Neru
- 2023
- 2 Std. 30 Min.
IMDb-BEWERTUNG
7,5/10
9947
IHRE BEWERTUNG
Sara, eine blinde Bildhauerin, sucht nach einem Trauma nach Gerechtigkeit. Sie kämpft mit dem Rechtssystem und ihrer eigenen Unverwüstlichkeit, um eine Lösung zu finden.Sara, eine blinde Bildhauerin, sucht nach einem Trauma nach Gerechtigkeit. Sie kämpft mit dem Rechtssystem und ihrer eigenen Unverwüstlichkeit, um eine Lösung zu finden.Sara, eine blinde Bildhauerin, sucht nach einem Trauma nach Gerechtigkeit. Sie kämpft mit dem Rechtssystem und ihrer eigenen Unverwüstlichkeit, um eine Lösung zu finden.
- Auszeichnungen
- 3 Gewinne & 7 Nominierungen insgesamt
Santhi Mayadevi
- Ahaana
- (as Shanthi Mayadevi)
Prashant Nair
- New CI
- (as Dr. Prashant Nair)
Resmi Anil
- Seema
- (as Reshmi Anil)
Empfohlene Bewertungen
Even with a predictable storyline Jeethu Joseph's mastery of scriptwriting with Shanthi Mayadevi's knowledge as an advocate makes this engaging and effective. Jeethu Joseph has always been a better writer than a director and there are a lot of instances in the movie that clearly shows that aspect. Some of the smaller characters' acting was not very good, the music was overused a lot and there were a few things that could've been trimmed out. But when it works, the film works great. Even though, it's not something very novel, Mohanlal saying some dialogues did make me clap hard, knowing that I'm sitting in a packed theatre with a lot of families. Anaswara and Siddique were brilliant in their roles and Mohanlal has done a role that is subtle, vulnerable and serious in a very effective way after a long time. Despite the film using easy ways to tell a lot of things, despite the plot being nothing new, it being not new makes more of a case of how it is still so important in every aspect, due to which I was very satisfied by the end of the movie.
Since I saw lot of movies about court & lawyers, so I found this movie as boring. Initially I thought, twist and convict are different but unfortunately the same convict is criminal till the end. Catching criminal using Cc tv cameras is boring. Since i watched movies like drusham and sri mahalaxmi (telugu movies), some scenes seems to be repeated for me. For example, in sri mahalakshmi movie, the prosecuter disproved the witness photos using the mirror. The same thing repeated here.final twist is predictable. So this movie is interesting for people who doesn't watch above movies. This movie should come in 2005 year.
Anyone would agree that its just a standard legal drama. The casting and the setting doesnt seem very expensive or captivating. But the brilliant direction is evident in every detail. Main characters have been casted very well in every way possible. Jeethu joseph does not need any special introduction in such a genre since he has proved his excellence in many of his previous movies. As an average mohanlal enthusiast and a consistent critique of his work, I feel that this must go down as one of his best modern work. He has input an element of his own as well as adhered to the character presented by the director. Movie portrays characteristics of resilience and persistence. A must watch.
I went to this movie expecting a drishyam like thriller and it happened to be the same. All those flashbacks , evidences etc kind of things that make a Jeetu Joseph movie can be seen in the movie . A court room drama that keeps you at the edge of the seat . There is no suspense or anything but it is a thriller . All the cast did a great job . In fact Siddique as Lawyer makes you hate him in the movie and question the profession or our judiciary. I think this movie might be a career changer for Anaswara Rajan as her acting was too good. There are many court room classics in Malayalam cinema and this one can be compared to those. I will give 8 out of 10 for this Jeetu Joseph thriller.
The same team had done Drishyam 10 years ago, which has become a milestone movie, not just in Malayalam but across Indian movie industry. Any movie they do now will be compared to that movie.
There are some common elements, but Neru is a totally different movie, both the theme and the mood of the movie. This is emotionally more draining than Drishyam, while it does not have the sheer audacity and shock value that Drishyam had
The best part of the movie is the script. After 10 minutes or so, the movie just hooks you in, and you can't look away even for a minute, till the very last scene in the climax, which will most probably leave you teary eyed.
Performances are top notch. Special mentions to Sidhique and Jagadish. Two actors who were doing Tier 2 comedy movies 30 years ago, but their acting careers are on a totally high trajectory.
But this movie is carried by Mohanlal and then Anaswara Rajan. Yes, Mohanlal is one of the greatest actors in India and his performance is expected, but Anaswara matches him best for best. Their scene together in the first half and then in the climax will leave you spell bound
On the flip side, don't expect any out of the world movie making techniques. Technically the movie is just passable, but that is a typical Jeethu Joseph style. He let the script and performances take centre stage. The Cameraman, editor and music director just do their job in the back ground
Last but not the least, spare a thought for the genius of Jeethu. Making one edge of the seat thriller like Drishyam is impossible for 9/10 writer directors. But he has now done 4 movies at that level (Drishyam 1 & 2, Memorie and Neru). Hats off man, and hope you outdo yourself in your next one.
There are some common elements, but Neru is a totally different movie, both the theme and the mood of the movie. This is emotionally more draining than Drishyam, while it does not have the sheer audacity and shock value that Drishyam had
The best part of the movie is the script. After 10 minutes or so, the movie just hooks you in, and you can't look away even for a minute, till the very last scene in the climax, which will most probably leave you teary eyed.
Performances are top notch. Special mentions to Sidhique and Jagadish. Two actors who were doing Tier 2 comedy movies 30 years ago, but their acting careers are on a totally high trajectory.
But this movie is carried by Mohanlal and then Anaswara Rajan. Yes, Mohanlal is one of the greatest actors in India and his performance is expected, but Anaswara matches him best for best. Their scene together in the first half and then in the climax will leave you spell bound
On the flip side, don't expect any out of the world movie making techniques. Technically the movie is just passable, but that is a typical Jeethu Joseph style. He let the script and performances take centre stage. The Cameraman, editor and music director just do their job in the back ground
Last but not the least, spare a thought for the genius of Jeethu. Making one edge of the seat thriller like Drishyam is impossible for 9/10 writer directors. But he has now done 4 movies at that level (Drishyam 1 & 2, Memorie and Neru). Hats off man, and hope you outdo yourself in your next one.
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- WissenswertesMohanlal's first theatrical successful film post pandemic.
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Details
Box Office
- Weltweiter Bruttoertrag
- 2.093.761 $
- Laufzeit2 Stunden 30 Minuten
- Farbe
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