Soul

While I found myself thoroughly engrossed while watching this movie a funny thing happened around the half way point. I realized I hadn't laughed once. Sure I had smiled a few times at the low key humor but never was a joke thrown in my face that seemed like it was just thrown in there to make sure the film didn't lose the kiddos. Admittedly Pixar doesn't usually go out of its way to ensure kids laughing every second but this film REALLY doesn't have that on it's mind.

This is a lovely story about a grown man discovering his true gifts in life and it left a big smile on my face. A very sweet and inventive film that will hopefully leave most of us adults with something to think about when the credits role.

"Soul" is about a musician who is transported out of his body and he must find his way back into actually living. This film is transcending the depths of Pixar's most introspective animations. Every facet comes together beautifully to create an emotional symphony, resulting in a heartbreakingly optimistic narrative. It feels like too much for kids, but the script allows it all to come together beautifully with the emotionally powerful third act, including a heartwarming tear-inducing score and a relatable, well-explored story about the meaning of life. "Soul" may not have the laugh-out-loud sense of humor as other Pixar greats do, but it will touch hearts nonetheless.

A fabulous story about a near-death experience, with some conventional and some interestingly non-conventional statements about life and the afterlife. I really appreciated the major lesson that Joe/Joe's Soul/22 learn over the course of the movie: that one's "spark," or inner motivation, isn't the same as obsession about something (like getting a great gig), because obsession drives many people to become lost souls, despite still living. This observation is made explicitly by one of the "Jerries:" divine(?) beings who control the "Great Before" where souls go before their incarnation, whose straight-line forms suggest computer vector graphics; but they also appeal to quantum mechanics as if to a divine law. These angels of science aren't evil, per se, although the cosmic accountant Terry reminds me of a gnostic demiurge, a being of imperfect knowledge striving for "justice" rather than "mercy." In any case, Soul is enveloped by non-denominational, quasi-scientific, and morally ambiguous pre- and post-mortem realms and their governing angels.

Despite their imperfections, the "Jerries" mean well, and prove their good will at the end, when they offer Joe another chance at living after he selflessly concedes his "badge" (and thus his life) to 22, whom he then shepherds into the next world. For much of the movie, especially when 22 inhabited Joe's body, I was convinced that Joe's body would survive, but that it would no longer be ensouled by his own soul, but by 22. That would have allowed some truly interesting reflections on the nature of personal identity, especially the inner dynamics of major changes to one's motivations and values in life.

There are times during the first quarter when you may believe someone's spiked your drink with an hallucinogenic as Disney's innovative way of capturing our entrance and exit to the world is developed but, as you will find, this is a film to get you thinking and, more importantly, thinking about yourself - reflecting so to speak. Delivered with the usual Pixar excellence, if this doesn't make you realise that tomorrow is the first day of the rest of your life then rewind, pause and start again, because the message is universally important to all - and that includes you!!!

This movie was, quite frankly, a wake up call. This is a Pixar film for adults and it comes with an incredibly important message. I loved it and I absolutely want to listen to that message. #Goodatwalking