Eva, eine auf Paartherapie spezialisierte Psychologin, steht kurz vor ihrer Hochzeit und ihre besten Freundinnen organisieren ihren Junggesellinnenabschied in einem diskreten Tantra-Yoga-Zen... Alles lesenEva, eine auf Paartherapie spezialisierte Psychologin, steht kurz vor ihrer Hochzeit und ihre besten Freundinnen organisieren ihren Junggesellinnenabschied in einem diskreten Tantra-Yoga-Zentrum in Vama Veche.Eva, eine auf Paartherapie spezialisierte Psychologin, steht kurz vor ihrer Hochzeit und ihre besten Freundinnen organisieren ihren Junggesellinnenabschied in einem diskreten Tantra-Yoga-Zentrum in Vama Veche.
Empfohlene Bewertungen
Even if I would have wanted to spoil it, I couldn't have done it as the screenplay is too obvious. It's a low quality movie and I don"t know if it can be included in the comedy genre. It looks like some friends decided to do a movie for the need of appearing on tv. Same typologies as seen in other low quality movies, same lines, same situations. I have to admit that after the first half I started to do different things in my home so the time would fly quicker. I think the only attractive thing about this movie is the title, that's all. Even if the action takes place in Vama Veche, don't expect to see any interesting thing from there, as the movie has been filmed out of season (spring, I guess) when there's no soul there.
It's a bad movie. Director, screenwriter, actors, absolutely all of them seem to be poor amateurs who met to produce a crappy movie.
The actresses are talentless, full of mannerisms, they play unnatural, forced, artificial, even embarrassingly weak.
The script is flat, with banal, witless, boring or even annoying lines.
The montage is incoherent, although we want it to be dynamic and fun
Directing? It's like it doesn't even exist. Did this movie really have a director?
Don't waste time to watch it. There are a thousand and one much more interesting things that you can do during this time.
In conclusion, I give grade 1.
The actresses are talentless, full of mannerisms, they play unnatural, forced, artificial, even embarrassingly weak.
The script is flat, with banal, witless, boring or even annoying lines.
The montage is incoherent, although we want it to be dynamic and fun
Directing? It's like it doesn't even exist. Did this movie really have a director?
Don't waste time to watch it. There are a thousand and one much more interesting things that you can do during this time.
In conclusion, I give grade 1.
Retreat Vama Veche is a disaster from start to finish. The lack of direction, uninspired writing, and mismanagement of characters make it a frustrating watch. It's hard to believe that Romanian filmmakers, with so much cultural richness to draw from, could produce something so superficial and empty. There's no humor, no heart, no artistry-just a disappointing waste of time and potential.
The film goes nowhere, quite literally. The premise of a getaway to Vama Veche is misleading, as most of the so-called "action" unfolds in a villa or back in Bucharest. There's no trace of the bohemian, carefree vibe that makes Vama Veche iconic. Instead, we get an incoherent series of events that feel like filler material rather than a story. The plot, if we can call it that, meanders aimlessly with no real conflict, resolution, or meaning. It's as though the writers were making it up as they went along, scribbling dialogue between takes.
The characters are one of the film's biggest failures. Each one feels plucked from a completely different movie, creating an ensemble cast with no chemistry or purpose.
Laura Cosoi's character, allegedly a CEO, behaves nothing like one. Instead, she comes off as a clichéd caricature of a "horny jobless woman with a rich dad" with no depth or credibility. Her actions are baffling and completely out of step with her supposed role.
The bride-to-be is insufferable, grating on the nerves with every scene. There's no charm, no emotional anchor-just an unbearable presence that makes you want to fast-forward.
Adela Popescu's character and the pregnant wife showed hints of comedic potential, but any such moments were quickly squandered by poor writing and lackluster execution. These two could have injected life into the story, but the film simply didn't know what to do with them.
The dialogue is wooden and emotionless, with lines delivered superficially. The script lacks wit, depth, or even a coherent message. It's all surface-level fluff, devoid of any philosophy, lessons, or insight.
The film's biggest insult is its refusal to do a smooth transition between the scenes, they end abruptly, leaving the audience to imagine what needs to happen in that scene. This lazy storytelling makes the film feel like an unfinished draft rather than a polished product.
Skip this one or leave it as background noise while doing your house chores especially now that it is on Netflix.
The film goes nowhere, quite literally. The premise of a getaway to Vama Veche is misleading, as most of the so-called "action" unfolds in a villa or back in Bucharest. There's no trace of the bohemian, carefree vibe that makes Vama Veche iconic. Instead, we get an incoherent series of events that feel like filler material rather than a story. The plot, if we can call it that, meanders aimlessly with no real conflict, resolution, or meaning. It's as though the writers were making it up as they went along, scribbling dialogue between takes.
The characters are one of the film's biggest failures. Each one feels plucked from a completely different movie, creating an ensemble cast with no chemistry or purpose.
Laura Cosoi's character, allegedly a CEO, behaves nothing like one. Instead, she comes off as a clichéd caricature of a "horny jobless woman with a rich dad" with no depth or credibility. Her actions are baffling and completely out of step with her supposed role.
The bride-to-be is insufferable, grating on the nerves with every scene. There's no charm, no emotional anchor-just an unbearable presence that makes you want to fast-forward.
Adela Popescu's character and the pregnant wife showed hints of comedic potential, but any such moments were quickly squandered by poor writing and lackluster execution. These two could have injected life into the story, but the film simply didn't know what to do with them.
The dialogue is wooden and emotionless, with lines delivered superficially. The script lacks wit, depth, or even a coherent message. It's all surface-level fluff, devoid of any philosophy, lessons, or insight.
The film's biggest insult is its refusal to do a smooth transition between the scenes, they end abruptly, leaving the audience to imagine what needs to happen in that scene. This lazy storytelling makes the film feel like an unfinished draft rather than a polished product.
Skip this one or leave it as background noise while doing your house chores especially now that it is on Netflix.
The only movie I kept commenting "this is sooo bad" continuosly. Yes it is that bad, I think random children taken from highschool would have better acting skills than the actors from this film, they are soooo sooo baaad. The script is funny and with good potential, but the bad acting ruins everything. Too bad because the decors, sound, image are good and doesn't look at all as a budget movie, the only thing that ruina the movie is the bad acting and every single review I read are complaining about this. I hope they read this comments and they give up on acting "career". And don't forget the fake moldavian accent oh God!
Aahhh... the Mondays of cinematography...
Sometimes the Romanian art enablers just have COVID ... And too much money. It's baffling to me how this got greenlighted (there's nothing original in the story, nothing about Vama Veche, nothing relatable)
I've seen better acting from pebbles rolling down a hill.
Really looking forward for better Romanian movies!
A couple of years ago, I've been invited at a local short film festival that presented 4 different cliche stories (for Romanians): first movie was about the man that beats his wife, the second about children abandoned by their families who went to work in other countries... etc. Those movies, as this one, had no value to me, to the public, to the ones that made them... After the festival, the directors were invited on tothe scene for a short q and a. And some of them had the audacity to say that these movies were made "on their knees" (meaning in a hurry) because there was money to be spent (there is a State institution that overlooks art / movies). THIS WAS EXACTLY THAT.
Sometimes the Romanian art enablers just have COVID ... And too much money. It's baffling to me how this got greenlighted (there's nothing original in the story, nothing about Vama Veche, nothing relatable)
I've seen better acting from pebbles rolling down a hill.
Really looking forward for better Romanian movies!
A couple of years ago, I've been invited at a local short film festival that presented 4 different cliche stories (for Romanians): first movie was about the man that beats his wife, the second about children abandoned by their families who went to work in other countries... etc. Those movies, as this one, had no value to me, to the public, to the ones that made them... After the festival, the directors were invited on tothe scene for a short q and a. And some of them had the audacity to say that these movies were made "on their knees" (meaning in a hurry) because there was money to be spent (there is a State institution that overlooks art / movies). THIS WAS EXACTLY THAT.
Wusstest du schon
- Soundtracksin camera ta
Written by Trei Sud Est
Performed by Trei Sud Est
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Vama Veche Retreat
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 800.000 € (geschätzt)
- Weltweiter Bruttoertrag
- 312.291 $
- Laufzeit1 Stunde 30 Minuten
- Farbe
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