Fargo

...Just finished Season 5 ...the one with Juno Temple,Jon Hamm and Jennifer Jason Leigh and I must say that most of the 10/10 score must go to this season, though all the others were, I think, solid 8's or 9's. I remember the original Film and to be honest, apart from the excellent acting by F Tomelty I was a little underwhelmed,(..ditto ,'3 Billboards...'...sacrilege,I know, but ,Hey Ho!..). In this, we meet Ms Temples scatty mum character who gets into a bit of trouble at an unruly School Meeting ,drawn into a plot where she slowly and tantalisingly reveals hidden depths where she will do anything to keep her little family safe. Although, I binged and enjoyed it immensely,looking back I realise it was quite a feminist wish list fantasy but nothing wrong with that in my book. All the seasons had fantastical elements, at one time or another and I enjoyed them all immensely, not to mention Top quality actors, new and old. More please,Mr or Mrs Showrunner!!!...

It is not often that you come over films or series where you can actually believe in the characters and forget about the acting personnel, and usually this only and occasionally happens when there are completely new faces on the screen. In Fargo, or at least in the first season, such a belief in the characters is very present. Until you have to check out where ever you saw Martin Freeman, he simply is Lester Nygaard, and even Billy Bob Thornton manages to escape the too much used label in this series. Naturally it has to be credited to good acting, but there is definitely some good writing, direction and makeup efforts to salute. Though not all roles are that well acted, and there are some editing flaws that should have been avoided, regardless, for those who love black and intelligent humor - Fargo is top entertainment!

After watching and exceedingly enjoying season 1 and 2, the following two seasons became comparatively disappointing. However, with season 5 the series not only is back to basic, but the formula is developed into an even higher level, where particularly some of the characters display a deeper psychological specter, and one as a viewer is challenged to comprehend a more complicated set of human emotions and instincts, where the basics of the plot gets gradually revealed, and the fundament of intentions is nearly perfectly balanced all the way. When this is combined with brilliant acting performances, it becomes a form of true art.

The first season is at least feeling-wise the closest one that is to the movie. Billy Bob Thornton is amazing as Lorne Malvo, not just him actually the whole cast is amazing.

The second season is my personal favorite, Starting from here I think Noah Hawley doesn't just get some story elements and scenes from the movie Fargo but from like all of Cohen's filmography, those of you who have seen the show would know what I mean and it's a good thing. Acting is amazing as usual along with intriguing storyline that keeps you hooked up from beginning to end.

The third season is where things slow down, but Mary Elizabeth Winstead, Ewan McGregor and especially David Thewlis as V. M. Varga are AMAZING. And I love the cinematography of this season, and I think this is the best looking season of Fargo.

The fourth season is the worst one. We went from subtle dark humor with great stories and interesting characters to fart jokes with cheap mafia story and uninteresting, annoying characters. Also with his squeaky voice I just can't take Chris Rock serious as a mob boss.

The fifth season is kind of mid for me, I remember liking it while watching weekly but when I tried to remember I realized nothing much stayed with me after finishing the whole season. I loved the character Ole Munch, he is the only one that's interesting with all of his background, and other than him the show is just filled with one dimensional weak male characters and girl bosses that have laugh-inducing plot armors.

I'm glad the show's ended. It had almost perfect run. Still win-win actually cause we have 3/5 amazing season here.

Season 1: 10/10 Season 2: 10/10 Season 3: 8/10 Season 4: 7/10 Overall: 9/10

From the very first episode, Fargo makes it clear that it's not just trying to be a copy of the Coen brothers' film-it has its own identity. It maintains that signature dark humor and delivers a story full of unexpected twists that hook you right away. The chain of events feels like a domino effect that, while sometimes over the top, is impossible to walk away from.

Billy Bob Thornton is outstanding. His character, Lorne Malvo, is hypnotic and exudes a constant sense of danger without needing to overdo it. Martin Freeman also stands out, transforming his character in a way that is both surprising and captivating. The dynamic between the two and the way their paths intertwine is one of the show's biggest strengths.

The tone balances tension and absurd comedy in a way that, while occasionally pushing the limits, mostly works. There are moments when the series branches out too much or takes its time with certain subplots, but in the end, everything falls into place. The frozen landscapes of Minnesota and the way the story reflects the fragility of human morality add to that constant sense of impending doom.

It's not a perfect series, but its ambition, sharp writing, and outstanding performances make it hard to look away. It's one of those rare adaptations that not only respects the original material but expands on it and gives it a fresh new perspective-something that's not easy to achieve.