IMDb-BEWERTUNG
7,2/10
4237
IHRE BEWERTUNG
Eine rebellische junge Frau, die an Zerebralparese leidet, verlässt ihr Zuhause in Indien, um in New York zu studieren, wo sie sich unverhofft verliebt und sich auf eine heitere Reise der Se... Alles lesenEine rebellische junge Frau, die an Zerebralparese leidet, verlässt ihr Zuhause in Indien, um in New York zu studieren, wo sie sich unverhofft verliebt und sich auf eine heitere Reise der Selbstfindung begibt.Eine rebellische junge Frau, die an Zerebralparese leidet, verlässt ihr Zuhause in Indien, um in New York zu studieren, wo sie sich unverhofft verliebt und sich auf eine heitere Reise der Selbstfindung begibt.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 17 Gewinne & 20 Nominierungen insgesamt
Revathi
- Shubhangini
- (as Revathy)
- …
Asia Kaleem
- Blues Band Singer
- (as Asia Craft)
Empfohlene Bewertungen
Great art movie! I don't really watch Indian movies but when it comes to such art movies, it is indeed worth watching. This movie is different and yet entertaining. It teaches us about acceptance of oneself. Basically, the movie started off with a disabled teenager struggling with self-identity and sexuality issues which are very common during the phase of adolescence. The role of Leila, the main character, was so well played and portrayed by the talented Kalki Koelchin. Things become complicated when Leila flies to America to pursue her studies. She explores her sexuality fully. Taboo issues such as homosexuality have been subtly looked at. Finally, while being quite of a heart wrecking movie, it ends on a feel-good note where Leila is finally at peace with herself.
'Chune Chali Aasma' singing in my mind, with a subtle smile on my face; gratified and moved, I walk down the stairs of the multiplex.
A fantastic story, elegantly told, powerfully acted and excellently directed is something, I would refer to as VARANASI (a dialog in the film), which is lot of noise but in peace, if nothing else.
This Margarita is spilt all over me; and is definitely intoxicating. Sometimes less is more and Margarita with a straw is MORE.
Bravo! MargaritaWithAStraw In a society where disability has always been invisible and unable to provide for differently-abled people, MWAS is refreshing movie that throws light on the very fact that they are there to be found, normal like us.
Many pluses to the film; exceptional heart wrecking story, which is at the same time elevating, keeps you smiling all the time. There is some very modern and captivating music, beautiful lyrics, aptly lensed and direction is splendid.
There is a scene in the movie where the band performs "Dusokute" (which means in her eyes in Assamese - a rock piece by joi barua) which Laila writes & composes, wins an inter collage competition. While they announce the trophy with a special reference to the disability but for ability of Laila, the expression Kalki delivers and that rage in her action, made me shed my first tear.
Where our writers sometimes fail to execute one just challenge or difficulty to the protagonist effectively, Margarita's script writer and director have convincingly put in multiple challenges. A teenager, Laila (Kalki Koechin) on wheelchair with cerebral palsy, aspiring writer and musician, a normal middle class family, studies abroad, a blind pakistani gay girlfriend (foreign balamwa), mother's cancer, her raging hormones and zeel for life and the count goes on.....whuff !!! Kudos.
Talking about the technicality, its a definitive directors baby (Shonali Bose) with some exception scripting. Unconventionally narrated for the loose ends of the continuity of story has been marvelously draped by sheer excellence of direction, which STANDS out. Well balanced characters with their unique sketches, interestingly woven and patterned.
Alongside, Kalki, the film puts the spotlight on, Sayani Gupta, who plays Khanum, her blind lover from Pakistan with whom Laila embarks on an intriguing journey of sexual discovery. Scary for the character, as she speaks, but a delight for the evolving indie audience. Sayani is indeed SAYANI; her portrayal of a blind person without being weighed down by the condition, is breath taking. There are interesting intimate scenes in the movie, which have been edited without any background score (very unlikely approach), are bang on.
Laila's mother (Revathi), reflecting the undying attitude of a mother towards her child, is a cancer patient. She also shares a considerable story time and has performed her role, as an AADAT for Lalia, with utmost perfection. In one of the scenes Laika speaks -Everyone has mother, but she has an aadat ...and that made me drop a tear, yet again .
The protagonist 'Kalki' is absolutely brilliant as Laila; convincingly powerful and award worthy. She completely sucks you into her world, which is evolving, scattered and at the same time simple. Margarita's on-screen depiction of homosexuality, or of disabled people having sex for that matter, in Indian cinema is very brave. The movie throws lot of questions at you without answering them directly, in your faces. A big movie ,especially , for the ones with human rights and gay and lesbian genre.
I am, kind of ,short of praises for such a bold, proactive film about disability and of course coming out, which is an integral part of this story. A very personal thank you note indeed for the director to have done incredible justice to the story with her binding direction , which otherwise would have been lost in transition. Thank you for making the film available for us to see and reflect upon.
Its far better than most of the Bollywood dramas we dwell upon. Go sip on this 'Margarita- with a straw' Ladies and Gentlemen.
👏👏👏👏👏🌹
A fantastic story, elegantly told, powerfully acted and excellently directed is something, I would refer to as VARANASI (a dialog in the film), which is lot of noise but in peace, if nothing else.
This Margarita is spilt all over me; and is definitely intoxicating. Sometimes less is more and Margarita with a straw is MORE.
Bravo! MargaritaWithAStraw In a society where disability has always been invisible and unable to provide for differently-abled people, MWAS is refreshing movie that throws light on the very fact that they are there to be found, normal like us.
Many pluses to the film; exceptional heart wrecking story, which is at the same time elevating, keeps you smiling all the time. There is some very modern and captivating music, beautiful lyrics, aptly lensed and direction is splendid.
There is a scene in the movie where the band performs "Dusokute" (which means in her eyes in Assamese - a rock piece by joi barua) which Laila writes & composes, wins an inter collage competition. While they announce the trophy with a special reference to the disability but for ability of Laila, the expression Kalki delivers and that rage in her action, made me shed my first tear.
Where our writers sometimes fail to execute one just challenge or difficulty to the protagonist effectively, Margarita's script writer and director have convincingly put in multiple challenges. A teenager, Laila (Kalki Koechin) on wheelchair with cerebral palsy, aspiring writer and musician, a normal middle class family, studies abroad, a blind pakistani gay girlfriend (foreign balamwa), mother's cancer, her raging hormones and zeel for life and the count goes on.....whuff !!! Kudos.
Talking about the technicality, its a definitive directors baby (Shonali Bose) with some exception scripting. Unconventionally narrated for the loose ends of the continuity of story has been marvelously draped by sheer excellence of direction, which STANDS out. Well balanced characters with their unique sketches, interestingly woven and patterned.
Alongside, Kalki, the film puts the spotlight on, Sayani Gupta, who plays Khanum, her blind lover from Pakistan with whom Laila embarks on an intriguing journey of sexual discovery. Scary for the character, as she speaks, but a delight for the evolving indie audience. Sayani is indeed SAYANI; her portrayal of a blind person without being weighed down by the condition, is breath taking. There are interesting intimate scenes in the movie, which have been edited without any background score (very unlikely approach), are bang on.
Laila's mother (Revathi), reflecting the undying attitude of a mother towards her child, is a cancer patient. She also shares a considerable story time and has performed her role, as an AADAT for Lalia, with utmost perfection. In one of the scenes Laika speaks -Everyone has mother, but she has an aadat ...and that made me drop a tear, yet again .
The protagonist 'Kalki' is absolutely brilliant as Laila; convincingly powerful and award worthy. She completely sucks you into her world, which is evolving, scattered and at the same time simple. Margarita's on-screen depiction of homosexuality, or of disabled people having sex for that matter, in Indian cinema is very brave. The movie throws lot of questions at you without answering them directly, in your faces. A big movie ,especially , for the ones with human rights and gay and lesbian genre.
I am, kind of ,short of praises for such a bold, proactive film about disability and of course coming out, which is an integral part of this story. A very personal thank you note indeed for the director to have done incredible justice to the story with her binding direction , which otherwise would have been lost in transition. Thank you for making the film available for us to see and reflect upon.
Its far better than most of the Bollywood dramas we dwell upon. Go sip on this 'Margarita- with a straw' Ladies and Gentlemen.
👏👏👏👏👏🌹
#MargaritaWithAStraw : A Sonali Bose film, starring Kalki Koechlin, Revathi & Sayani Gupta. The film describes an abnormal person's life, her relationship with her mom, her boyfriend, her normal friends, her foreign tour, her classmate, her gay partner, & at last with her, too. Sonali explains every situation very politely. This film is surely not a cup of tea for many viewers who love masala movies. This film made you to think, to love yourself, to enjoy life without any fear of being criticize. So, stop judging and enjoy the life! Surely watchable in the theater. But, only interested one can go, otherwise those kind of people who pass comments (if you are in this category, please don't go. Because you have to be keep quiet while watching.) may spoil others mood. So, enjoy the movie and at last, cheers to Kalki!
10Red-125
Margarita, with a Straw (2014) is an Indian film written and directed by Shonali Bose and Nilesh Maniyar.
Kalki Koechlin plays Laila, an intelligent young woman who is gifted in many ways. The only thing that could hold her back is her cerebral palsy. This medical problem is not shown to us as a beautiful young woman with a limp. Laila's body is twisted, she must use a wheelchair, and she needs help in many different ways. She's fiercely independent, but her cerebral palsy keeps getting in the way of her life.
Ultimately, Laila moves to NYC, to go to college. She arrives in the middle of winter. Seeing NYC in winter through a foreigner's eyes was a revelation. The city isn't just cold--it's threatening. However, the first New Yorker with whom Laila interacts is a bus driver in one of NYC's kneeling buses. He is friendly and helpful, and that's a revelation too.
Most of the movie takes place in New York City, and Laila adapts well to her new situation. She succeeds academically, she falls in love, and she's happy. I had expected endless psychological and mechanical obstructions. However, Laila's enthusiasm for life keeps these frustrations at bay. The romantic problems are harder to overcome. How Laila copes with them is the major plot theme.
I need to make special mention of Kalki Koechlin as Leila. She is so convincing as a person with cerebral palsy that I had to check her biography to make sure she did not have this condition. It would be interesting to see an actor with cerebral palsy playing a starring role in a movie. However, Kalki Koechlin doesn't have cerebral palsy. It's hard to imagine how Koechlin could convince us that Leila has cerebral palsy. Koechlin's portrayal shows incredible acting skills. My compliments to her on her great performance!
We saw this movie on the large screen as part of ImageOut, the superb Rochester LGBT Film Festival. It will work almost as well on the small screen.
Kalki Koechlin plays Laila, an intelligent young woman who is gifted in many ways. The only thing that could hold her back is her cerebral palsy. This medical problem is not shown to us as a beautiful young woman with a limp. Laila's body is twisted, she must use a wheelchair, and she needs help in many different ways. She's fiercely independent, but her cerebral palsy keeps getting in the way of her life.
Ultimately, Laila moves to NYC, to go to college. She arrives in the middle of winter. Seeing NYC in winter through a foreigner's eyes was a revelation. The city isn't just cold--it's threatening. However, the first New Yorker with whom Laila interacts is a bus driver in one of NYC's kneeling buses. He is friendly and helpful, and that's a revelation too.
Most of the movie takes place in New York City, and Laila adapts well to her new situation. She succeeds academically, she falls in love, and she's happy. I had expected endless psychological and mechanical obstructions. However, Laila's enthusiasm for life keeps these frustrations at bay. The romantic problems are harder to overcome. How Laila copes with them is the major plot theme.
I need to make special mention of Kalki Koechlin as Leila. She is so convincing as a person with cerebral palsy that I had to check her biography to make sure she did not have this condition. It would be interesting to see an actor with cerebral palsy playing a starring role in a movie. However, Kalki Koechlin doesn't have cerebral palsy. It's hard to imagine how Koechlin could convince us that Leila has cerebral palsy. Koechlin's portrayal shows incredible acting skills. My compliments to her on her great performance!
We saw this movie on the large screen as part of ImageOut, the superb Rochester LGBT Film Festival. It will work almost as well on the small screen.
Having read through the reviews at this movie I am amazed that some people felt the lead character was a nasty/selfish person. If that is the main takeaway then I think you missed a big point of the film, and that is that EVERYONE has issues. Those people who wrote these reviews seemed to think badly of Kalki's character simply because of some of the ways she behaved - as though 'disabled' people are supposed to behave by some kind of superior set of values. To those people I suggest you watch it again and see her as a human being and realize she IS more than her disabilities.
Personally, I found it to be a superb movie. From the script writing through the cinematography to the acting. There were some seriously strong performances and not just from Kalki Koechlin who, quite frankly, deserves an Oscar for her performance.
There's so much to like about this film and so little to dislike and it is very thought-provoking, which has to be a good thing. As others have pointed out it is definitely not a masala movie and as there are some mature themes in it, I wouldn't say it was family viewing, unless your kids are old enough.
Personally, I found it to be a superb movie. From the script writing through the cinematography to the acting. There were some seriously strong performances and not just from Kalki Koechlin who, quite frankly, deserves an Oscar for her performance.
There's so much to like about this film and so little to dislike and it is very thought-provoking, which has to be a good thing. As others have pointed out it is definitely not a masala movie and as there are some mature themes in it, I wouldn't say it was family viewing, unless your kids are old enough.
Wusstest du schon
- WissenswertesMovie is inspired by the director's sister.
- VerbindungenFeatured in MsMojo: Top 10 Best Modern Movies for Representation (2021)
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Details
Box Office
- Budget
- 850.000 $ (geschätzt)
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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