Neram

Neram is like watching an enthusiastic but amateur dancer appear on a professional dance competition; it has spark and some skill but lacks finesse. Its concept is clear yet the design is patchy; every character in Neram has the quality of being memorable but not the essence. You would be less interested in a match between two low-ranked players, irrespective of their improvement on court, than a battle between two top seeders. Neram sometimes feels stodgy and heavy-handed but you do admire its efforts nevertheless. But you want more, you want something delicious, something you can relish like sinful dark chocolate but what Neram provides you is Milky Bar. Nice, no doubt, but not to make you go 'Bow Chicka Wah Wah!' Axe style.

My intention wasn't to watch Neram at all when I entered Mayajaal theater hall in Chennai. As there wasn't any other movie playing at that time (well I did have options but it was either this or the animated film Epic or worse, a long three hour wait for the rest of the films), I chose to go for Neram, only because I was pleased by the efforts current Tamil directors were putting in their films unlike many of their Bollywood counterparts. When I entered the hall, the movie had not 'kindly stopped for me' (couldn't resist using the Emily Dickinson phrase!) so I can't exactly tell how it began. My version began with the scene where Vatti Raja, a small-time money-lender cum thug berates someone for not repaying the loan as others, including our protagonist Vetri and his friend look on unnerved. The scene ends with Vetri's friend farting and I thought immediately 'Was that necessary?'. A number of such embellishments weren't needed, but Neram retained them, making the film feel like an over-decorated Christmas tree. Like after this very scene when Vetri begins telling about his love life and we are taken back to his school days when he met his future fiancé Jeena the first time in the sixth grade I think; the scene is cute until the film also decides to add an entire song sequence with Vetri and Jeena performing the predictable 'park foreplay' (with bubble-blowing, this time) and the sappiest audience goes 'Ah! What I cute couple!'. I was unmoved.

Later, when Neram gives rest to silly romance, it works as a Tarantino- like comedy. Vitri frets about the consequences of not repaying his debt to Vatti Raja, while trouble also brews up when Jeena's father objects to their relationship on learning that Vetri is unemployed. Jeena plans to elope with Vetri but that's when chain gets stolen; interestingly, one of the members from the same gang of chain-snatchers robs Vetri's money, which he had taken from his friend (I think; am an unreliable narrator here, not having watched Neram from the beginning). A parallel storyline involves a guy (don't ask me the character's name nor the actor who's playing him. Wish Wikipedia could update its character bios in Neram) who keeps a 'cool' nickname for himself, likes ogling at girls a lot (another idiotic scene at hospital when we hear his inner voice saying 'Oh, lady's voice!' as a nurse enters the room during an otherwise engaging scene) and also, like many others in the film, owes some money to Vatti Raja. The manner in which their lives intertwine is interesting because most of the characters don't know, even after they meet, how actually similar their problems are. All this happens post interval, and so many things seem to be a work of sheer chance or fate that I wondered why the film wasn't titled 'Chance' or 'Faith', the Tamil word for them.

Neram plays out like a simple comedy, although it attempts to emulate a Tarantino film. While Tarantino's dialogs are so mesmerizing and mystifying that monologues which would be considered ramblings if heard elsewhere sound monumentally profound, Neram simply kids around with quirky characters; its non-linear narrative has to be given credit though. The actors play in accordance with their script; they are less irritating when the script wakes up but not even one would remain with you after the film. And who took the decision of giving the role of Vatti Raja to Simhaa, who is in no way intimidating? I understand this is a comedy but I should at least feel even a little of what the characters feel towards another to get more involved with the film. Even a little more dexterity in editing would've helped a great deal; take the scene when Vetri's friend's boss rebukes him for shaving off his beard. He then goes inside and screams at another employee but later apologizes when it turns out to be a girl; the second part happens off- screen and we could only hear the gag. Based on the audience response, very few caught the gag because I heard little reaction from the audience; the gag (a little silly, of course) isn't treated well, with not enough sound so audience members could hear it and a sloppy editing treatment which cut off the gag quickly. I guess the film wanted to pack as many punch-lines as possible in little time but timed a few of them wrong. Well, maybe I'll see a better output from its director Alphonse Putharen another time.

There! I said it. Everyone says Malayalam cinema is improving. I say it is declining. Let us consider NERAM. The dialogs in this film could have been written by a 10 year old. They are puerile. There is no substance whatsoever. Just a bunch of lame SMS and email jokes delivered by goofy actors like Nivin Pauly and John Vijay. Even mediocre 90s films like POST BOX NO 27 or CHEPPUKILUKKANA CHANGAATHI had better jokes than this film. It fails as a slapstick comedy as well as a thriller. The film is all about the presentation - stylish visuals, background score and fast cuts. The first scene with its monologue by the hero reminded me of the monologue in TRAINSPOTTING. The rest of the movie is not as eloquent as the first scene, so one is forced to conclude that it was nothing but a gimmick.

The performances were awful ..... even experienced actors like Lalu Alex, Manoj K Jayan and Shammi Thilakan are unbelievably self conscious. Moreover, they play characters that have been done to death in Malayalam cinema - the middle class uncle, the thug with a heart of gold and the goofy police officer. And the lead actor Nivin Pauly was awful in many of the scenes. I guess all his films would have to feature fast cuts or slow motions and numerous gimmicks which would help hide the inadequacies of the lead actor (the same was the case with THATTATHIN MARAYATHU).

I came to know Neram from one of my malayali friend, she had the malayali version of the song "Kadhal Ennulle" in her mobile. First I didn't know the movie was going to be released in Tamil till the "Pistah" song hit the YouTube, and I was impressed how it was made. Later went to the movie not expecting anything. But began to expect something after seeing "I copy from every movie ever made -Quentin Tarantino - I Agree to this - Alphonse Putharaen(Director)" in the Intro and also the dedications.

Okay now about story,since you must have heard or googled the story by now so i don't want to go discuss it here.You must of thought its not a new one(the story), well I must agree with you but let me tell you,only the story is bit old everything else are fresh including the cast.

About the cast now,as far the character The one who stole the spot light in this movie is certainly not anyone but everyone .Nivin Pauly hero of the movie has every quality to be One of the Top Hero but it depends on his future projects. Mostly he was good in the movie expect few scenes were he was not convincing. Now about heroine,I wanted to watch the movie because of Nazriya Nazim and I think you must have felt that too.She is a fresh face to Tamil cinema and I believe she will be a hit among the Tamil audience. She is adorable and has a good screen presence in the movie but not much of a role to excel in the movie.Simha,Nassar, John Vijay and Thambi Ramaiah like always has done a good job especially I loved Nassar's role which is short and quirky one.

The Main plus of the movie is its Non-linear screenplay and its editing. Alphonse has done a Commentable job.Camera has been well handled by Anand Chandran.Music by Rajesh Murugesan, songs are lovable & pleasant and BGM was apt to the scenes.

The verdict. Will I recommend this movie to My friends? Yes I will. Even if it lacks some of the ingredients to be the Best,it will be one of the best Tamil Movie of 2013. It is one of the those movie which you can enjoy on first watch and. Alphonse is good addition to the Tamil Cinema which is experiencing a good wave of Directors and gives us a confidence we can expect good projects not only from Big Names but also from new comers.

This is a good NERAM for Tamil Cinema.

The movie was so good. Everybody acted well in the movie. Songs and BGM in the movie were also superb in the movie. But the movie lagged a lot.

Neram has lots of factors borrowed from Quentin Tarantino's movies. Mainly the cinematography, direction & slow-mo pause-resume style adoption during chase scenes. It works.

Starting off with funny credits, Neram talks about how a luckless lad is waiting for his time to get right. His life capsizes & resurfaces in a single day. All the commotion in between with some genuine characters is a treat to the viewers. Humor is limited but has credibility & punch. The unfolding of the straightforward plot keeps the viewers in their toes and with the background music so relevant, it pulls off. Fantastic camera work and even better dialogs.

Nivin Pauly charms while Nazriya suits along. Newcomers have done very well in portraying their characters. Every single character has a humorous side & that is what makes the movie very watchable. A very fine approach, although with stolen (read borrowed) elements. Another best part being when all the elements reveal they were co-related, it brings a shower of wonder.

BOTTOM LINE: A must-watch thriller which can make a pessimist laugh mostly because it relates an ordinary man. Highly recommended!

Can be watched with a typical Indian family? YES

Profanity: No | Vulgarity: very Mild | Sex/Foreplay: No | Violence: very Strong | Gore: No | Alcohol/Smoking/Drugs: Mild