Füge eine Handlung in deiner Sprache hinzuA look at the life and struggles of a family living in London.A look at the life and struggles of a family living in London.A look at the life and struggles of a family living in London.
- Regie
- Drehbuch
- Hauptbesetzung
- Nominiert für 1 BAFTA Award
- 1 Gewinn & 5 Nominierungen insgesamt
Arinder Sadhra
- Manjeet
- (as Arinda Alexander)
Anna Brooks Beckman
- Maddy
- (as Anna Brooks-Beckman)
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If I wanted to have a movie "left up to (my) interpretation", I would have only read the plot and not wasted nearly two hours I'll NEVER get back! I would be livid if I had paid to see this. Out of all the movies I have seen employing the same tactic of disregard for those investing time and/or money in viewing films, this takes the cake! What a way to royally mistreat an audience.
I hope Idris was well compensated for wasting his time on this instead of showcasing his talent in something worthwhile.
I hope Idris was well compensated for wasting his time on this instead of showcasing his talent in something worthwhile.
Do not be deceived by the trailer, this is not the film you think you are about to watch. It's worse. Much, much worse.
Although aesthetically pleasing and possibly a good idea on paper, this film is a waste of the great talent of all cast members involved. It had the potential to be a moving, emotional, thought provoking experience but was let down by the painfully slow pace and depressingly poor resolution to any of the subplots. Leaving the ending open to interpretation was not thought provoking, but rather frustrating and disappointing to a confused audience that have been invested in the characters personal lives for an hour and forty five minutes. Calling the film a let down would be an understatement.
Although aesthetically pleasing and possibly a good idea on paper, this film is a waste of the great talent of all cast members involved. It had the potential to be a moving, emotional, thought provoking experience but was let down by the painfully slow pace and depressingly poor resolution to any of the subplots. Leaving the ending open to interpretation was not thought provoking, but rather frustrating and disappointing to a confused audience that have been invested in the characters personal lives for an hour and forty five minutes. Calling the film a let down would be an understatement.
Whilst I have to admit that I like films without a clear plot, and I have to admit that this films dialogue is hard to understand. I feel the film reflects the source material well. If your tuning into this film expecting to see Heimdal or Luther you will be disappointed. This is a character study if how the second coming would effect the people adound it.
I am angry with myself for watching this pointless movie. I had been listening to the BBC critic, Mark Kermode, interviewing the director of the movie and I was unimpressed with her refusal to divulge much about the movie but he was so full of praise and repeatedly asked her questions which he had asked before and got no answers. He praised the movie so much that I thought I should watch it because it was, at any rate, supposed to be a Christmas movie according to the critic who kept confusing the virgin birth with the birth of Mary without the stain of original sin, the Immaculate Conception. He must have had in mind a miraculous conception. This should have alerted me that the praise was coming from someone who did not know what he was talking about.
Well, I kept waiting for something to happen but the only action was a trip to the hospital and some fisticuffs in the school playground. Part of me was saying, "Turn it off!" and at the same time I was hearing, "The BBC thinks this is brilliant. Wait." What a dope I was. All the actors did was eat and mumble unintelligible text in broken sentences. I thought maybe I need my hearing examined. But No; I need my head examined for wasting so much time watching, Second Coming.
Well, I kept waiting for something to happen but the only action was a trip to the hospital and some fisticuffs in the school playground. Part of me was saying, "Turn it off!" and at the same time I was hearing, "The BBC thinks this is brilliant. Wait." What a dope I was. All the actors did was eat and mumble unintelligible text in broken sentences. I thought maybe I need my hearing examined. But No; I need my head examined for wasting so much time watching, Second Coming.
I found this film beautiful. The slow pace, the fragmented conversations, the authentic accents, all worked to bring you into the world of this family and their everyday experience. At times it was raw and painful, at others it was touching and sweet. The story is told as if the viewer is getting a peek into their world, not as an over-dramatic or glamorised performance that explains every movement. If you prefer all your films to spell things out for you so you don't have to think or have the same americanised english accent, then maybe it's not the one for you. Anyone willing to be open to something else, then I'd recommend.
Wusstest du schon
- WissenswertesAysha Kala's debut.
- VerbindungenFeatured in The EE British Academy Film Awards (2016)
- SoundtracksGreen Garden
Written by Laura Mvula (as Mvula)
Published by Universal Music Publishing Ltd
Performed by Laura Mvula
Licensed courtesy of Sony Music Entertainment UK Ltd
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Details
- Laufzeit1 Stunde 45 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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