The 4:30 Movie

The film starts and ends with a very, very weak "rom com" storyline. In total, this accounts for perhaps 15-20 minutes of the film's total run time. In between that, there's a good hour+ of just pointless, repetitive 80s references and "jokes" related to the future. The base "rom com" storyline isn't really very interesting or engaging, but that's really a minor aspect of the film.

Imagine... You travel back to 1986... and make as many statements that will prove to be inaccurate in 40 years... That's the BULK of this film.

While there's a very weak base story, most of the film is just trying to crack jokes about things that will eventually be proven true after 1986... example "There'll never be another Star Wars. Can you imagine.. they make tv series based on minor characters?!?" Those kind of "jokes". Only POSSIBLY slightly amusing because anyone watching this film would know different. They aren't "jokes" or "funny" in themselves.

The film is a series of repetitive 80s references, using only the most prominent trends of the 80s that were annoying then -- and in EVERY conversation, multiple times -- seems Smith was hard-pressed to write a single line of dialog that wasn't either referencing the 80s or miserably attempting some "joke" based solely on some future truism.

This appears to be a film targeted at 13-15 year olds.. who will miss all the (way overused) 80s references and, once in a blue moon, MIGHT find the statements about the future amusing.. but that's stretching things.

Oddest thing was the reference to needing to be 18 years old to see an R rated film.. That's never been true. It's always been 17, not 18. It states it right in the MPAA rating screen at the beginning of a film. All my life it's been 17.. and I'm the same age as Smith. Really? I mean Smith is in the film industry and he gets this wrong?? Kind of shows how much thought was put into the script.

I didn't find this film funny or even slightly amusing in ANY way... and it wasn't that interesting. This is quite possibly Kevin Smith's worst film ever. I typically love Kevin Smith films. I'll NEVER sit through this one again.

----- Pass ------

It sucks! It doesn't JUST suck, it's actually kinda bad and I LOVE Kevin Smith! Like I get legit excited to see his stuff but Im super disappointed - do without spoilers, the entire first act is essentially talking about sneaking into an theatre, and idk if he's trying to explain a very simple concept to people born after 2000, or it's just 'Chuffa' ( 1. See Kevin I am a fan! I remember your Bruce Willis story when you directed him in Cop Out and 2. Shout out to Bruce Willis, thank you for the years and years of entertainment) - but take that in addition to flagrant attempts at manipulation of human nostalgia (which has become a way to leaned upon crutch after it hit big with Stranger Things) and it comes across as very desperate and simplistic in a very, almost offensive way - and oddly enough it was billed as" Kevins most personal film to date " (well it sure has enough of his friends in it ffs) (who can't act I might add, but it isn't endearing) but yet it's not autobiographical either soooo.... And yes I spoke directly to Kevin earlier cause I know he's gonna read this, I KNOW this because having read the day one reviews here on imdb, I can see that several of them are made from, let's say... 'inside the Smith camp' if u get my drift - and again listen I love the guy and have enormous respect - I WAS 16 in 86 so this has extra meaning to me and I should be susceptible to the nostalgia draw - but it's not enough and I think he knows it - I'm sorry, I expected better from such a genius.

I really enjoyed this movie. The cast is a mix of unexpectedly good newcomers and funny cameos from regulars in Kevin's movies. There is a sweet side to the story that we haven't seen from Kevin since Jersey Girl and it works.

Austin Zajur gives a performance way above what you would expect and the cast has great chemistry.

I was lucky enough to get to watch this movie with Kevin at his place and it was an amazing evening. I'm going to see it again this weekend on the big screen.

The movie isn't drawn out or heavy and it is a great time. Highly recommended for anyone who grew up in that era or wished they did.

It seems Kevin is afraid of himself.

Let me explain, we got a bit of the old Kev back in Clerks III, with great dialogs, tons of laughter and an elegance and profoundness to the lines that rivaled his early work.

It wasn't Red State (by far Smith's undefeated Magnum Opus) but at least it looked like he was starting to come back.

And then we get this movie that while cute, it felt like it was afraid of having an edge. 3 or 4 jokes cut through but the rest? Geez...

There's only so much that cameos can do if you don't have anything to say. And Kevin Smith does t seem to have anything important to say... or he's afraid to say anything at all.

Does he think they're going to mock him? Does he think the audience will not "get it"?

He was on his way to be a great writer and a great filmmaker, and for the most part I think he still can be. But he needs to get out of his own way, dig deep and say what he really wants to say.

That or he ran out of things to talk about because he has been podcasting for more than a decade.

Watch the movie for completionism. But that's about it.

Iconic writer / director Kevin Smith's '80s-based autobiographical "The 4:30 Movie" (prequelling his "Clerks" trilogy) spans a pivotal day in teen Austin Zajur's life that doesn't run smooth after he planned spending it with buds Reed Northrup & Nicholas Cirillo (and crush Siena Agundong) at douche Ken Jeong's cinema. Its light dramedy is laced with ample movie-nerd references, fun fake film trailers, and cameos from Smith faves like Justin Long, Rosario Dawson, Jason Lee, Jason Mewes, Jason Biggs, & Harley Quinn Smith (his daughter). While not matching the similarly themed "I Like Movies", Smith fans (including all fellow cinephiles, right?) will for sure adore it.