Ein kürzlich arbeitsloser alleinerziehender Vater kämpft darum, sein abgeschottetes Haus zurückzubekommen, indem er für den Immobilienmakler arbeitet, der die Quelle seiner Frustration ist.Ein kürzlich arbeitsloser alleinerziehender Vater kämpft darum, sein abgeschottetes Haus zurückzubekommen, indem er für den Immobilienmakler arbeitet, der die Quelle seiner Frustration ist.Ein kürzlich arbeitsloser alleinerziehender Vater kämpft darum, sein abgeschottetes Haus zurückzubekommen, indem er für den Immobilienmakler arbeitet, der die Quelle seiner Frustration ist.
- Auszeichnungen
- 12 Gewinne & 24 Nominierungen insgesamt
- Officer Dudura
- (as Doug Griffin)
- Alex Greene
- (as Alex Aristidis Perdikis)
- Derek
- (as Albert Bates)
- Jeff
- (as Jayson Smith)
Empfohlene Bewertungen
Kudos to those involved with casting as every actor/actress, from the leading Andrew Garfield and Michael Shannon, right down to those who were only in one or two scenes, did a really good job. There were a lot of confrontational emotions in this movie and the actors/actresses did a great job of getting me to empathize with their characters. I had a hard time believing that Laura Dern's young-looking character was Garfield's character's mother, but she acted well.
I felt that Bahrani struck a good balance between showing the audience Garfield's character's life with his family VS his professional life.
I found the music throughout the movie to be pretty appropriate. The music chosen for each scene complimented the dramatic tone of what was happening.
There were two things about the movie that bothered me enough to pull me out of the tense drama temporarily: (1) There were a couple of big coincidental moments (one of which is directly related to the final scene) that seemed a bit too fate-like. For a movie with the very real backdrop of the US housing market crash, and such believable characters, these unrealistic occurrences seemed out of place. (2) At one point, a montage format is used to quickly show Garfield's character go through a bunch of different exchanges with other characters. This quick cutting from scenario to scenario is a missed opportunity to fully immerse us viewers in a couple of heart-wrenching moments. As a result, the mixed emotions that I recognized I was supposed to feel weren't as strong as they could have been.
Overall, this drama was well done. I think it could have been better in some areas, but it was still a nice watch.
"99 Homes" has an intense beginning that absorbs me into the story. The circumstances it portrays is very real and relevant to people in lower income brackets, and their pain of losing their homes is piercingly recreated. I feel so sorry for Dennis because he appears to be such a hard-working, honest and amicable guy. As the story progresses, he is faced with various moral dilemmas. The story is captivating, and it's helped by the intensity of the marvellous performances of Michael Shannon and Andrew Garfield. It is a very good and thought provoking film, that leaves me wondering about the rights and wrongs of Rick and Dennis.
99 Homes expresses how everyone was effected by the economy drop and how using the excuse of keeping afloat as a way to let doing what you have to do corrupt you.
99 homes is about the corruption of Dennis Nash, played by Andrew Garfield as he does what he has to do to get back his home for his mom and his child, after it being taken away from by Rick Carver, played by Micheal Shannon. Ironically Dennis goes to work for the enemy becoming the very person that put him in this situation.
You can't help to be emotional about 99 Homes, it's a movie about a period in history but it's so recent, you either are or know someone who has a story similar. Attacking such current events add to the drama and the tension of the movie.
It was interesting to watch this narration unfold and well acted by Micheal Shannon and Andrew Garfield. Very good watch.
It's an electrifying premise and one that's superbly directed by Ramin Bahrani who brings a documentary-style realism to his work. Certainly the camera-work is fantastic, often hand held and getting into the faces of the actors so that you feel close up and involved with the situations. However, the real ace up the sleeve is the casting of Michael Shannon as the criminal broker; he gives a performance of reptilian magnitude as an amoral money-hunter and he's simply magnificent. I loved this guy in BOARDWALK EMPIRE and he continues to go from strength to strength here.
The eyes and ears of the viewer is played by Andrew Garfield, less impressive in a more subtle part. Garfield isn't bad when he gets the opportunity - he was fine in THE SOCIAL NETWORK - and he's more than believable as the desperate young man in this. Laura Dern and Clancy Brown flesh out the rest of the cast. The film is by turns intense, awkward, moving, and exciting, but always engrossing and not to mention gripping. The only misstep is a rather silly sub-plot in which Garfield tries to hide his work from his family, which feels rather irrelevant (if he's putting food on the table, what does it matter?). The other problem is the trite Hollywood ending; for a film that's exemplified gritty realism throughout, to cop out in this way is a real joke. Other than those problems, it's fine.
Wusstest du schon
- WissenswertesDirector Ramin Bahrani used a 24mm lens for close-ups of Andrew Garfield as it gave greater depth as to what was showing on his face.
- PatzerSimple admissions of guilt someone in a stressful situation is not going to cause the police to immediately arrest you. Nash was facing an armed man who clearly wasn't bent upon self injury or perhaps harming others. Even if he "admitted" his alleged guilt in a criminal matter, the police would have required more evidence (such as the event had actual occurred) before they could arrest him.
- Zitate
Rick Carver: Don't be soft. Do you think America give a flying rats ass about you or me? America doesn't bail out the losers. America was built by bailing out winners. By rigging a nation of the winners, for the winners, by the winners.
- SoundtracksLoco Loco
Written by Marlon Betancur
Performed by Mr. Kapri
Published by Edimusica USA
Courtesy of Miami Records Inc.
By arrangement with Ocean Park Music Group
Top-Auswahl
- How long is 99 Homes?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- 99 casas
- Drehorte
- New Orleans, Louisiana, USA(set as Orlando, Florida)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 8.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.411.927 $
- Eröffnungswochenende in den USA und in Kanada
- 32.253 $
- 27. Sept. 2015
- Weltweiter Bruttoertrag
- 1.828.232 $
- Laufzeit
- 1 Std. 52 Min.(112 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1