Den Menschen so fern

Even with English subtitles, this was an easy to follow and entertaining movie. The story offers a small bit of history, cinema photography is expansive, the acting is excellent. A well-done flick.

This is a story about a fraternity that goes beyond cleavages and prejudices. A quiet and brave rebellion against nonsense of violence. Charlie, Niger... That's so cruelly acute to current events. No doubt this story, that takes place in Algeria in 1954, could have been transposed in 2015 or later.

The film is beautiful, it takes its time without being never boring. Action and contemplation are wonderfully balanced.

The relationship between two men, both excluded from their communities, "étrangers" (foreigners) in more than a way, is moving. Each of us is an Arab or a paria for someone else.

Reda Kateb, Viggo Mortensen and the Atlas are glowing, simply fascinating.

Brilliant performances by Mortensen and Betak, who play two men and show their story in a war torn 1950s Algiere. The film has a progressive build of relationship between the two characters which is fantastic. They evolve deeply and create definite emotion throughout film; a fantastic effort with character development. Definititely one of Mortensen's best performances. If a film is better than just good I will usually give it a 7.5-8. This french slow paced drama scrapes itself a 9. It exceeded my expectations. It accomplished conveying the story very well. An original score from Nick Cave as well, which perhaps has a slight hint of a downfall. So far one of the two best European films of the year.

The movie is timeless, with a great story, breathtaking landscapes and Viggo Mortensen - as always - excellent, and he speaks at least three foreign languages in this French movie. A must seen movie and the best one I have seen all this year 2015.

You have in this feature the sad and beautiful story of a short and poignant friendship during war in Algeria. Two very different men who will have to fit together, against all odds. I think Viggo Mortensen does well to play in 'little movies',his acting is getting better and better as he is getting older.

I saw the movie with only 15 people in a little cinema. What a shame that big cinema buildings don't show this one. But I don't mind, then all the people are at least interested! Everybody should go to the cinema to see this excellent drama!!!

There is something eerily enigmatic in seeing a lone teacher in a one-room school in the middle of nowhere. It was used to great effect in Ted Kotcheff's re-discovered 1971 Australian classic Wake in Fright and director David Oelhoffen conjures similar ambiance in his ultimately gripping Algerian-based drama Far From Men.

Set in 1950s Algeria against a backdrop of growing civil unrest to French colonial rule, Daru (Viggo Mortensen), is an apparently unassuming French teacher in a remote and barren outpost, educating young Arab children on matters French with no apparent nod to their own heritage. His isolated retreat is broken by the manacled arrival of Mohamed (Reda Kateb) on a charge of the murder of his cousin. He is ordered to take the prisoner to the nearest French administrative centre where he knows full well that after a perfunctory trial, the Arab will be found guilty and executed. More than reluctant to undertake this task, which he clearly views as accessory to a killing, events take a dramatic turn leaving the diffident teacher with no moral alternative but to Do as instructed. The film then follows their journey as they head out over rocky, mountainous terrain.

Oelhoffen and cinematographer Guillaume Deffontaines take full advantage of the Algerian desert landscape, frequently showing the two men pitted against its magnitude and harsh, extreme conditions. It is exceedingly well shot, drawing the audience in with its captivating imagery. Music from Australians Nick Cave and Warren Ellis was unobtrusive.

Initially slow-burning, the film bursts into energy with gripping drama, twists and turns. As the back stories unfold, the surprising resilience and phlegm shown by the quiet teacher is understood. The conclusion was unexpectedly poignant.

The concept and themes of two diverse men on a road journey pitted against elements and events far bigger than them are not unfamiliar. But the injection of unexpected plot devices and character development keep the film fresh and the audience engaged. Performances from both Mortensen and Kateb are strong and the two actors gel together well.