Pompidou

The fundamental flaw in this show is that we're told 'Pompidou' is supposed to be likable - he isn't. That's fatal. No caring for the protagonist is such a shame as Lucas can do better, indeed has done better. Second character 'Hove' is a thin foil, not a Jeeves. A great comic actor (see 'Julius' from 'The Thick of It'), underused. The whole show feels like Lucas trying to recover from the wilderness after some borderline racism in 'Come Fly With Me'. This isn't the vehicle for that. Maybe it'll sell in international markets like 'Bean', but Lucas is no Atkinson, sadly. Atkinson throws it all behind physical comedy, Lucas apparently doesn't have as much natural comedic instinct to throw behind Pompidou. 3/10 - those three are for the excellent dog puppet. It lit up the screen, and was more likable and developed as a character than either of the humans.

You know a comedy is in trouble when you realise that the dog is the best thing in it.

Matt Lucas flies solo here as a down on his luck and his last few pennies aristocrat Pompidou. He lives in a dilapidated caravan parked in the grounds of his crumbling estate. He has his put upon butler Hove (Alex MacQueen) and Afghan hound Marion who tend to be exasperated by his antics.

Lucas obviously was aiming at silent slapstick and farce like Mr Bean or heaven forbid Jacques Tati. However Lucas does not have the skill for physical comedy, the comedy here is painful and its not even silent as most of the characters speak in gibberish.

I could not last through the entire series. I gave it a try but enough is enough. Kids might like it but I guess even some of them have higher standards.

Well, I think the review before this one was pretty unfair. This is a classic British comedy after the pattern of Monty Python and Mr. Bean, except that it really pushes the boundaries of normal TV. At first watching, it is a little hard to believe what you are seeing, but I think that is a good thing for a medium that is normally so totally absorbed with ratings and making money. It is a worthwhile effort, and despite its strangeness, gave us some good laughs. Relatively poor reviews will probably mean that these six episodes are all we will ever see of this, but I hope the BBC keeps whatever commitment it has to this sort of original programming.

This was surreal to watch in that I couldn't figure out how this ever got the green light. I understand Netflix is willing to try new things and in many cases it has worked out to varying degrees but this is way off the mark of what they were going for I believe. I understand the idea of a family friendly show is going to have a restricted sense of humor but I don't see anyone over 3 years old finding this entertaining. I was embarrassed for the actors and hope this doesn't hurt Netflix's reputation for being open minded. The mumbling isn't quite silent film era, the physical comedy isn't of Benny Hill or Mr. Bean caliber and the set with a puppet was a really odd reach tat just made me feel like I was on drugs trying to watch it.

I do understand most people would not really like Pompidou. However I come from truly enjoying and knowing most of the Laurel and Hardy shorts - and to me Pompidou is a great mash up of the old Laurel and Hardy formula with a modern twist to it. Knowing the old material, there are lots of parallels and they are done quite well.

But they could do better. These initial six episodes - I can only take one per sitting. The "dialog" is funny but I can only take so much. I do like how they will pick certain words that can be heard clearly, such as the signature "That really hurt me" and "out". But I have to say every one of the six contain several moments that are hilarious to me.