Ein Küchenchef kündigt seinen Job im Restaurant und kauft einen Speisewagen, um sein kreatives Versprechen zurückzugewinnen, während er seine entfremdete Familie wieder zusammensetzt.Ein Küchenchef kündigt seinen Job im Restaurant und kauft einen Speisewagen, um sein kreatives Versprechen zurückzugewinnen, während er seine entfremdete Familie wieder zusammensetzt.Ein Küchenchef kündigt seinen Job im Restaurant und kauft einen Speisewagen, um sein kreatives Versprechen zurückzugewinnen, während er seine entfremdete Familie wieder zusammensetzt.
- Auszeichnungen
- 2 Gewinne & 4 Nominierungen insgesamt
Jose C. Hernandez
- Abuelito
- (as Jose C. Hernandez 'Perico')
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I can't help feeling that this movie is not only about a chef finding himself, but it's also about lead actor/director Jon Favreau trying to get back in touch with the kind of films he used to make -- small ones without guys wearing super-suits or cowboys drawing down on aliens. Here, Favreau's Carl Casper quits his big Iron Restaurant job and rediscovers himself, and his passion for food and family, by running a Chef-sized food truck. Results: excellent.
Films like this can be lost if the wrong kid is cast. Emjay Anthony is the right kid. He's great as Percy. I particularly enjoyed the way the film handled Percy's internet-savviness, and how he used it. John Leguizamo is a great fit as Carl's friend and sous-chef. Sofia Vergara as Carl's ex- wife is, as usual, capable and stunning.
See Chef, and bear witness as a good filmmaker continues his journey to becoming a great one.
Films like this can be lost if the wrong kid is cast. Emjay Anthony is the right kid. He's great as Percy. I particularly enjoyed the way the film handled Percy's internet-savviness, and how he used it. John Leguizamo is a great fit as Carl's friend and sous-chef. Sofia Vergara as Carl's ex- wife is, as usual, capable and stunning.
See Chef, and bear witness as a good filmmaker continues his journey to becoming a great one.
At an early point in Chef, the title character cooks a grilled cheese sandwich for his 10-year-old son, Percy. It's a familiar recipe —bread, butter, and cheese — but the way that the camera lingers on the melting cheese, and the care taken in how the food was served, made me want to reach into the screen and take a bite. If Chef were a meal, it would be comfort food. When comfort food is done right, boy oh boy does it hit the spot.
Favreau directs and stars as Carl Casper, a celebrated chef at a swanky Los Angeles restaurant, whose creativity and integrity is compromised by the restaurant's controlling owner. After a video of him losing his temper at a food critic goes viral he becomes not only unemployed, but unemployable. With his reputation in shreds, he decides to get back in touch with his roots by opening a food truck and taking it – along with line cook and son - on the road, rediscovering his passion along the way.
The pairing of sumptuous shots of food preparation with Latin beats is hard to resist for most audiences, and the food shots in Chef are so luscious and evocative that you can almost smell what's cooking. The music, sensual and spicy, is perfectly matched to the food. There's a beauty and a rhythm in the food preparation scenes and the amount of them included in the film is just right, so as not to feel over indulgent.
There is also a lot of enjoyment to be had from watching the performances of the supporting cast, and perhaps this is because each of them play to their strengths: Robert Downey Jr steals the scene as Casper's ex-wife's other ex-husband who is rich, generous, and always looks like he's on the verge of doing something really crazy; Sofia Vegara plays Casper's sweet, sexy, well- meaning ex-wife, who he is still great friends with; John Leguizamo, always an interesting actor to watch, has fantastic chemistry with Favreau and the young actor who plays his son, and some of the more meandering scenes in the film are made interesting by his infectious energy; and Dustin Hoffman adds an element of compassion to a role that could have easily been reduced to a caricature. The stars featuring in the film stay firmly within their safe zone, and I couldn't help but remember what Hoffman tells Favreau early in the movie: play your hits, because no one wants to go to a Rolling Stones concert and not hear 'Satisfaction'. While this can have the potential to be boring, it bodes well for the film: we know we're in safe hands, and we're going to come out of this feeling satisfied. Special mention must be made of Emjay Anthony, who plays Favreau's son Percy with the perfect blend of maturity and innocence, and is really the emotional centre of the film.
While the film is certainly a feast for the senses, at its core it's about restoration: restoring the father-son relationship, and restoring passion. It's hard to ignore the parallels to Favreau's own career: after breaking out in the 1996 indie hit Swingers, Favreau has in recent years become a director of the mega-blockbusters: the first two Iron Man movies, and the less well-received Cowboys & Aliens. Here, he cleanses his palate as a director and returns to more down-to-earth, feel-good fare (there's even a dead-on remark about Casper's/Favreau's "dramatic weight gain". Ouch). A familiar recipe made with great ingredients, Chef will leave you feeling satisfied.
Favreau directs and stars as Carl Casper, a celebrated chef at a swanky Los Angeles restaurant, whose creativity and integrity is compromised by the restaurant's controlling owner. After a video of him losing his temper at a food critic goes viral he becomes not only unemployed, but unemployable. With his reputation in shreds, he decides to get back in touch with his roots by opening a food truck and taking it – along with line cook and son - on the road, rediscovering his passion along the way.
The pairing of sumptuous shots of food preparation with Latin beats is hard to resist for most audiences, and the food shots in Chef are so luscious and evocative that you can almost smell what's cooking. The music, sensual and spicy, is perfectly matched to the food. There's a beauty and a rhythm in the food preparation scenes and the amount of them included in the film is just right, so as not to feel over indulgent.
There is also a lot of enjoyment to be had from watching the performances of the supporting cast, and perhaps this is because each of them play to their strengths: Robert Downey Jr steals the scene as Casper's ex-wife's other ex-husband who is rich, generous, and always looks like he's on the verge of doing something really crazy; Sofia Vegara plays Casper's sweet, sexy, well- meaning ex-wife, who he is still great friends with; John Leguizamo, always an interesting actor to watch, has fantastic chemistry with Favreau and the young actor who plays his son, and some of the more meandering scenes in the film are made interesting by his infectious energy; and Dustin Hoffman adds an element of compassion to a role that could have easily been reduced to a caricature. The stars featuring in the film stay firmly within their safe zone, and I couldn't help but remember what Hoffman tells Favreau early in the movie: play your hits, because no one wants to go to a Rolling Stones concert and not hear 'Satisfaction'. While this can have the potential to be boring, it bodes well for the film: we know we're in safe hands, and we're going to come out of this feeling satisfied. Special mention must be made of Emjay Anthony, who plays Favreau's son Percy with the perfect blend of maturity and innocence, and is really the emotional centre of the film.
While the film is certainly a feast for the senses, at its core it's about restoration: restoring the father-son relationship, and restoring passion. It's hard to ignore the parallels to Favreau's own career: after breaking out in the 1996 indie hit Swingers, Favreau has in recent years become a director of the mega-blockbusters: the first two Iron Man movies, and the less well-received Cowboys & Aliens. Here, he cleanses his palate as a director and returns to more down-to-earth, feel-good fare (there's even a dead-on remark about Casper's/Favreau's "dramatic weight gain". Ouch). A familiar recipe made with great ingredients, Chef will leave you feeling satisfied.
Jon Favreau's pet project, after a decade of big budget, heavy-on-special-effects, blockbusters and fantasy fair, is as charming as they come. The film follows a master chef (played by Favreau) whose career is derailed and, as a last resort, opens a food truck and drives across country with his young son and his sous-chef, played by John Leguizamo, selling Cubano sandwiches. Along the way, we're treated to food-porn at its best and introduced to a cast of characters that would make Woody Allen blush: Oliver Platt, Dustin Hoffman, Sofia Vergara, Robert Downey Jr., Scarlett Johansen, and a slew of other familiar faces.
This is still a far cry from 'Swingers' - the film that began the plague that is Vince Vaughn and managed to charm every straight man in America - but the man knows how to make a light comedy with clever dialogue that doesn't feel frivolous. This is far from indie/art-house but Favreau was candid in saying that he had no desire to make a cinematic contribution, he simply fell in love with the premise, ran with it, and the result brought the house down.
This is still a far cry from 'Swingers' - the film that began the plague that is Vince Vaughn and managed to charm every straight man in America - but the man knows how to make a light comedy with clever dialogue that doesn't feel frivolous. This is far from indie/art-house but Favreau was candid in saying that he had no desire to make a cinematic contribution, he simply fell in love with the premise, ran with it, and the result brought the house down.
I'm no foodie but I really enjoyed this road-trip / father-son / buddy movie, written directed by and starring Jon Favreau, based on the recent life and times of a perfectionist chef who struggles to suppress his own innovation to the demands of his conservative paymaster boss. More than this, he gets involved in a spat with the town's number 1 food critic, sees his relationship with his son founder under pressure of work and still pines after his glamorous and super-rich ex-wife.
There's not much more to the story than that and I feared for all the anticipated parental-bonding scenes I would see the second I clapped eyes on his flop-haired 10 year old son but I was very pleasantly surprised to be engaged by this lighthearted, fast-moving, feel-good movie, right up to the predictable happy ending for all concerned.
With a busy but enjoyable soundtrack of soul and salsa in the background, nice realistic acting by all the leads right down to son Percy and of course lots of scrumptious shots of freshly made food, this movie certainly mixed its ingredients together well, delivering in the end a most palatable dish.
Perhaps the star-power cameos were a little unnecessary, maybe the father-son stuff did get a little hokey at times and the wraparound happy ending did seem somewhat forced but on the whole I found this a very watchable and occasionally funny movie which more than whetted my appetite for a decent Saturday night stay-in movie.
There's not much more to the story than that and I feared for all the anticipated parental-bonding scenes I would see the second I clapped eyes on his flop-haired 10 year old son but I was very pleasantly surprised to be engaged by this lighthearted, fast-moving, feel-good movie, right up to the predictable happy ending for all concerned.
With a busy but enjoyable soundtrack of soul and salsa in the background, nice realistic acting by all the leads right down to son Percy and of course lots of scrumptious shots of freshly made food, this movie certainly mixed its ingredients together well, delivering in the end a most palatable dish.
Perhaps the star-power cameos were a little unnecessary, maybe the father-son stuff did get a little hokey at times and the wraparound happy ending did seem somewhat forced but on the whole I found this a very watchable and occasionally funny movie which more than whetted my appetite for a decent Saturday night stay-in movie.
I did not expect such a talented cast of actors mostly in small parts. Jon Favearu has a lot of friends. The actor who played his son is a find. He was great. Low key, sweet and very natural and believable. The story is good. It is about the chef and then the food truck, but it really is about him and his son. I liked that he was friends with his ex wife, Sofia Vergara, who did a great job. That struck home for me, because my ex and I get along well and it brought a lump to my throat to see how happy that made their son. It is special when divorced parents can get along and do things with their kids. The story moved quickly and I loved how the son used twitter and they incorporated social media into the story. Very realistic. I highly recommend this movie. Really a joy to watch.
Wusstest du schon
- WissenswertesPromotional events centering on the fictional Cubano-serving El Jefe proved to be so popular that Favreau and Los Angeles-based chef Roy Choi, who consulted on the film, opened a series of pop-up restaurants and thought about making the track permanent.
- PatzerWhen Percy creates Carl's Twitter account they settle on the name @ChefCarlCasper. Yet Carl's very first tweet, which he thought was a private message to Ramsey Michel, was shown to have been posted by @CasperCarl. For the remainder of the movie his Tweets correctly identified him as @ChefCarlCasper.
- Zitate
Carl Casper: I may not do everything great in my life, but I'm good at this. I manage to touch people's lives with what I do and I want to share this with you.
[trailer abridged version]
- Crazy CreditsNear the end of the credits, there is a brief scene of chef Roi Choi teaching Jon Favreau how to make the perfect grilled cheese sandwich.
- VerbindungenFeatured in The Nostalgia Critic: Why Is Nothing Original Anymore? (2015)
- SoundtracksBrother John is Gone / Herc-Jolly-John
Written & Performed by Bo Dollis Jr. and the Wild Magnolia Indians (as The Wild Magnolias)
Courtesy of Nonesuch Records
By arrangement with Warner Music Group Film & TV licensing
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Chef a domicilio
- Drehorte
- Austin, Texas, USA(Guero's Taco Bar and Franklin's BBQ)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 11.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 31.424.003 $
- Eröffnungswochenende in den USA und in Kanada
- 204.961 $
- 11. Mai 2014
- Weltweiter Bruttoertrag
- 50.440.695 $
- Laufzeit1 Stunde 54 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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