Ugly

Even the most expensive special effects cannot match 1% of what viewers can create simply with their imagination. Very few directors have the skill to use this ability of the audience. Unseen is always a lot more scary and disturbing than seen.

There is a 5 minute scene in first half of Ugly. It has no dialogues. There is hardly any action. But it will chill your bones and you will remember it for a long time. It is worth watching Ugly, just to experience the skill of the director in this one scene.

Anurag is truly the gangsta of Hindi cinema. He drags his audience to ultra real, scary and uncomfortable places to meet and confront demons who look just like people you see every day.

Ugly's world is a dog-eat-dog world. Everyone is in it for themselves. They will sell their best friend and his kids to the highest bidder in the blink of an eye.

If you enjoyed Black Friday, Dev D, Gulaal and Gangs of W, you will enjoy Ugly. If you did not, then it is best to stick to Mega Entertainer Sal Khan's movies.

Ugly, undoubtedly the best movie of Anurag kashyap till date, he manages to keep the suspense alive and bring across crucial twists. Ronit Roy steals the show with his best performance and all the cast especially, Rahul bhatt and Vineet kumar did great job. This is about how we tend to lose greater things in life because we are too stuck on our own perceptions. Directed in a very realistic way, I didn't find any flaws in this movie, everything is perfectly crafted in Kashyap style with no violence or gang-fights. I would recommend this movie to anyone who is a fan of dark thrillers, I am sure you wont get disappointed with Ugly though the movie is not at all ugly, in fact its a beautiful film with good message to society. I give it 10/10.

So what is UGLY? Is it something like SHAITAAN, everyone has a UGLY side ..blah blah?? Or is it like Black Friday, pure reality of the system?? The best Kashyap's movie??

I would say it shows how great Anurag Kashyak is as a film maker. It is a cocktail of intensity and emotional finesse from the Korean Movies, the craziness from the Brazilian, the shock from the Italian and the Caos from Fincher.

The movie is so real, for an Indian audience he would not be surprised with a lot of things as he/she know the system, but he would definitely be surprised to see the limit of it, and to see what could be wrong. The movie shows the limit of efforts one can put and how desperate one gets. The humans are shown as parasites surviving on others, and how UGLY can they get for their survival and dreams. And when these dreams don't fulfill as planned things get UGLY

The movie is a really well written mystery thriller, the screenplay is amazing, the characters are real, and the acting is wonderful. Amazing work at the casting and background score.

There is no shaitaan side of people they are actually like that to the core -UGLY

This movie left you with the feeling of numb .Ugly sets a new dimension to the Indian Cinema . I am not a frequent watcher of Bollywood movies.But ugly movie is just beyond the ugliness of everything. A grungy, dark police procedural set in motion by a little girl's kidnapping, Ugly has few discernible auteur touches to set it apart from standard genre fare. Gone are the farcical, hyperbolic violence and the larger-than-life, tongue-in-cheek gangsters who modeled themselves on the movies. Gone is the wacky humor. Here the pettiness, egotism and corruption of modern Mumbai rule and the characters are all cheap and small—even the kidnapping victim is annoying. There may be a method here but if so, the result is very dark and downbeat for general audiences. The film's Cannes outing and Kashyap's cult standing could give it a little shelf life at festivals before it heads into genre venues. The cast of characters is presented haphazardly. Shalini (Tejaswini Kolhapure) is a desperate, middle-class housewife kept at home as a semi-prisoner by her macho police-chief husband Bose (Ronit Roy). She's about to blow her brains out with his gun when a knock on the door stops her. It's her daughter Kali (Anishika Shrivastava), whining for her to call her estranged father. This is Rahul (Rahul Bhatt), a down-and-out actor still waiting for his big break, who comes to take her for a drive. He's so distracted with phone calls he barely looks at her, and then he ominously leaves her alone in the car while he goes to talk business with his friend and casting director Chaitanya (Vineet Kumar Singh). Within minutes the girl is missing. Rahul becomes the hero by default as he searches for the girl, first through the police, then following the kidnappers' ransom messages. What little sympathy he inspires in the audience comes from his terrifying interview with local police captain Jadhav (played with gusto by the fine comic actor Girish Kulkarni). Instead of launching a manhunt for the girl, the captain absurdly chats about CELL PHONES and computers while the distraught Rahul chafes and Chaitanya attempts to cajole him into action. All at once, Jadhav realizes the missing girl is the stepdaughter of police honcho Bose, and his attitude switches to FBI pro. At this point the stone-faced Bose, who hates his wife's ex, orders him to accuse Rahul of the kidnapping and be beaten senseless. The rest of the film is a battle of wits between Bose and Rahul to find the girl while tripping up the other. Rahul and Chaitanya are monotonously arrested and rearrested. Police violence is graphic and frightening. They use the "latest" gadgets in their investigation— computers, CELL PHONES and GPS—like they were major novelties on CSI: Miami, which makes it seem the film is aimed mainly at local audiences. There is, however, a continuous sense of vitality and movement in the film, whose action scenes are foot chases filmed from a distance. Kashyap's nasty point is that, between violence, greed and corruption, just about no one is innocent in the end. Certainly all the characters are selfish beyond belief. This existential cynicism hits home in the horrific crime revealed in the last shot, but by that time, the emotions feel light-years away.

I saw it at a local film festival last night and thought it was quite good. It is probably one of the darkest Bolly movie I've seen. This is the opposite of a family movie -- the plot is very dark, characters very gray, and language very adult. It has a very realistic feel to it. Other than Ronit Roy it was all new faces on the screen. There is no likable character in the movie, but there are a few scenes where you can't help but empathize with their situation and find justification for their actions. There is a little bit of dark humor sprinkled throughout. This is not a movie for general audience, but if you enjoy dark movies that are good character studies then I'd highly recommend checking this one out.