8 Namen für die Liebe

The fact that we can play with the most extreme topics homelands identities (Andalusian and Basque) no one should be shocked or put the outcry indicates much of our maturity as a nation (no matter who). Well, I correct: the fact that we can play and derision and mockery of the topics on the Basques and Basque nationalism, no one should be shocked or put the outcry, indicates much the degree of standardization of certain issues before open sores were always willing to bleed. And I make this correction because the Andalusians have always been a source of banter and nothing ever happened.

For this reason, the approach of "Ocho apellidos vascos" is brave, is timely and is opportunistic.

Surely this is one of the main reasons that the Spanish have been flocking in a mass almost unprecedented theaters to see this product sponsored by Tele 5. Along with the successful release date That (between Oscar and summer blockbusters) and the brutal and exemplary marketing campaign, which I applaud and celebrate. That's all I can conclude from this nonsense, much to my regret.

I always say and I repeat that from "the dark pleasure of watching bad movies and enjoy them," and always insist that "we must not forget that the main purpose of film is to entertain." I say and I stand. The problem is that "Ocho apellidos vascos" is not bad enough, nor sufficiently geek, not crazy enough to be a "Bad Movie" (as Sharknado or Xanadu or Condemor). And unfortunately it is not entertaining enough to forgive their mediocrity (always from my point of view).

That is precisely the word that best defines "Mediocrity". It is painfully mediocre. It is simple, not easy. It is impersonal and worst: it is done reluctantly. The movie works because the interest, not original (remove an element of your environment and place in a completely alien and hostile is one of the basic arguments in comedy since the cinema is cinema), but which explained at first. but all the other elements just fit, or do not at all. The entire film is a sheer drop from a promising start to a shameful end, through all the "comic" situations manual and all the hackneyed topics sitcom.

But yes, I know, "all the stories are already told." You're absolutely right, but they are still have some ways, not original, but convincing.

And back to the main issue of much patriotic film (and many foreign): the script. Most managers confuse the argument with the script. The argument is the approach, the script, the development. There is an interesting approach, albeit clumsily presented, and at the inability (or unwillingness) of its director to develop a convincing (or crazily convincing) way takes refuge in a tangle of beginner, which does not know how to get out, although all intuit (and fear) from the beginning how he will do it: using force without lubricant.

What saves this product is the total collapse monologue speaker Dani Rovira, with his inspired monologues and brash, and Karra Elejalde giving life the only believable character in the whole story.

But it hurts me to think that this is what the public is waiting to fill the Spanish cinema halls. It hurts to think that film too, as almost all spheres of power, is in the hands of the mediocre. And it hurts me to think that they are the by-products like this that are going to save the Spanish film of water that it's been submerged by itself.

Stealing a quote: "It's not the same make films that make movies"

inspired by piensaencines

Don't miss one of the funniest film of the year, for sure.Dani Rovira, a famous actor from El club de la comedia, (Rafa)has to travel to the Basque Country to follow Amaia, a basque girl he has met in Seville, despite of the advisements of his friends, who think he will fail in his attempt to seduce Amaia. Once there, he mets Anne, a middle aged lady from Caceres, who also lives in the Basque Country because she felt in love a long time ago, now she is a widow, and she will help Rafa when he wants to give up. We will met Amaia's father, a basque fisherman who hates everything and every people out of his land, but finally he accepts Dani like her daughter's boyfriend ans treats him like a real basque. Me and the rest of the audience spent and hour and a half laughing, and I guess you will do exactly the same.

This movie was a huge box office event in Spain, but is not an interesting film at all, especially if you aren't Spanish. It's basically a dull Romantic Comedy full of current jokes about local topics. Directing is even worst than script, with some really poor acting performances (others are quite good), and shooting, cinematography and sound typical of a soap opera.

Utter Tosh. A highly predictable dirge of a film taking stereotypical characters (lazy but cheerful Andalusians, defensive nationalistic Basques) and then placing them in situations to which you know exactly how it is going to finish. The comedy is supposed to be slapstick and an ironic look at the two distinct areas of Spain but it quickly becomes tedious and in places offensive. It's repetitive (proud Basque father, intimidated daughter, happy go lucky Sevillian) and would be fine as a five minute sketch. Despite this being one of the highest grossing films in Spanish Cinema, many Spanish friends of mine have also commented how "simple" and childish the comedy is. A case of the "Emperor's New Clothes" as there is nothing really here. Truly truly horrible.

This is indeed a very funny Spanish comedy, with good acting by all the leads, a solid script boasting plenty of amusing situations and dialogues that never become too over- the-top or superficial, and some beautiful shots of both País Vasco (Basque Country) and Andalucía (Andalusia).

A word of warning, though: This film plays with local accents and stereotypes, current and past Spanish politics, and memes that you will have to be familiar with ahead of time to understand the gags. It is also heavily reliant on how Spaniards envision Basques, thus limiting its comedic effect to Spanish audiences (or at the very least, people familiar with the aforementioned themes).

I, being a Spaniard, had no problem having fun with this film. As enjoyable as it was, however, I can't help but find it undeserving of being the most successful film at the Spanish Box Office of all time, considering all the great cinema and the superior films this country has created in the past. But perhaps it's not so much the quality but the timing of this film that has led to its success: This film makes you laugh and sends a message of unity and love despite our differences. This may just be what Spaniards need in such hard times.