Der Fremde am See

What drives people to engage in self-destructive behavior? Why do people seek out things (people, actions) that are bad for them? These seem to be the questions at the center of "Stranger by the Lake," a quiet film that casts an unsettling spell.

Franck is a young gay man who makes daily visits to an idyllic lakefront beach that serves as a popular gay cruising spot. Men scope each other out and then with a nod of the head or wink of the eye agree to wander off into the bushes to engage in all sorts of sexual activities, safe or otherwise. Franck crushes on Michel, a studly guy who proudly struts around naked, and finally succeeds in securing a tryst with him. But then one night he witnesses Michel casually drown another man. In one of the film's most effective twists, the knowledge of Michel's murderous tendencies draws Franck closer to him, and we watch him fall more and more for this guy who we know he should be turning in.

The film is one sustained note of creeping dread. From the start we just feel like things are headed to a bad place, and we stare with morbid fascination to see just what that bad place will be. All sorts of unpleasant spectres flirt at the margins of these men's lives. There's something predatory about the act of cruising in the first place, and the loneliness of Franck's life -- never explicitly shown but always implied -- makes him that much easier a victim. And then there are the unspoken phantoms of disease and addiction that color the men's behavior. For Franck, sexually transmitted diseases are a risk worth taking for the thrill of the hookup, just as an addict sets the consideration of consequences aside until after the high has worn off. Franck is compulsively drawn to the lake again and again long past the point where better sense, not to mention an instinct for self preservation, should prevail, and he willingly puts himself in greater danger as the film progresses. It's tempting to read the Michel character as a sort of personification of the allure of self abuse -- the excitement of self-imposed danger turned into an enticing and literal bogeyman.

The ending to the film is ambiguous and supremely creepy. It's a movie that's hard to get out of your head after you've seen it.

Grade: A

Not much to add to the other comments made here, but I'll say that this film was pretty fantastic! It offers a keen inside view of the gay community living and cruising around the lake of the title. All the characters are dead on: the cute guy, the old queens, the pervert etc. with no judgment whatsoever. The pacing can seem long to some, but I quite enjoyed the repetitive installation shots. It mirrored the compulsive visits to the lake the hero makes, in hopes of finding love, even if he himself knows it's a futile quest.

"L'inconnu du lac" screened at the FNC (Festival du Nouveau Cinema) a few weeks ago, where I saw "Interior. Leather Bar." (the James Franco and Travis Mathews doc). I couldn't help but see a connection with some of the stuff Franco discussed. Our objections to porn and graphic sex are mostly constructed by society rather than rooted in any inherently moral reasons. The sex scenes in "L'inconnu du lac" are very graphic but never gratuitous. They expose the mal de vivre of the gay men who visit this beautiful lake better than words could.

I enjoyed "Stranger by the Lake" very much on several different levels. It features a compelling story line with plenty of suspense heightened by excellent acting and lovely, sensitive cinematography. However, this picture isn't for the faint of heart, so homophobes and prudes will want to give it a wide berth.

The plot revolves around a series of inexplicable decisions made by Franck, a handsome, 30ish vegetable seller who regularly visits a gay beach and cruising ground. The beach is inhabited by a largely unvarying selection of men who are completely indifferent to their "neighbors" except for one highly specific service that they can, and often do, render one another in the nearby woods. The men exploit and are exploited with a ruthlessness that I found stunning, familiar and sad.

This is a ground-breaking film in at least two ways. First, it is the most explicitly and unapologetically erotic art-house movie since Oshima's "In the Realm of the Senses," except that in this case all of the on-screen sex is gay. Second, it is really not a "gay film" in the sense that it is actually a story about human callousness and depravity. In other words, the gay characters and gay sex are almost incidental to the true message being conveyed in this movie: that human beings can be truly, and quite casually, inhuman toward each other. This is in contrast to many other "gay themed" titles where the "gayness" of the story line is the most important element in the film's identity. One could easily make a straight version of "Stranger by the Lake" and it would work equally well. Nonetheless, there is most definitely a certain "je ne sais quoi" in "Stranger by the Lake" that a heterosexual picture would be quite unequipped to deliver upon.

If you like your movies strong, suspenseful, lyrical and sleazy you will want to make a point of seeing "Stranger by the Lake."

A very explicit French gay-themed film. Sometimes it felt a bit overly so - including graphic unsimulated scenes of oral sex and even a shot of a man, erm, climaxing. But I kind of admire the movie at the same time for not shying away from showing anything. The characters are intriguing and the film is beautifully photographed in long, uninterrupted takes and panning shots of the lake setting. The setting itself is one of the best things about the movie. Everything takes place either on the lake or shore surrounding it, in the forest behind the lake, or a car park. You become so accustomed to these settings that everything else outside them seems meaningless - for instance we never see what the main character does for a living, or the supposed 'happy hour' drinks many of the cruising characters in this film attend after a day on the lake. None of that would've been necessary because the film is all about the character's interactions with one another on the beach, anything else would've felt out-of-place. It's a brilliant choice on the part of the director and has an interesting, hard-to-describe effect on the viewer. The film also has a healthy dose of humor (the police inspector is hilarious) and several very intense scenes, especially towards the ending. Recommended, but not for the squeamish or conservative!

it could have different verdicts. it could impress for the obsessive image of parking space, for dialog, for light between branches, for sex scenes, for lake or dialogs. in essence, it is a movie about deep solitude. and the art of director,the great acting, the force of image are ingredients of a sort of masterpiece. sure, it can surprise or scandalize. but not this is the purpose. the heart represents the search of sense. the need of the other and the best illustration is the character of Henri. a film about escape from yourself. eroticism is only a tool. like the summer . but if you dig , you discovers the beauty of sad, cruel manifesto . a film who must see it. it is not an easy exercise but can useful. because it is a special film. in fact, a necessary analysis.