IMDb-BEWERTUNG
2,1/10
4514
IHRE BEWERTUNG
Verfolgt die Weitergabe des FIFA-Stabs durch drei Verbandspräsidenten: Jules Rimet, Joao Havelange und Sepp Blatter.Verfolgt die Weitergabe des FIFA-Stabs durch drei Verbandspräsidenten: Jules Rimet, Joao Havelange und Sepp Blatter.Verfolgt die Weitergabe des FIFA-Stabs durch drei Verbandspräsidenten: Jules Rimet, Joao Havelange und Sepp Blatter.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 wins total
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If your organisation is rotten to the core, harming something billions around the world love, what do you do?
Well, like any shady regime, you pump out propaganda. The trouble is, in this case everyone is well aware of FIFA's corruption, which makes this film not just poor cinema but unintentionally hilarious with great lines like, "Being president of Fifa will bring no glory, no money!"or, when Blatter is introduced with, ""he is apparently good at finding money" (in brown envelopes, we presume).
Like Nicolas Cage winding up in Left Behind, it's baffling how actor of the calibre of Tim Roth, Sam Neil and Gerard Depardieu. I guess none of them are football fans.
Well, like any shady regime, you pump out propaganda. The trouble is, in this case everyone is well aware of FIFA's corruption, which makes this film not just poor cinema but unintentionally hilarious with great lines like, "Being president of Fifa will bring no glory, no money!"or, when Blatter is introduced with, ""he is apparently good at finding money" (in brown envelopes, we presume).
Like Nicolas Cage winding up in Left Behind, it's baffling how actor of the calibre of Tim Roth, Sam Neil and Gerard Depardieu. I guess none of them are football fans.
United Passions is a glorified corporate pat on the back made by FIFA that masquerades as a movie.
It has attracted stars such as Gerard Depardieu and Tim Roth.
The story is thin as it traces the rise of FIFA from characters such as Carl Hirschmann and Robert Guérin who were involved in its creation. The idea laughed out by the snooty British who had a more colonial and chauvinistic attitude to football.
Under Jules Rimet (Gerard Dépardieu) the third president of FIFA, the notion was put forward for holding the World Cup tournament, first held in Uruguay. The decision to hold in Italy under fascist Mussolini attracted critics.
João Havelange (Sam Neill) cultivated supported from Africa and Asia, attracted corporate sponsorship and boosted FIFA's coffers. Treating FIFA as his own personal fiefdom with constant allegations of and financial corruption under his watch.
Sepp Blatter (Tim Roth) is the embattled successor of Havelange. Determined to broaden football to a truly global sport played in all continents and by allsexes and ages. The final scene is South Africa being chosen to hold the 2010 World Cup.
Of course by the time the film was released, Blatter and other FIFA bigwigs had faced arrest for bribery and money laundering. Decades if financial corruption had come home to roost and there was nothing this film could do to whitewash it.
The film is technically well made but it is all rather pointless. Some British film critics were hard on the movie, the Brits who claim to have invented football appear as caricatures and FIFA did has not selected England as a World Cup venue since 1966.
Stanley Rous the British head of FIFA who preceded Havelange was lightly dealt with in my opinion. His regime bent over backwards trying to include apartheid South Africa in FIFA and in the World Cup. You can see how Havelange easily played him by courting black Africa.
It has attracted stars such as Gerard Depardieu and Tim Roth.
The story is thin as it traces the rise of FIFA from characters such as Carl Hirschmann and Robert Guérin who were involved in its creation. The idea laughed out by the snooty British who had a more colonial and chauvinistic attitude to football.
Under Jules Rimet (Gerard Dépardieu) the third president of FIFA, the notion was put forward for holding the World Cup tournament, first held in Uruguay. The decision to hold in Italy under fascist Mussolini attracted critics.
João Havelange (Sam Neill) cultivated supported from Africa and Asia, attracted corporate sponsorship and boosted FIFA's coffers. Treating FIFA as his own personal fiefdom with constant allegations of and financial corruption under his watch.
Sepp Blatter (Tim Roth) is the embattled successor of Havelange. Determined to broaden football to a truly global sport played in all continents and by allsexes and ages. The final scene is South Africa being chosen to hold the 2010 World Cup.
Of course by the time the film was released, Blatter and other FIFA bigwigs had faced arrest for bribery and money laundering. Decades if financial corruption had come home to roost and there was nothing this film could do to whitewash it.
The film is technically well made but it is all rather pointless. Some British film critics were hard on the movie, the Brits who claim to have invented football appear as caricatures and FIFA did has not selected England as a World Cup venue since 1966.
Stanley Rous the British head of FIFA who preceded Havelange was lightly dealt with in my opinion. His regime bent over backwards trying to include apartheid South Africa in FIFA and in the World Cup. You can see how Havelange easily played him by courting black Africa.
A film about FIFA, an organisation which is renowned for corruption and skulduggery, finances a film about itself. This should get the alarm bells sounding immediately. The basic plot is simple, football commences as a global sport, FIFA creates itself to manage this new international phenomenon. FIFA is amazing. The end. This is a film about an organisation in which corruption is rife, which pays no taxes, yet has 'billions' in its bank accounts, and which forces countries which win the bidding to host the World Cup to their change laws. FIFA were even allowed to edit the script to their choosing. If you like watching propaganda, then this is the film for you. Otherwise, I suggest that it is given a wide birth.
It's very strange that the one person here who has written a 10 star review only joined IMDb 2 weeks ago and must have done just to write a heavily biased review for this film.
It's very strange that the one person here who has written a 10 star review only joined IMDb 2 weeks ago and must have done just to write a heavily biased review for this film.
"On June 5, 2015, the film made its North American premiere at 10 movie theaters in New York, Phoenix, Los Angeles, Washington D. C., Kansas City, Miami, Minneapolis, Dallas, Houston, and Philadelphia. It grossed $319."
The above quote is from the IMDB trivia section on this film. Additionally, the film ended up losing pretty much all the money spent to make it! But, at the same time, the film is reasonably entertaining and features a pretty amazing cast, such as Gerard Depardieu, Tim Roth and Sam Neill. It also features some nice scenes of Paris circa 1930 as well as come great location shots. So what is the problem with this movie?
Well, the problem is that the film is a tribute to the wonderfulness of FIFA, the international body that governs and oversees football (soccer to us Americans). So why is this a problem? Well, the film came out just after FIFA and its leaders were embroiled in a scandal and arrests were made for bribery and more! So, it's not too surprising that revenues were down for the film. But the problem goes much deeper than this. Apparently most of the cost to make the film was actually provided by FIFA...making this essentially a propaganda film...probably made to try to distract the public from FIFA's legal troubles. And, the public seems to have realized this and they stayed away from the movie in droves! It also didn't help that the film not only talks about the early days of FIFA and the first World Cup but then jumps ahead to today...extolling FIFA's virtues but NEVER seriously addressing the scandals...many of which had broken well before the film debuted! And, sadly, some of the folks the film seems to applaud are those who were later sanctioned by FIFA for fraud.
If you completely ignore the propaganda aspects of the movie, I must admit that it's reasonably entertaining...though a bit sterile and uninvolving. It really lacks heart and warmth and the characters seem more like caricatures much of the time. But purely for the look of the film and SOME of the acting, I'm giving it a 3. It's not all that good and is an apparent attempt to distract the public...but it's not 100% bad as you watch the movie.
The above quote is from the IMDB trivia section on this film. Additionally, the film ended up losing pretty much all the money spent to make it! But, at the same time, the film is reasonably entertaining and features a pretty amazing cast, such as Gerard Depardieu, Tim Roth and Sam Neill. It also features some nice scenes of Paris circa 1930 as well as come great location shots. So what is the problem with this movie?
Well, the problem is that the film is a tribute to the wonderfulness of FIFA, the international body that governs and oversees football (soccer to us Americans). So why is this a problem? Well, the film came out just after FIFA and its leaders were embroiled in a scandal and arrests were made for bribery and more! So, it's not too surprising that revenues were down for the film. But the problem goes much deeper than this. Apparently most of the cost to make the film was actually provided by FIFA...making this essentially a propaganda film...probably made to try to distract the public from FIFA's legal troubles. And, the public seems to have realized this and they stayed away from the movie in droves! It also didn't help that the film not only talks about the early days of FIFA and the first World Cup but then jumps ahead to today...extolling FIFA's virtues but NEVER seriously addressing the scandals...many of which had broken well before the film debuted! And, sadly, some of the folks the film seems to applaud are those who were later sanctioned by FIFA for fraud.
If you completely ignore the propaganda aspects of the movie, I must admit that it's reasonably entertaining...though a bit sterile and uninvolving. It really lacks heart and warmth and the characters seem more like caricatures much of the time. But purely for the look of the film and SOME of the acting, I'm giving it a 3. It's not all that good and is an apparent attempt to distract the public...but it's not 100% bad as you watch the movie.
For over a century movies have been fascinated with nefarious enterprises. The Mafia movies - which at the time seemed a long commercial bet - proved that audiences really liked to watch the internal workings of an organization, from how it generated its revenue through to how it dealt with opponents and new business rivals.
In a sense "United Passions" is like that: not quite "Donnie Brasco", or "Godfather II" true, but the drama and excitement of making uniform rules and regulations for playing football, or the power plays at board meetings and facing down political oppression n Europe, not to say the daring of Blatter offering sponsorships deals all makes for some pretty heady cinema.
That's not to say that its all good. It really isn't. The historical evolution of FIFA is related like a child's essay and that leads to a collective groan, much as any teacher faced with such mediocre aspirations would do as well. The script tends to platitudes and an overbearing pomposity. A film that has a barely concealed sneer at the English is paradoxically in English. As spoken by some actors it is obvious they are not fully comfortable with its stress patterns and cadences.
At times it teases with audience expectations as when Blatter holds a roadside rendezvous with another official and they discuss the implications of the Russian-US enmity in the late 1970s. It's scene we've all seen often enough: just as Fredo is dealt with by Michael in the boathouse, and usually presages a hit on an unsuspecting person. None, however occurs.
The flirtation with the worst instances of the Bond movie canon lead nowhere, of course, because this is a vanity corporate movie, full of sound and bureaucratic business cant, and naturally, signifying nothing.
In a sense "United Passions" is like that: not quite "Donnie Brasco", or "Godfather II" true, but the drama and excitement of making uniform rules and regulations for playing football, or the power plays at board meetings and facing down political oppression n Europe, not to say the daring of Blatter offering sponsorships deals all makes for some pretty heady cinema.
That's not to say that its all good. It really isn't. The historical evolution of FIFA is related like a child's essay and that leads to a collective groan, much as any teacher faced with such mediocre aspirations would do as well. The script tends to platitudes and an overbearing pomposity. A film that has a barely concealed sneer at the English is paradoxically in English. As spoken by some actors it is obvious they are not fully comfortable with its stress patterns and cadences.
At times it teases with audience expectations as when Blatter holds a roadside rendezvous with another official and they discuss the implications of the Russian-US enmity in the late 1970s. It's scene we've all seen often enough: just as Fredo is dealt with by Michael in the boathouse, and usually presages a hit on an unsuspecting person. None, however occurs.
The flirtation with the worst instances of the Bond movie canon lead nowhere, of course, because this is a vanity corporate movie, full of sound and bureaucratic business cant, and naturally, signifying nothing.
Wusstest du schon
- WissenswertesIn Phoenix, AZ, the film grossed $9 in its opening weekend, meaning only one person bought a ticket to see the film.
- VerbindungenFeatured in Last Week Tonight with John Oliver: FIFA and the World Cup (2014)
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Details
Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 607 $
- Eröffnungswochenende in den USA und in Kanada
- 607 $
- 7. Juni 2015
- Weltweiter Bruttoertrag
- 171.511 $
- Laufzeit
- 1 Std. 50 Min.(110 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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