Soodhu Kavvum

The movie was excellent. The story was very good in the movie. Songs and BGM were good in the movie. The movie is thrilling and funny. Everyone acted very well in the movie.

Firstly the movie isn't usual. Though many movies are there with having the protagonist as negative or socially immoral have received good response, this movie has multiple protagonist in it. It looks like Vijay Sethupathi(Das) is the lead character. But there is a lot of turns that are steered by the Kesavan's character who is not negative in the initially. Keeping the female character as imaginary was sheer brilliance. The BGM looks to have some reference from the Oceans Eleven in some places. But its supports the movie completely. There is justification bought in the end of the movie with the fact that no act by anyone has a complete good/bad and the acts of Das bought only minimal bad :)

While we went to see this without any expectations, we were not expecting to see the best film in ages!

The depth with which every character is written and the different angles they bring into every interaction, makes this movie hilarious... The sparkling comedy is not shallow and not separate from developing the story of the film. Seeing such films is very rare in Tamil cinema, where you do not feel like many scenes can be taken out without affecting the film at all

While everyone's performance has been above par, Vijay Sethupathi in particular was the rockstar of the film. We cannot help but laugh at each of his antics and helplessly cheer him on to succeed with his shenanigans. Even the purest of souls wish they had a disease like his character, showing how well made and acted his entire arc was.

Even the climax comes with a good surprise, which although is not mind blowing, feels refreshing..

Do not miss this if you like non-masala comedy films.

A very well known story that we've already seen Humpty number of times in this 100 years of Indian cinema.A group lead by a mastermind plans on kidnapping a VIP's son, where they are caught and the rest is how they come out clean without any charges.

Casting Vijay Sethupathi: Dream run continues, actually i don see it stopping anywhere in near future.No wonder that he is fully booked till 2017 (if it's true). Whatta performance,No compromises and gave 100 % what the script demanded. Age 40 +, grayed long locks and most important his costumes. He is progressing very fast proving his acting skills.

Radha Ravi, MS Bhaskar and Karunakaran have done their jobs perfect , Crisp and clean.

Sanchita Shetty: Hmmm...Good acting, Guys you should watch the movie and will be impressed. RJ Ramesh & Simhaa: They have almost same screen space as Vijay does and a true find , The way they react on tense situations and during the climax fighting (actually 'Adi vaangura') scenes they have stolen the show from vi jay.

Santhosh Narayanan: Fantastic job with the background score,especially during the chase scenes the rock type music are keeps us very engaging."Mama trouser..." is the best out of the box and fits so well for the movie.To make it short santhosh music is still Very fresh and enjoyable and lifts the movie's value to great extent.

Nalan Kumarasamy: Once again thank you "Nalaya Iyakunnar" show, that has given us another new comer with loads of talent.With a perfect characterization, engaging screenplay and no compromise on entertainment or logic the director has given a movie that also shows the Grey shades of people and the happenings right here in our place, which we cannot deny. I saw a review stating that the director has made the movie that without any respect to society or its people.For everyone of those the first scene about the newspapers and their content gives the answer. It's not that cinema is teaching things to us , that over and now cinema is showing things that is happening and not known by many of us.

Conclusion Though : *You know the story and seen many times *You can predict some scenes *You know what the climax could be, *You have seen Vijay sethupathy's earlier performances But still once you come out of the theater you will feel cheated,

Soodhu Kuvoom is a dark comedy built on themes of unemployment, kidnapping, blackmailing, police brutality, fake encounter and corruption but not even for a split second does it forget that it is first and foremost a dark comedy, and never it its manic energy lost or its comedy sacrificed while handling its heavyweight themes. The film never breaks its basic rules, and even when you feel at moments that it may go off-course, the story ingeniously swerves to its original course. Take for instance a scene from the movie when the four lead characters are arrested on charges of kidnapping and taken to court; that's when you go "Oh no, now they're going to spend the rest of the hour turning the film into a silly courtroom drama" but no, that's when Soodhu Kuvoom hilariously reminds us that it won't break its fundaments, and that is to be a rip-roaring dark comedy.

So, in a humorous twist, the 'victim' (who's actually the mastermind' who fakes his kidnapping, is actually kidnapped, connives with his kidnappers, then gives them a slip) denies that the four kidnapped him and the case is dismissed immediately. The tone of the film is both consistent and cautious, never forgetting how it should be presented yet driving its message home superbly. Bollywood films usually have a tendency to forget very easily the original tone of their projects – a film that's extremely funny till interval will abruptly turn into a cloying melodrama post-interval to cater to sentimental audiences, and sensible audiences are left thinking "Hey wait, wasn't I watching a comedy before I headed to the restroom during the intermission? Did the filmmakers flush it down the toilet to fart out a silly melodrama suddenly?". Maybe Bollywood could take a few lessons from Tamil films like Soodhu Kuvoom and get it's sh*t together.

It's safe to say that none of the men in Soodhu Kuvoom is a saint, and everybody explores shows their dark side and plays dirty to get their share of cake. But there's angst and a desperation which drives them to taking the shortcut to wealth and success. Our leading man Das, is an amateur kidnapper who's more afraid of offending his victim and the victim's relatives while demanding the ransom money. He assures the victim's relatives that they do not need to worry about the victim's well-being and the victim is safe and comfortable under his care. His ransom demands are petty and the funniest part is that he tips each victim from the ransom money after setting them free. These absurdities are nothing when we come to the part of Das' invisible friend Shalu, who's only visible to Das and is the accomplice to his crimes. The three other men, Kesavan, Sekhar and Paglavan are buddies who are unemployed, one being fired for defending himself against allegations of misbehaving with a female coworker, the other being jobless bum and the third driven away from hometown. Fate (a drunken brawl) brings these four men together and then their journey of kidnapping begins. This is shown in a flat-out hilarious sequence, where we see people of all ages and personalities being kidnapped and let go soon; there's one lady who shows no signs of panic and coolly continues chattering on her cell- phone even after being kidnapped.

In one of their crimes, the victim's parent, calls them and requests them to kidnap the son of Minister Gnanodhayam. The parent happens to be the brother of a contractor who was arrested under Gnanodhayam's orders on charges of bribery, and he wants to extract revenge upon the Minister. So, all he wants our four heroes to do is to kidnap Gnanodhayan's son, Arumai and ask for two crores as ransom. The heroes agree and pursue Arumai one day but are left baffled when another group of men kidnap him in front of their eyes before they can make their move. Later, dressed as policemen, they try to rescue-kidnap Arumai and realize on finding him that the guy had staged his own kidnapping. Later the five (six if the invisible girl's to be included) try to bilk Arumai's father and share the money amongst themselves. Their plan is successful until Arumai, the clever fox gives the others a slip and an unforgiving, rule-bending cop is deployed to root out the culprits. The thing that made me happiest while watching this film was that it brought me closer to my true roots, my South Indian blood. This is the first time I'm watching a Tamil film and I have lived nineteen whole years in India, and this film made me understand what a crowd-pleasing entertaining truly is. Mainstream Bollywood films are too obsessed with fair looks and toned bodies, so much that its six-pack or size-zero which decides who the biggest stars are. The actors in Soodhu Kuvoom would barely last in Bollywood because they neither have the looks nor the figure to make it in a mainstream Bollywood blockbuster, but the natural, earthy and indigenous charisma which these actors possess is something the Bollywood bandwagon (with exceptions, of course) can only dream of. No one here mugs for the camera, and we know these actors are acting to entertain their audience. Even the eye-candy Shalu, played by a gorgeous Sanchita Shetty, has a worthy role in the film, which is rare in Bollywood.

Everyone in this world has a dark side, says Soodhu Kavoom, and most are driven under desperation to play dirty, and in this bad bad world, dishonesty is the road to success. And what happens to rules? Well, weren't they always meant to be broken?

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