All Hallows' Eve - Komm raus und spiel!

Given the overwhelming popularity of shockfests like Martyrs and the Saw series, the nearly universal disapproval of this film is itself shocking. It's strange how some films can make their mark for the very things that cause others to be rebuked. All Hallows' Eve is low budget and has its mistakes, but overall is a wonderful, very scary exploitation horror film with a memorable villain and surprisingly good production values.

All Hallows' Eve is an anthology film. Like most horror anthologies such as Tales From the Darkside: The Movie, Twilight Zone: The Movie, and Trick R' Treat, All Hallows' Eve has three main stories plus a wraparound story that ties them together. Director Damien Leone chose this format to showcase his pre-existing short films ("The 9th Circle" and "Terrifier"), so only the second story and the wraparound are totally new. The film opens with a woman babysitting two children on Halloween night and the discovery that someone has sneaked a VHS tape into one of the children's trick-or-treat bags. Reluctantly the babysitter plays the tape and the first of three stories begins.

With regard to reputation, there seem to be three primary complaints about the movie: 1) The director used previously created material, 2) The film is excessively gory, and 3) The acting is bad. Each of these is easily negated. First, most people have not seen the two short films, so the director seized his chance to have them viewed by a large audience. Completely understandable. Second, yes the film is graphic, but certainly no more than a hundred others released in the past decade, many of which were very popular. Third, the acting is actually pretty good. It's definitely strong enough to let the audience suspend their disbelief, which is after all the name of the game.

If there's one thing I've learned from reading reviews and posts on IMDb and elsewhere, it's that people will complain about anything. The truth is that All Hallows' Eve is a tense, entertaining horror film alive with creativity, realistic effects, and inspired direction. Its rating on IMDb (as of this writing) is unfortunate and unfair. If you want a polished horror film that's long on plot and every shot perfectly framed, see something else. If you want to have a good time and be scared, see this.

OK before you go all on me, saying that this movie is horrible. I know. It is don't worry. But you know it has the right amount of goofyness to make it decent. Is it scary you ask, well somewhat yea there are a few great scares that I won't forget and guess what there are barely any jump scares! This film relies mostly on atmosphere and outfits to scare you and it works well besides the really fake looking alien. But that's fine it's an indie flick. The acting actually isn't too bad, it has horrible moments but it's pretty solid. It was directed really well for a first timer. And that's another reason for the high score. If this was a higher budget film I woul give it a 5 or 6. But it's really fun so you know I'll cut slack. But I did have my few gripes 1: it was very slow and repeating at times mostly during the 2nd tape. And the last one isn't really a gripe but an opinion, not enough Art the clown!!!

This movie is basically the original Terrifier (which is just a diabolically tremendous short) with two pretty terrible stories beforehand.

The first one, the 9th circle features some pretty gnarly-low budget but effective imagery. But that's it.

The second may as well be an Ed Wood short minus the humor. Just god awful.

Then the reason this movie exists: to propel Art the Clown into an icon

(which they have succeeded with the balls to the wall blood fest that is Terrifier 2 and 3 coming this year)

The only reason I'd recommend watching this and not just the original Terrifier short is the wrap around story. I won't spoil that---but the ending outside of the shorts reminds us were watching a film by Damien Leone who's seemed to corner the "breaking every rule torture rampage" market atm.

Lastly, I found both actors who played Art to be utterly terrifying but it was interesting seeing minor aesthetic differences.

If you're going to close your mind off to the fact that this is supposed to be a cheesy, low-budget creepfest with some silliness mixed in, then you aren't going to enjoy it.

However, if you want something twisted, demonic, and just flat out sick at times - I say you'll enjoy it. Do yourself a favor, unlike others, don't go into this thing with high expectations. It is supposed to make you cringe, be creeped out, and laugh all at the same time. It is not supposed to be taken seriously.

For an independent low-budget horror film, it did a solid job. Did I roll my eyes? Absolutely. Did the Carpenteresque score, isolated atmosphere, and one helluva creepy character balances this out? Yes. Give it a shot, especially around All Hallows' Eve. 7/10 on entertainment value alone.

This film starts with a grainy, realistic 90s feel, I loved the elements of vulnerability with the babysitter and two children. However, after the initial unveil of the VHS it began to slip Into a much softer variation of Terrifier.

There are three short stories shown from the VHS however, all are reminiscent of an anthology of short stories, crafted into one feature film, and too be honest it is confusing since it has limited foundations.

Not only do we not know what any of the creatures are, from the cultists in masks, a demon, a scuba- diving alien, and Art the Clown himself, there is no motives it seems other than to capture, torture, kill or rape which leaves a gaping hole on trying to discover any meaningful connection to anything other than an evil entity.

The VHS scene involving a baby being cut from someone's stomach to a leathery faced demon about to have a sexual ritual with a girl sensed it had inspiration from the cult classic Rosemary's baby.

Otherwise, what starts as an old-school Halloween horror fest gradually loses interest, and while the are some macabre scenes, nothing really jumps out and grabs your attention.

Art the Clown played by Mike Giannelli doesn't have the same charisma and clever comedic expressions as David Howard Thornton in Terrifier, and so Art doesn't seem have the same unique spark, or feature improvements such as make-up affects which makes him feel more delightfully "Terrifying"

A notable dislike comes from the fact that Art is a supernatural character and that while being whacked, stabbed, and shot doesn't seem to mortally wound, or impede the crazed psychopath whatsoever. Therefore, Art manages to catch up to his victim on every occasion with little effort or hinderance leaving no likelihood or genuine possibilities for escape. I for one like to see survival, and the arduous journey of self-discovery, but with this franchise the predictability of seeing everyone slaughtered leaves nothing to chance and therefore leaves no legitimate surprises.

It's a shame that an intriguing idea gets caught up too much is the sacrificial gore instead of solid storytelling. There is much we don't know, but also don't understand. While I don't think All Hallows Ever is a completely meaningless gore-filled slasher, I don't think it serves a hell of a lot of purpose at this point other than to shock and terrify the audience on different and resourceful ways to showcase brutal acts of violence.

5/10.