Sen Aydinlatirsin Geceyi

This one had a high rating so i was expecting it's good but it was even better than i expected. Of course, it's not for anyone. It works at many levels, one might think this is surreal and bizarre, but i think it's multilayered. It's more of symbolic/allegorical than surreal. There is depth here, it's a meaningful movie, daring and provocative. At times, it was even brilliant, i stood in awe watching some amazing scenes. It's obviously that the director & writer of this movie is intellectual but this is not some kind of artsy and pretentious movie. There is a strong fantasy element but simultaneously, it's grounded in reality.

A fragile and deeply flawed person and the struggles he faces in his life, after a tragic incident occured. A village so real and so magical simultaneously. Acts of violence, acts of love, tragedy and hope, mistakes and forgiveness.

Be patient at the beginning, this didn't start great but it was getting better by the minute.

A great (comedy?)/drama/fantasy movie.

This is a very special movie, truly not for everyone.

The director have an amazing imagination and surprises the viewer with countless visual effects.

The soundtrack plays an important role in building the final product.

A must see.

We just saw this movie at Cinequest 2014 in San Jose, California. It's a difficult movie and will be impenetrable for many. It seems to take place in a very Earth-like town but there are multiple moons in the sky and many residents have special powers. However, the residents all have Earth-like woes. The main character, Cemal, has a lot of woes. His mother and siblings died long ago in a fire. He lives with his dad and the two work in a barber shop. Cemal can see through and walk through walls but he spends most of his time in the movie wondering why he exists (and whether we exist at all) and what would have happened if we'd never existed.

As a result of Cemal living mostly in his own head, he has a series of misadventures over the period of a few weeks. The movie explains some but mostly it leaves you to fill in the gaps.

This movie is a visual poem on existence. The movie's title is a line in one of Shakespeare's sonnets, which starts:

"How can I then return in happy plight, That am debarred the benefit of rest? When day's oppression is not eas'd by night, But day by night and night by day oppress'd."

The sonnet plays a minor role in the movie, but those four lines from The Bard's poem explain the movie's nearly unexplainable plot.

This movie will be much easier to assimilate for people with a science fiction bent.

"There used to be a bird you shot, right? It's not there anymore, is it?" Cemal says. What would have happened if we had never existed? What would change? Does our existence in this world mean anything or should it? Philosophical questions abound in this movie. While watching Cemal, the audience feels as if they are being abstracted from their surroundings and constantly residing in the realm of thoughts as if they were Cemal himself. Superheroes have superpowers. But these superpowers don't create characters who live without worries or as if they've come to this world to have fun. Cemal has a concern, and this concern doesn't seem like it can be resolved with superpowers. These concerns are related to very basic things, the existence of life. This concern is about love and the delicate balance of love.

Cemal is a very contemplative and thoughtful character. His thoughtfulness is constantly reflected as worry to himself. He doubts small things, experiences his emotions. He is a person "created from worry." These worries push him towards inquiries that will develop him as a human while also causing him to engage in behaviors he does not want and will regret. He beats the woman he loves (Yasemin). Then he reads her poetry. Cemal is confused, his actions are contradictory. Just like all of us. Even if he could see inside the walls and pass through them, he would not be able to overcome the emotional wall with Yasemin, drowned in his worries and obsessions, which have taken over his entire life.

The cinematography of the film is important in understanding the characters' inner worlds. Cemal's scenes shot with a fixed camera show his eyes and what's behind them to the audience. The poetry scene on the balcony is a nod to Romeo and Juliet. Cemal, the guilty lover trying to win his wife's heart, reads poetry to her. Light shines on his face as if it is from Yasemin, her light giving meaning to his life, he can't do it without her, but his worries are also visible on his face. Cemal stands below the balcony, looking at Yasemin as if she were a goddess. A goddess he can never reach, a goddess who will "definitely" betray him or leave him.

Don't we all have a bit of Cemal in us, after all? Cemal "lives in the church in our ribs."

I must watch...a hidden jewel.

It may be hard to access since it has not been widely released but if you somehow see it in a local festival don't hesitate to buy a ticket. I feel lucky to be one of the minority who was able to watch it thanks to "Baska Sinema" in İstanbul.

I am a big fantasy science fiction fan. I was surprised to see that most of the characters in the movie have special powers but this not a superhero movie. The film is about ordinary people with superhuman powers who live in a small town and live their standard, boring lives. They are all extremely naive and even the most extraordinary incidents and behaviors are being easily accepted by the townspeople.

I think this is all I can say without giving any spoilers but I know that I left the theater with a smiling face and a broken hard at the same time.

If you want to watch an extraordinary and amusing film, don't miss it.