Blood Punch - Und täglich grüßt der Tod

I had various friends and blogs recommend this movie to me, but I kept avoiding it, mostly because the title and poster made me certain that I would be getting just another brain-dead horror movie gore-fest. Boy, was I wrong.

What I got instead was one of the best low-budget indie movies that I've seen in years. I know, I know. It feels weird to be lumping those kind of lavish praises on a movie like this, but what can I say? This movie took a somewhat bitter and skeptical viewer like me and converted me into a believer with an incredibly ambitious and clever script, three really solid performances from the lead actors, and a fun sense of style that somehow made the movie feel both classic and modern at the same time.

I really don't want to give away anything specific when it comes to the plot and story. It's much better going into it cold and knowing as little as possible. It's a blend of film noir, horror, science fiction, and black comedy and yet somehow comes together almost perfectly, blending and juggling all these familiar genres into its' own incredibly unique and distinctive vision. I watch a lot of movies and often feel like I've seen it all and know where most stories are headed, but this is a movie that really keeps you on your toes. The script was always one step ahead of me and had me guessing right up until the very end.

In general, the look and production values are quite good, but you could definitely feel some of the movie's lack of budget and resources in some areas. But I found myself way too swept up in the story to ever really mind or care. And the three main leads, who are playing very familiar and almost cartoonish archetype characters, do an incredible job of making these characters come across as totally believable and real human beings.

This is an amazingly underrated and totally overlooked little movie. I highly recommend it.

Okay, first and foremost, I would humbly suggest that you do NOT read the other reviews here. I KNOW that sounds a little self serving, but as usual, a number of these witless reviewers totally give away the primary concept in their titles, so just trying to save you entering Spoiler Territory.

So, what we have here is a very clever concept that if it has not already been Spoiled for you, you will come to understand as the story progresses. It is a concept that has indeed been used in a few other also really good Science Fiction movies, but of course I'm not going to name them as others stupidly have done here even in their titles.

I, on the other hand, and HOPING that the idea behind this clever film has not already been ruined for you, do NOT wish to give away anything but simply as I usually try to do is give you my impressions about how well I think the film is made and if it is worth watching.

The characters are very well developed and in many cases quite amusing. The ONLY thing that honestly drove me almost totally insane is that I SWEAR at least one tobacco company must have foot the entire bill for this movie. I mean literally EVERY 2 minutes if not more often, someone, mainly the girl is lighting up. I mean, it is done to the point of total absurdity. Seriously... There must have been like 200 cigarettes lit in this movie. I personally found it REALLY annoying and somewhat insulting. I honestly saw absolutely no point in it, so FWIW there you go...

So, yes, this is a very good, clever concept that is ultimately very entertaining. If you have been fortunate enough to avoid Spoilers so far, then I think you might find this film a fun ride... I gave it a strong '7'... I KNOW I haven't given a lot of details, but there is almost no way to do so without ruining the story.

I saw this under-the-radar low-budget gem at the New Orleans Horror Film Festival a couple weeks back, where it pretty much blew myself and the entire packed house away and went on to walk away with that festival's Best Feature Film award.

It's such a difficult movie to describe, especially without giving too much away. The story begins as a classic Film Noir Love Triangle. Regular guy Milton is lured by the scorching femme fatale Skyler into a scheme to cook up a gargantuan batch of crystal meth for her psychotic corrupt cop boyfriend, Russell. You've seen this story many times. But just when you think you know exactly where the whole thing is going, it begins taking delightfully clever supernatural twists and turns that keep on coming and coming, right up until the end of the movie.

But unlike a lot of movies that try to take you on a ride like this one, the twists and surprises that keep unfolding here never feel forced or unmotivated. The movie is incredibly smart in its storytelling and direction and really respects the intelligence of its' audience, challenging them to put two and two together on their own rather than spoon-feeding them information. The three young actors who play the leads are also really impressive and convincingly carry the movie, keeping their characters grounded in reality and believable as real human beings, no matter what inexplicable chaos or craziness is berserking around them.

In some ways, some might consider this more of an art-house movie than pure horror, more early Cohen Brothers than Sam Raimi--but it somehow manages to maintain that sense of rollicking good fun and attitude that is definitely rooted in the very best tradition of low-budget horror flicks.

If you told me that a little movie like this could come along out of nowhere to seamlessly and successfully blend horror, film noir, and black comedy, I would have scoffed. But Blood Punch has made a believer out of me. See it if you can--highly recommended.

Breaking Bad never made murder this much fun! This innovative, intelligent thriller dark comedy with a dash of sci fi traps its characters in a never ending story full of false leads and false endings that takes the audience along for the ride. In a story that's nothing but twists, the audience finds itself trapped in the same puzzle as its characters, and even ways out are not what they seem.

The clever premise is misleadingly straightforward: Femme fatale Skyler gets herself sent to rehab to recruit a crystal meth cook, where she meets college boy chemistry student Milton who got busted for running his own meth lab. Skyler has her hands on 100 lbs of pseudoephedrine and has one day to make it into meth for a multimillion dollar payday. Well actually, her boyfriend Russell has the pseudo. And Russell's psychotic. With trust issues. But on the plus side, he has a plan to break them out and a secluded cabin for the cook. Yet it turns out that making the meth is easy. Getting back out and cashing in on the payday--that's the hard part, a dilemma the characters struggle endlessly to resolve.

What makes the storytelling so much fun is that the audience knows from the beginning that in this somewhat conventional storyline, nothing is what it seems, sharing in the characters' bewilderment to figure out what's really going on. The story starts on the morning of the cook, where Milton finds a video he's already made to explain to himself what's really going on. As he unravels the mystery of his own circumstances, the characters are trapped together and the audience is trapped with them.

Filmmakers Paxson (director) and Guzelian (writer) are a husband-and-wife team who've built their resumes in Los Angeles developing Disney entertainment. They wanted to make a movie of their own and for it to be a departure. They met the cast in New Zealand while filming a season of the Power Rangers. A group collaboration from the beginning, Guzelian wrote the story with input from Paxson, specifically for their New Zealand friends. Filmed in three locations around Los Angeles, the film has an indy feel, limited budget but professionally produced with substance (story and characters) over flash. Tennet plays Skyler with layers of subtlety, and Cawthorne portrays Milton's evolving confusion convincingly, a nerd who's made bad life decisions. Boyland can't quite portray Russell to be as deeply psychotic as he's supposed to be; the actor seems like just too nice of a guy. Special mention to Holloway who took the over-the-top Archer and even went beyond that.

Rock'n'Roll type of time loop movie. Thrills and spills, action, blood, violence, snappy cool lines and attitude, a lot of crossing and double-crossing, like a mix of Breaking Bad, The Transporter, and Groundhog Day.

Most time loop movies tend to be grim affairs, the characters struggling to cope, all about learning something about themselves or life from the experience, guiding them toward a realization about love or betterment, and such. While Blood Punch does have a depth of its own, it's just geared differently to be more of an action/adventure fun/gorefest entertainment ride. The characters struggle to cope, they change due to the experience, but it's not over-dramatized and ponderous.

There isn't a race against time/events that has characters try to change things before the next loop, but a situation where a small group of people don't trust each other and are trying to get out of the loop alive. The way the film is edited, kind of narrated and unchronological, adds to that rock'n'roll action movie feeling, but also makes it a little more confusing than it needed to be, where details about the loop aren't explained or demonstrated well -- specifically, why some people do and some don't remember the loop. It's a key piece of information that would help audiences understand why there is a shift in the story and character allegiances.

The one area I felt could've made this story better was if there were other loop sequences of different people teaming up and other loop sequences of every man for himself, as it would have further highlighted the untrustworthy situation they were all in together, and allowed for other scenes of high stakes cat and mouse games going on.

If those things had played a bigger part in this film, it would've pushed my rank higher and higher. As it is tho, it's still a great time loop movie not to miss.