Lucy

Lucy is a Bourne Identity meets Kill Bill meets Limitless romp auteured by Luc Besson, the man behind classics like Leon the Professional and La Femme Nikita. In one of the stranger wide releases in years, there is much reward given to those willing to give Lucy grace (ridiculous premise and over-the-top aspirations). It's flawed, but it's a brightly filmed and darkly themed scifi action thriller that delivers. Lucy posits the debatable notion that humans only use 10% brain capacity. Johansson plays the title character that goes from monotony to superhero when a new drug gives her the ability to use 100% of her brains power. Her capabilities aren't just big math problems and fast reading, but telekinesis, shape shifting and other comic-booky things. It's a fascinating if overly ambitious premise that Besson puts to great use, playing it out like a briskly paced, inventive TV pilot. The scifi is strong, with theories and declarations posited throughout and thematic exposition that works. The shining element here is Johansson, who continues her upward trajectory in a bombastic yet effective performance. Her progression from a nobody to the most powerful femme fatale in history is emotional, funny and relatively believable. It's great to see Besson bounce back after The Family to present what may be his magnum opus, touching on all of time and creation in under 90 minutes. Sure, some of the effects are cheap and goofy, but the editing is unique and tight, the violence and style are lively, and the storytelling is refreshing. Engaging and cool, Lucy is highly stylized scifi pulp of the highest order.

Scarlett Johansson in a Asian country should be a genre on its own.

"Lucy," a high-concept sci-fi thriller from visionary French director Luc Besson, is a stimulating exploration of the human mind's potential. With its combination of slick action sequences, existential philosophizing, and dazzling visuals, it challenges and entertains in equal measure, pushing the boundaries of conventional cinema.

The plot follows Lucy (Scarlett Johansson), a woman accidentally caught in a dark deal who turns the tables on her captors and transforms into a merciless warrior evolved beyond human logic. Besson has crafted a fascinating narrative that juxtaposes the gritty realism of crime syndicates with the abstract realm of cerebral possibilities.

Scarlett Johansson delivers a powerhouse performance, expertly navigating her character's transformation from a terrified victim to a superhuman entity. Her nuanced portrayal ensures Lucy remains empathetic even as she becomes increasingly detached from humanity.

Morgan Freeman lends gravitas as Professor Norman, a neuroscientist who serves as the narrative's anchor, grounding the escalating spectacle in a semblance of reality. His measured performance provides a necessary counterpoint to Johansson's increasingly otherworldly character.

Besson's direction is fluid and kinetic, imbuing the film with a frenetic energy that propels the narrative forward even as it dips into complex concepts. His choice to intercut documentary-style nature footage adds a unique flavor, creating intriguing parallels with the story unfolding on screen.

The cinematography and visual effects are dazzling, creating a vivid sensory experience that takes viewers on a roller coaster ride through time, space, and the human body. The mind-bending visual journey, coupled with Eric Serra's pulsating score, creates an intoxicating atmosphere that leaves viewers both thrilled and thoughtful.

However, "Lucy" isn't without its flaws. Its ambitious premise often teeters on the edge of becoming too esoteric, possibly alienating viewers expecting a more straightforward action thriller. Furthermore, its fast pace and lean runtime can leave certain aspects feeling underdeveloped, notably the film's antagonists.

Yet, despite these shortcomings, "Lucy" stands out as an audacious cinematic experience that dares to merge high-octane action with cerebral science fiction. It inspires a sense of awe and curiosity about human potential, prompting introspection about our place in the universe. It is a visual feast that stirs the mind and quickens the pulse, a cinematic cocktail of action and philosophy that leaves a lingering impression.

In my view this is the best film Besson has directed since 1997's The Fifth Element, or perhaps even since his best film, 1994's Léon: The Professional. The film in certain ways is a lot like Limitless, but at the same time it takes a very different overall approach and look on the subject of human evolution. I'm sure that many people will not care much for this film since it is filled with a lot of mystical/spiritual references and ideas and even some false science, however those with an open mind and an active imagination will likely be very glad they saw the film. This is clearly a work of fiction people, but there is no one saying you can't relate fiction to reality either, and actually learn something from it once in a while too. Our limitless imaginations are part of what makes human beings so extraordinary, we are best off using this gift and appreciating it. Fictional films can still be very thought provoking, and this one definitely fits that category. 2001: A Space Odyssey isn't scientifically accurate in many ways to our current knowledge, but it's still a monster landmark of a film nonetheless. Lucy is certainly not 2001, however they both ride that same imagination rules line that can spark the internal fires of unique creative thinking. In my view Lucy is a sci-fi trip worth taking.

8/10.

Just like a human has been given priority to itself, this film do so, after have watched it feels human is infinite and can do anything and no any other species would be able to do so, this film start with a myth humans use very little part of its brain, and finely depicts what if a human will be able to use 100 percent of his brain, well no doubt this film is a metaphor but really funny and amusing, Great imagination, I salute directors thought, Everything is in a great sequence and should watch by everyone it's a great film.

One more thing none can imagine it's climax until it happens itself, great climax.

Thank you.