IMDb-BEWERTUNG
7,4/10
2401
IHRE BEWERTUNG
Ein verbitterter Jurastudent begeht einen brutalen Doppelmord; ein Familienvater wird zu einer harten Gefängnisstrafe verurteilt; eine Mutter und ihre beiden Kinder irren auf der Suche nach ... Alles lesenEin verbitterter Jurastudent begeht einen brutalen Doppelmord; ein Familienvater wird zu einer harten Gefängnisstrafe verurteilt; eine Mutter und ihre beiden Kinder irren auf der Suche nach einem Freund durchs Land.Ein verbitterter Jurastudent begeht einen brutalen Doppelmord; ein Familienvater wird zu einer harten Gefängnisstrafe verurteilt; eine Mutter und ihre beiden Kinder irren auf der Suche nach einem Freund durchs Land.
- Auszeichnungen
- 10 Gewinne & 17 Nominierungen insgesamt
Moira Lang
- Prof. Moira
- (as Moira)
Empfohlene Bewertungen
Finally! Today, I can now say that I have seen a Lav Diaz film. Since his multi-awarded "Batang West Side" in 2001, Mr. Diaz has built a name directing artistic opuses that run much much longer than usual feature films, usually more than five hours. His longest was "Evolution of a Filipino Family" in 2004, which clocked at a whopping 11 and a half hours! Running for about 4 hours, "Norte" is fondly referred to as Mr. Diaz's "short" film, and therefore the most accessible of all his films.
"Norte" is set in the northern province of Ilocos Norte. Fabian Viduya (Sid Lucero) was a topnotch law student who quit law school because of his highfalutin philosophical ideas of a society beyond existentialism and anarchy. Joaquin (Archie Alemania) and Eliza (Agnes Bayani) were a poor couple whose dreams of building their own eatery business are dashed when Joaquin suffers a leg injury and they fell deep into debt.
The fates of these three people intersected when a heinous crime was committed in their small town. Since then, these three lives were thrown into a major maelstrom. These events happened in just in the first hour, the rest of the next three hours follows what happens to each of these three characters following that cruelly fateful day.
I will not pretend and say that I did not feel the four hours. I did feel the length of the film with those static shots that seemed to be showing nothing in particular or the very slow telling of events with several details that seemed like they would have been edited out in usual film. However, each of these scenes would usually precede a scene of big importance, building up the suspense very effectively.
If we complain that there is no character development in mainstream film, in this film, there is not shortage of that. We will get to see how the events shaped Fabian, Joaquin and Eliza as they were caught in their consequences. However, for a super-complex character like Fabian, the four hours was not even enough to get to know his innermost core that drove him to do the things he did. Fabian is a big question mark up to his very last scene.
Sid Lucero got wrung through the wringer for his role as Fabian. You'll admire him. You'll pity him. You'll hate him. This is such a complex role and Lucero was more than up to the task. "Norte" is his film. It was his actions that throw the other characters' lives around.
Angeli Bayani has taken over roles that would probably been given to younger Ms. Nora Aunor. Even if her character barely talked, it was her eyes, her face that talked to us. Her scenes with Archie Alemania are tearjerkers without words nor music to build up the moment. Her back was even turned to us. Yet the emotion was so deeply felt. There was also that scene where she was walking with her kids at the crossroads, and following that, a scene with her kids over a ledge -- she can really convey tension that her director requires.
Archie Alemania's character development was rather straight-forward and he played the character very sympathetically. Mae Paner was the usurer Magda, such a hateful character you will feel her effect even if she was only seen in the first hour. Soliman Cruz was another hateful character Wakwak seen in the third hour. That scene where he was singing "O Holy Night" was so insidiously sinister.
This film is not for everyone. Not everyone will have the patience for it. Not everyone will have the time for it. However, for those who do invest their time with this, you will see that this was a film of artistic excellence. The innovative camera angles make mundane household items and rustic scenes look and feel different. This could be your best chance to watch a Lav Diaz film and immerse yourself in the work of a director whose name is already lined up with National Artists for film Brocka and Bernal.
"Norte" is set in the northern province of Ilocos Norte. Fabian Viduya (Sid Lucero) was a topnotch law student who quit law school because of his highfalutin philosophical ideas of a society beyond existentialism and anarchy. Joaquin (Archie Alemania) and Eliza (Agnes Bayani) were a poor couple whose dreams of building their own eatery business are dashed when Joaquin suffers a leg injury and they fell deep into debt.
The fates of these three people intersected when a heinous crime was committed in their small town. Since then, these three lives were thrown into a major maelstrom. These events happened in just in the first hour, the rest of the next three hours follows what happens to each of these three characters following that cruelly fateful day.
I will not pretend and say that I did not feel the four hours. I did feel the length of the film with those static shots that seemed to be showing nothing in particular or the very slow telling of events with several details that seemed like they would have been edited out in usual film. However, each of these scenes would usually precede a scene of big importance, building up the suspense very effectively.
If we complain that there is no character development in mainstream film, in this film, there is not shortage of that. We will get to see how the events shaped Fabian, Joaquin and Eliza as they were caught in their consequences. However, for a super-complex character like Fabian, the four hours was not even enough to get to know his innermost core that drove him to do the things he did. Fabian is a big question mark up to his very last scene.
Sid Lucero got wrung through the wringer for his role as Fabian. You'll admire him. You'll pity him. You'll hate him. This is such a complex role and Lucero was more than up to the task. "Norte" is his film. It was his actions that throw the other characters' lives around.
Angeli Bayani has taken over roles that would probably been given to younger Ms. Nora Aunor. Even if her character barely talked, it was her eyes, her face that talked to us. Her scenes with Archie Alemania are tearjerkers without words nor music to build up the moment. Her back was even turned to us. Yet the emotion was so deeply felt. There was also that scene where she was walking with her kids at the crossroads, and following that, a scene with her kids over a ledge -- she can really convey tension that her director requires.
Archie Alemania's character development was rather straight-forward and he played the character very sympathetically. Mae Paner was the usurer Magda, such a hateful character you will feel her effect even if she was only seen in the first hour. Soliman Cruz was another hateful character Wakwak seen in the third hour. That scene where he was singing "O Holy Night" was so insidiously sinister.
This film is not for everyone. Not everyone will have the patience for it. Not everyone will have the time for it. However, for those who do invest their time with this, you will see that this was a film of artistic excellence. The innovative camera angles make mundane household items and rustic scenes look and feel different. This could be your best chance to watch a Lav Diaz film and immerse yourself in the work of a director whose name is already lined up with National Artists for film Brocka and Bernal.
Finally, a movie from my country that's in the same tier as "Parasite", "The Godfather", and all the other masterfully crafted movies out there.
I finally have faith in what my country makes now.
I finally have faith in what my country makes now.
Diaz has an enormous sensibility when it comes to portraying the mood and emotions of his characters through his use of time and setting. There are plenty of scenes where you just get a feeling of tender humanity, of quiet loneliness and bare compassion. It's an experience anyone who appreciates slow and meditative films will appreciate.
However, when it comes to the plot, during the last hour of the film the story drifts into complete nonsense. Gratuitous violence, last-minute twists, and a pretentious vagueness which doesn't fit the straightforwardness of the rest of the story. Matter of fact, I'm sure that if you cut all of that and end the film at the moment that Joaquin and Eliza reunite, you get a much more coherent and engaging story. Sure, Diaz wanted to explore some more themes, he wanted to make it more complex than a simple story of resilience, redemption and love. But he failed completely, and as far as I'm concerned the "simple" Crime and Punishment plot was working wonderfully up to that point.
However, when it comes to the plot, during the last hour of the film the story drifts into complete nonsense. Gratuitous violence, last-minute twists, and a pretentious vagueness which doesn't fit the straightforwardness of the rest of the story. Matter of fact, I'm sure that if you cut all of that and end the film at the moment that Joaquin and Eliza reunite, you get a much more coherent and engaging story. Sure, Diaz wanted to explore some more themes, he wanted to make it more complex than a simple story of resilience, redemption and love. But he failed completely, and as far as I'm concerned the "simple" Crime and Punishment plot was working wonderfully up to that point.
An absolute masterpiece from Philippines, inspired by Fyodor Dostoevsky's "Crime & Punishment" but told through real events & political / social problems of the director's country
This is the first 4 hour movie that didn't even feel that length, perfectly paced, beautifully shot, deep & reflective, gripping & awe inspiring this is the human condition in it's most naturalistic state
Can't wait to see another one of this brilliant film makers films which have running times up to 11 hours a masterpiece that will take some time to wipe form your memory
http://samuellbronko.tumblr.com/post/117757930882/norte-the-end-of- history-2013-lav-diaz
This is the first 4 hour movie that didn't even feel that length, perfectly paced, beautifully shot, deep & reflective, gripping & awe inspiring this is the human condition in it's most naturalistic state
Can't wait to see another one of this brilliant film makers films which have running times up to 11 hours a masterpiece that will take some time to wipe form your memory
http://samuellbronko.tumblr.com/post/117757930882/norte-the-end-of- history-2013-lav-diaz
Norte: Hangganan ng Kasaysayan (Norte, the End of History) clocking in at 250 minutes is utterly breathtaking in scope and visually remains a staggeringly beautiful, poetic masterpiece. On a symbolic level, it is a transcendent story of exploration, self-discovery and redemption, realistically portraying the strength, and equal fragility, of the human condition. The film elaborately investigates the relationship between man and his socio-political circumstances - in this case the extreme poverty of the Philippines in correlation with brutal capitalism on the rise. Most importantly however it explores the spiritual relation between humanity and God.
Lav Diaz pushes the boundaries of the medium with this tour de force, visually and thematically, leading us on a long, contemplative journey of discovery. Through his deeply intimate approach and glorious camera-work he represents human frailty at its most basic, acting as a resolute, poetic meditation on the human condition.
Diaz's cerebral masterwork is nothing short of high art, proving him to be one of the true visionaries working in contemporary world cinema.
Lav Diaz pushes the boundaries of the medium with this tour de force, visually and thematically, leading us on a long, contemplative journey of discovery. Through his deeply intimate approach and glorious camera-work he represents human frailty at its most basic, acting as a resolute, poetic meditation on the human condition.
Diaz's cerebral masterwork is nothing short of high art, proving him to be one of the true visionaries working in contemporary world cinema.
Wusstest du schon
- WissenswertesRanked 9 (tied with Der Fremde am See (2013)) in the ten best films of 2013 by the film magazine Sights & Sounds.
- VerbindungenFeatured in The Story of Film: A New Generation (2021)
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Box Office
- Bruttoertrag in den USA und Kanada
- 10.457 $
- Eröffnungswochenende in den USA und in Kanada
- 2.164 $
- 22. Juni 2014
- Weltweiter Bruttoertrag
- 10.457 $
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