Lucy is a Bourne Identity meets Kill Bill meets Limitless romp auteured by Luc Besson, the man behind classics like Leon the Professional and La Femme Nikita. In one of the stranger wide releases in years, there is much reward given to those willing to give Lucy grace (ridiculous premise and over-the-top aspirations). It's flawed, but it's a brightly filmed and darkly themed scifi action thriller that delivers. Lucy posits the debatable notion that humans only use 10% brain capacity. Johansson plays the title character that goes from monotony to superhero when a new drug gives her the ability to use 100% of her brains power. Her capabilities aren't just big math problems and fast reading, but telekinesis, shape shifting and other comic-booky things. It's a fascinating if overly ambitious premise that Besson puts to great use, playing it out like a briskly paced, inventive TV pilot. The scifi is strong, with theories and declarations posited throughout and thematic exposition that works. The shining element here is Johansson, who continues her upward trajectory in a bombastic yet effective performance. Her progression from a nobody to the most powerful femme fatale in history is emotional, funny and relatively believable. It's great to see Besson bounce back after The Family to present what may be his magnum opus, touching on all of time and creation in under 90 minutes. Sure, some of the effects are cheap and goofy, but the editing is unique and tight, the violence and style are lively, and the storytelling is refreshing. Engaging and cool, Lucy is highly stylized scifi pulp of the highest order.
