freakin' blast!

The final fight is as good as the alleyway in Killzone, and a clear lack of the all-too-present drama silliness found in many of these HK action flicks. Some of the serious stuff is handled quite well.

Albeit the fight scenes are still gloriously over-the-top(not sure what some were expecting reading some negative reviews - i mean isn't that wHY you rent a kung fu flick? Geesh).

The "filler" is solid, decently acted fare that keeps at an even pace and keeps the audiences interested in the fate of its lead characters. If u want realism go rent "the gunman" and be bored to death with a more basic plot, realism, and seasoned actors. It will fry your brain and send u back to the redbox faster than "Get Hard". Or have fun watching a mindless, unrealistic kung fu flick - which flies by like an F-16, and is a 90-minute adrenaline rush.

Highly recommend this! 65/100

I will be purchasing this. You should know where u stand before u hit play. If u enjoyed "true Legend", the "police stories", "supercop" or SPL:Killzone.. Or any modern kung fu flick.. You will love this!