Pompidou

4 episodes in and Wow… talk about dross TV.

There is only one good element to this show and that's the puppet dog. The dog is the creation of the people that helped to make another BBC show called 'Mongrels' (epic win). To watch Pompidou just to enjoy the puppet character Marion though would be like; eating crap just to enjoy a piece of sweet corn.

BBC Controller of Comedy Commissioning Shane Allen said: "The concept is wonderfully imaginative, the writing hugely inventive and it's the perfect vehicle for Matt – one of a handful of performers in the whole world who could pull this off."

Well.. it isn't, it isn't, it may well be and he couldn't. The "writers" last "wrote" for Chucklevision BTW.

Danny Cohen should have stopped this sham… was he on holiday?

I'm really struggling to see what went through anyone's mind when this was commissioned, or allowed to air. Maybe the powers-that-be thought that if they didn't get it, then it must be edgy or good, or clever, or all three.

It isn't.

It isn't funny either.

This is why pilots exist. Make one, try it out on an audience, see what they think (although, honestly, it should never have got that far, the editor should have saved the rest of us the pain and wiped all the media before it left the edit suite).

Please, don't bother. I watched this so you don't have to.

I do understand most people would not really like Pompidou. However I come from truly enjoying and knowing most of the Laurel and Hardy shorts - and to me Pompidou is a great mash up of the old Laurel and Hardy formula with a modern twist to it. Knowing the old material, there are lots of parallels and they are done quite well.

But they could do better. These initial six episodes - I can only take one per sitting. The "dialog" is funny but I can only take so much. I do like how they will pick certain words that can be heard clearly, such as the signature "That really hurt me" and "out". But I have to say every one of the six contain several moments that are hilarious to me.

Everyone who worked on this should be ashamed of themselves for being absolute failures. Not only have they completely failed to understand what works in silent comedys, it also fails to understand what works in any comedy. There is an inexcusably low amount of jokes and the jokes it had I could see coming from a mile away. Also, every single one of these boring, milquetoast, stupid jokes went on for about two minutes.

This is the worst comedy I have ever seen, and that is coming from someone who actively seeks out bad movies. Painfully, unreasonably bad. So bad I can't even understand the mindset of the writers. I can't imagine how anyone could ever think this was funny. I'd be embarrassed for it if I wasn't so angry and astonished. It also makes me sad because it's attempts to bring back the dead genre of silent comedy probably did more bad than good. An absolute waste. Watch this if you're interested in just how bad comedys can be. Otherwise, avoid at all costs.

This is undeniably silly. It's meant to be. I giggled through every episode. Matt Lucas is already a favourite actor of mine from previous TV shows & films. Hove and the dog interact brilliantly with him. While this series has been billed as "silent"; in actual fact all the characters speak. It's just in their own special "gibb-lish." The plots are easy to follow and full of comic visuals. Some of these are surreal. There is no crudity in the humour. Pompidou is an innocent who inadvertently causes trouble for everyone around him, especially Hove. He endears himself to the audience, occasionally breaking the 4th wall. This is evidently a project that Matt put his whole heart into and I hope he can make more. There's nothing wrong with SILLY, providing that's what you're looking for. And there's a special surprise for Little Britain fans. (Ep 5.)