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Chaos on the Bridge

  • Fernsehfilm
  • 2014
  • TV-14
  • 59 Min.
IMDb-BEWERTUNG
7,0/10
1427
IHRE BEWERTUNG
Gates McFadden, William Shatner, Patrick Stewart, and Rick Berman in Chaos on the Bridge (2014)
BiographieDokumentarfilmGeschichteScience-Fiction

Füge eine Handlung in deiner Sprache hinzuThe story of the struggle to create the television series, Raumschiff Enterprise: Das nächste Jahrhundert (1987).The story of the struggle to create the television series, Raumschiff Enterprise: Das nächste Jahrhundert (1987).The story of the struggle to create the television series, Raumschiff Enterprise: Das nächste Jahrhundert (1987).

  • Regie
    • William Shatner
  • Drehbuch
    • William Shatner
  • Hauptbesetzung
    • William Shatner
    • D.C. Fontana
    • David Gerrold
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    1427
    IHRE BEWERTUNG
    • Regie
      • William Shatner
    • Drehbuch
      • William Shatner
    • Hauptbesetzung
      • William Shatner
      • D.C. Fontana
      • David Gerrold
    • 14Benutzerrezensionen
    • 10Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 2 Gewinne & 1 Nominierung insgesamt

    Fotos4

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen

    Topbesetzung27

    Ändern
    William Shatner
    William Shatner
    • Self - Host
    D.C. Fontana
    D.C. Fontana
    • Self - Writer & Script Consultant, Star Trek: TOS
    • (as Dorothy 'D.C.' Fontana)
    David Gerrold
    • Self - Writer, Star Trek: TOS
    Maurice Hurley
    • Self - Television Writer & Producer
    Rick Berman
    Rick Berman
    • Self - Vice President, Paramount Network Television
    Jeffrey Katzenberg
    Jeffrey Katzenberg
    • Self - Executive, Paramount Pictures
    Richard Arnold
    • Self - Research Consultant, Star Trek: TNG
    Jeffrey M. Hayes
    • Self - Television Producer, Paramount Network Television
    John Pike
    • Self - President, Paramount Network Television
    Susan Sackett
    • Self - Secretary to Gene Roddenberry
    John de Lancie
    John de Lancie
    • Self - Q, Star Trek: TNG
    Denise Crosby
    Denise Crosby
    • Self - Lt. Tasha Yar, Star Trek: TNG
    Patrick Stewart
    Patrick Stewart
    • Self - Capt. Jean Luc Picard, Star Trek: TNG
    Ronald D. Moore
    Ronald D. Moore
    • Self - Writer, Star Trek: TNG
    David Livingston
    David Livingston
    • Self - Producer, Star Trek: TNG
    Herman F. Zimmerman
    • Self - Original Set Designer, Star Trek: TNG
    • (as Herman Zimmerman)
    Michael Okuda
    Michael Okuda
    • Self - Scenic Art Supervisor, Star Trek: TNG
    Brannon Braga
    Brannon Braga
    • Self - Writer, Star Trek: TNG
    • Regie
      • William Shatner
    • Drehbuch
      • William Shatner
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen14

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    Blueghost

    More police drama.

    Old school Kirk and Spock era Star Trek, if you follow the plots, are essentially police stories codified or dressed up as aliens, monsters and spaceships. The stories you are seeing are essentially law enforcement, security and the occasional health story of how police and other first responders encounter and deal with psychopaths, megalomaniacs, psychotics, or regular people who were smarter than average criminals and flaunted social convention.

    You are essentially seeing police tactics and psychiatric regimes of how to tackle and sometimes treat people who have a leg up on everyone else, and are going to cheat, steal, or even kill their way to the top to get what they want.

    So, when I watch this documentary and listen to the contradictory opinions and stories of who Gene Roddenberry was, what was happening, and who did what with what impact, I shrug my shoulders. When I worked on films and video one of the habits from everyone was to tell a story regardless of how truthful or dishonest it was. And that's the vibe I get off of this documentary.

    Pretty much most of film and TV are like that, but with science fiction the idea is to inspire the smarter and more imaginative audience members to consider careers in law enforcement, military, medicine, or even intelligence services.

    Original Trek was created in the wake of the end of the second world war and during the Cold War. And the Enterprise was the police cruiser that went around administering justice and law with some health overtones. Star Trek the Next Generation was essentially a giant therapeutic wing of a hospital where there were no problems, and that the audience was essentially the patient. My take is that once a fan had seen an episode that reflected their issues, they would leave and no longer be a fan. The pot served the subplots which became the focus.

    What does this all mean? It means that this documentary, from my perspective, and what I've written here, was and is all smoke and mirrors trying to mask a mass hospital agenda that the production had for the audience. If you ever visited a private mental hospital everything is antiseptic and "perfect", where there are no problems and where there are no conflicts to facilitate the patients. And that's what the Enterprise-D was and is.

    Ergo all of the stories about infighting, to me, are just more fodder fed to what fans this show has left, to mask the true agenda.

    You know, I'm really just all Trekked out. This fictional property will never get back to the great writing it had in the 1960s. How anyone can watch Star Trek the Next Generation and be a fan of it, is just beyond me. But, all those sociologists and psychiatrists must know what they're doing, because apparently people like turning off their brains for TV and absorbing anything that gets presented to them.

    So, remember, old Trek was a police show. New Trek in 89 was a primer for a younger and broader audience as a preparatory measure for the net connecting the world socially. Anything that tries to explain both flavors of Trek is just garbage, an effort at smoke and mirrors to obscure the true objective of the show.

    Seeing Shatner interview people about so-called back stage dramas, again it comes across disingenuous. Part of undercover police work is to be able to act and tell a good yarn to get witnesses and perpetrators to reveal what they know. And that's kind of what film and TV are all about.

    As a former wide eyed fan of the show, some of the happiest times I ever had were as a boy and young film major watching reruns of old Trek, and trying to come to terms with the new show in 89. After two writers' strikes, the first of which is mentioned in this documentary, and having seen personality conflicts and dramas for a TV show or two that were shot locally in San Francisco, the happiest day of my life was when I left a world of deception for the sake of it, a lot of which was to keep out anyone who had any ideas of misusing media for personal agendas.

    Had I known now what Trek was really all about, in both of its iterations, I would have never had "stars in my eyes" about making my own Star Trek like show with a different setting, different technology, and just a different fiction altogether. But, I can watch this show without the acid flowing in my gut that I used to experience everyday I worked.

    I didn't like Star Trek the Next Generation when it aired, hated it all these years, and now I understand why, and it took someone like Shatner to present to me the deceptive truth of how modern Trek was formulated with a bunch of fictional accounts of personality clashes. Oh well.

    Should you watch it? Only if you're a die hard fan and think that this documentary will enhance your knowledge and pleasure of the fiction. As for me, well, knowing my parents [probably met mister Roddenberry, and helped contribute to the show's genesis, I can safely wave goodbye to the fiction.

    P.s. The mysterious figure who didn't know how to write scripts but kept screwing with everyone's work, was probably a child psychologist and psychiatrist. Because that's all TV shows are all about.
    8mind-wax

    Love Shatner

    I really enjoy having Shatner lead the documentaries for the development of star trek. My only wish is that they had delved into the writers issues developing TNG more... It just, maybe in hind sight, appears obvious to me that the creation of story conflict is easy between the federation values and of its characters against an antagonist. I think there is more to the story of the first two seasons of TNG than they could have dug into..

    I'm happy this documentary was made. The interviews with the contributing cast and etc were very I intriguing as both a trekkie and an outsider interested in TV or movie production.
    7facebook-512-394896

    Rushed and overstyled but with a look nonetheless

    This documentary rushes through separate lines spoken by former TNG actors, writers and directors, edited together to form a narrative of the creative and production problems behind TNG starting out.

    To glue this narrative together and not just have people talking on screen, it is full of cartoon animation and animated photos too support the storyline of what the old crew is sharing.

    The pace and production style of distraction makes it a little hard to follow, but if you're a true TNG fan, you'll still appreciate the back story of the first seasons of TNG and learn about a few interesting decisions that made TNG turn around and become a sustained success.
    9planktonrules

    "We hate Roddenberry!"

    I was very surprised when I saw "Chaos on the Bridge". After all, for decades there has been a mystical sort of image of Gene Roddenberry as an avuncular sort of guru whose vision was THE basis for everything great about "Star Trek". Well, here this is NOT the sort of guy you hear about...that's for sure. It's a shame the guy is dead, as I'd love to see his reactions to so much hostility. But, according to the documentary, everything that was wrong with "Star Trek: The Next Generation" was due to Roddenberry and his unwillingness to create any sort of tension within the show. Instead, he insisted on a perfect, Utopian future where all the humans got along and loved each other....which is just fine except it created a rather bland package. Almost no one defended this apart, at times, aside from Maurice Hurley--who alternated between saying how much he hated Roddenberry but how he tried to stay loyal to his image. Some were nice but insisted Roddenberry was a poor addition to the show but others were quite blunt. I was frankly quite shocked to hear all this. While I could see that the show VASTLY improved in the later seasons, why was something I'd never heard anyone talk about before or so candidly.

    Overall, this is very revealing and well made. However, it did have one problem--the pace was too quick and it seems stretching it out to 90 minutes or so would have made the film a bit stronger...though it still is very well done and I urge Trek fans to see it with an open mind.
    8tomntempe

    Some interesting new info and it all rings true

    I'm not exactly a trekkie but I've read several books on both ST:TOS and ST:TNG so this isn't my first exposure to the "dirt". From all I've seen and read elsewhere this show rings true. It also has some new info I'd not run across before.

    Contrary to some reviewers I thought the pacing was fine, the graphics were a nice touch and it was really even handed in it's treatment of people. There were a couple of spots with bad editing such as one segment which begins with them talking about someone but they failed to include any intro to tell you who they were talking about. It took a minute to figure out who it was.

    As a viewer I disagree with many of the people interviewed who suggest that the first two seasons were not very good. Seasons 1 and 2 may have had a different focus but as a viewer of them without any foreknowledge that they supposedly weren't as good I never felt that way. They were fine.

    One interesting aspect revealed by the interviews is that there was much turmoil and angst going on almost the whole series. What they experienced did not, IMHO, come across negatively in the final product. To hear them tell it there were at least half a dozen people who in one way or another literally saved the show from going down in flames. The reality, again from a viewer's perspective, was that the show was fine throughout production and that the behind the scenes melodrama, which makes interesting background, wasn't actually all that big a deal to the final result. The drama of "I'll quit", or "you'll never work in this town again." add spice to people's lives but the show had a life of it's own and the two, while intertwined, did have their own lives.

    One of my favorite parts was early on discussing the casting of Picard. Many were considered but Patrick Stewart was not viewed as a serious contender in part due to his baldness. They relate the story of flying his cheap toupee from the UK to the US for a final casting call where he wore it. He left and took it off and then got a quick callback. He returned sans toupee. As Bill Shatner and others discuss all this toupee related trivia I kept looking at Shatner's toupee generated hair and wondering what was going thru his mind and whether he might have a typically Shatneresque remark. Sadly he did not.

    All and all a fun hour with some worthy tidbits for the Star Trek aficionado.

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    Science-Fiction

    Handlung

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    • Wissenswertes
      According to an interview with Larry King, William Shatner's original title for this documentary was "Wacky Doodle". He heard the phrase used by one of the show's writer-producers, to describe the intensity of the conflicts that occurred during the making of "Star Trek: The Next Generation".
    • Zitate

      William Shatner: Did you realize that the Next Generation it possible to characterize it as Gene Roddenberry's dream of Heaven?

      Brannon Braga: I would never have thought that at the time, but now that we're talking, with his conception of the future and human beings in the future and Q, Q is GOD. Just look at the character, look at everything about the character

    • Verbindungen
      Referenced in Half in the Bag: Star Trek Beyond (2016)

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    Details

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    • Erscheinungsdatum
      • 15. November 2015 (Deutschland)
    • Herkunftsländer
      • Kanada
      • Vereinigte Staaten
    • Offizieller Standort
      • Official site
    • Sprache
      • Englisch
    • Auch bekannt als
      • William Shatner Presents: Chaos on the Bridge
    • Drehorte
      • Toronto, Ontario, Kanada
    • Produktionsfirmen
      • Wacky Doodle Productions
      • Ballinran Entertainment
      • 455 Films
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    Technische Daten

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    • Laufzeit
      • 59 Min.
    • Farbe
      • Color
    • Sound-Mix
      • Dolby SR
    • Seitenverhältnis
      • 1.78 : 1

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