In Restless Dreams: The Music of Paul Simon

The outstanding songs of Simon included in this film are beyond entertaining... they express soulful themes. Director Alex Gibney made a wise choice in structuring this film. Thankfully, there are no talking heads which so many music docs depend on. The conversations mostly flow from Paul Simon, during studio sessions and various concerts.

The scene about Simon's brief marriage to Carrie Fisher focused more on photographs of them. I felt that all three of his wives got the short shrift. While it's clear that Simon adores his wife Edie, and they've shared a long, successful partnership, she could have been highlighted more.

The film makes several references to the struggles between Simon and Garfunkel, and why Paul decided to forge his own path. He makes a few biting comments which could be misconstrued, but maybe at this point Simon is not too concerned about what fans and critics might say.

As good as this film is, there was a missed opportunity in Part 2 regarding the brilliant musicians, vocalists, and dancers from South Africa, Jamaica, and Brazil. These gifted people were essential contributors in expanding Simon's repertoire. They are shown on old footage, but most are not acknowledged by name. The film could have remedied this by using screen text, to give them their due credit. Also wonderful are the vocalists from VOCES8, who recently worked with Simon.

Let me begin by confessing that Simon was a source of tremendous comfort during my adolescence, my primary guitar teacher, me being a self taught guitarist, and the single most direct influence on my own musical creations. I can do a few things on the guitar because of learning by ear (no tabs, no internet) that few guitarists can do. And the backdrop to all of this was what I believed to be a strongly human ethic as evidenced in at least a few of his songs. Alas, the fire disappeared over the years. No one writes anything like the protest songs of old. Remember that Scarborough Fair had an antiwar counter melody? I will refrain from reciting the obvious reasons for this. However, there is still a weird thing that is bugging me. The transformation of Sounds of Silence from a folky niche piece to a gigantic hit is covered in this documentary, and it is covered wrong. Simon did not know they were doing it, he sure as heck did not give anyone permission, and the entire coverage discounts the massive luck or divine destiny which he was blessed with. There are also bizarre issues regarding Simon's recognition of the inspiration for the Seven Psalms, but, hey, we all get old. Why am I being so hard on Paul?

To whom much is given, much is expected.

Tells the story of Simon's rise from boy in Queens New York, making music as a duo with his friend to rise as perhaps the greatest songwriter of our time.

The direction and editing are very well done, the visuals add so much.

I remember his early years with Garfunkel. The public story line was how much of a collaboration it was. In reality it was more like 99% Paul. Garfunkel's voice added an ethereal beauty to the vocals. But as I got deeper into the story I was reminded of the amazing directions Simon's music took. Not content with doing the same old thing he forged a kinship with musicians from South Africa and Brazil. He really is a musical genius.

This tells the story of his latest album, a miracle in itself considering he is now completely deaf in one ear. This entire album was born from a dream.

Let me begin by saying some thought Paul said at the end of episode 1 that Garfunkel was a person he never wanted to see again. But that's not what he said. He was talking about himself never wanting to "see" or be that person again. Himself, being that way..

I really enjoyed it. They were truly a unique duo and so talented. Still are, really. Unfortunately, and also ironically, Paul has lost most of his hearing but he's still writing songs. Reminds me of Johnny Cash at close to the end of his life, and his reflecting on his life through song.

It brought back a lot of memories of troubled, but good, times in a lot of ways.

The documentary is almost faultless; its editing and concept make it one of the best documentaries I have watched. Paul's story is told and weaved within a contemporary narrative as he works on his new album, 7 Psalms. There are no talking heads, all the voice overs or narration is done with people that are introduced through archival footage and it is therefore seamless. The documentary ends with him and Edie (his wife) ,in his studio, singing a couple of verses of a song from his 7 Psalms album. This sets up a sense that he realizes that he may be reaching the end of his creative journey, and then it fades to the credits. But if you wait until just after the credits roll on episode 2, you are treated to a haunting version of Sound of Silence, recorded during a rehearsal. It is night, and he is singing to an empty hall, and in the distance people are walking along the footpath and just casually gazing towards the sound as they walk past. It is a slow and very moving and neatly provides a bookend to an amazing career as it was this song that launched his career all those years ago. The versions are worlds apart; his youthful version launched his career was a driving folk rock version with twanging guitars and drums, this version, matured and just reflecting where he is now.

I am a huge fan of Paul's and he has been part of my life since almost the beginning. I learnt to play the guitar by emulating his style and have memories of spending many, many hours trying to master songs like Kathy's Song, and this documentary is an is an absolute enjoyment from start to finish and tops everything off.