Leviathan

Leviathan takes a long, immersive look at the machinations of corrupted power in the lives of the powerless, who desperately struggle to stay the course, hoping against hope to win a losing battle.

A man and his family face off against a politically backed fat cat who wishes to buy the piece of land upon which stands their house, willing to destroy their family nest to raise a modern building in its stead. The grandiose, solemn music of Philip Glass (Akhnaten; Act I Prelude) opens and ends the movie, flanking it like a sturdy front and back cover a fine book from a Russian master's pen. Other than that, the movie is rather stark, musically and otherwise. It is remarkable how effective silent scenes can be. With little music and less sound effects, the film has your undivided attention, reaching emotional heights towards the end. The lack of a musical backdrop further enhances the gritty realism that imbues all the 140 minutes. Relationships between the characters evolve and change significantly over the span of the movie, and though the patterns are somewhat familiar, interpersonal developments are portrayed with commendable subtlety and brilliance. There is a lot of intelligence to the storytelling; much can be understood without words. We embark on a chilling journey into the land and home of ordinary, simple folks, who are kicking and screaming for justice under the suffocating oppression of ruthless power, also blighted by their own frailty.

Leviathan is an outstanding work of art that manages to drive home universally relevant points with sparkling clarity in its refreshingly honest way. A highly recommended piece.

There's certainly a feeling of dread, of malice, that really takes over the film even in its early stages. It's rather impressive. The opening and closing shots are of very much resemblance and they do sort of open and close this one tale. It's very much in line with a dark thriller (and in many ways this is that). It's rather impressive, rather stoic. The cinematography is rather beautiful, and it sets off the tone rather well. There are some truly impressive shots in this piece of work, it even reminded me of The White Ribbon. I'm not sure I loved everything about how the script develops, but the film as a whole is certainly very good and perhaps will remain as the best from the Foreign Language nominees. Certainly recommended, but not always an easy viewing.

I must say I was very excited to see this movie in the international film festival hosted here in Auckland.

Set in corrupt small northern Russian town, that could very much be any other town, or even country, in the world, Leviafan explores the confrontation of a man against the mayor. The last wants to kick him out of his house for his own benefit.

Superb photography, superb acting, spine chilling music, solid plot and dark humor touches make Leviafan a truly rewarding experience. One of the best movies I have seen in some time. Do not let the duration discourage you, hours fly. When you glance at your watch for the first time the movie will be over.

Be ready to pity, hate and love the characters. Laugh, feel anguish and rage and enjoy this emotional roller-coaster.

I was so impressed with this movie: it just has it all. The story is about a man, Kolya, who risks to loose his property because of the arrogance of the corrupted major, the leviathan. The film opens with a beautiful sequence of landscape - cinematography is remarkable and shows the wide, desolate environment that reflects the isolation of the characters themselves. The screenplay is intriguing and well written - nothing's taken for granted and both the story and the dialogs are deeply constructed.

Kolya's character, sustained with a sincere performance, needs to be saved even though his freedom might have dangerous consequences. He refuses his friend's, Dimitry, advice to move on and build a new life somewhere else and chooses to fight for his house. The role of the woman is that of a submitted wife always watching and never taking part of any conversation or decision. She is weak and we notice it also from the relationship she has with Kolya's son. Dimitry, instead, is seen as a hero: he is admired by Kolya and fascinates Lilya (Kolya's wife). The character's unsolved dilemmas are the real trap that drags them to despair - the leviathan is inside themselves in the first place. It's a movie that is worth seeing because of his richness in humanity. It reminds us that we are all waiting for someone who can save us, maybe putting our needs in front of everyone without realizing that our decision might harm people near us.

"All power comes from God. As long as it suits Him, fear not."

After receiving an Oscar nomination for best foreign film, I finally decided to watch this 140 minute long movie. I was hopeful I was finally going to see Russians not having to play villains, but to my surprise this film attacks its own society and the corruption behind its government and official church. It takes a while to get into but after the slow opening twenty minutes the plot began to hook me and the next two hours flew by as the plot got better and better. Despite being a film that brilliantly attacks the corruption of its own government and society, it does so in a universal way so we can all relate to these issues. Loosely based on the biblical story of Job, we follow the main character go through one injustice after another. Director Andrey Zvyagintsev brilliantly captures the humanity of this working class family who are forced out of their own property by the corrupt local Mayor. It is the universal tale of an everyday man struggling against the injustices of an oppressive system (The Clash's "I Fought the Law" song came to mind several times while watching this film). We get glimpses of hope when a friend of the family comes to their defense and tries to confront the big man by uncovering some dirt from his past, but some interesting twists take place and the family dynamics are shaken. The final fifteen minutes of this film were brilliant and I am glad Zvyaginstsev didn't sell out for an easy or feel good ending. The cinematography is also gorgeous thanks to the beautiful location. The film takes place in a small coastal town near the Barents Sea and we get several amazing shots of the waves crashing into the rocks. The beautiful landscape is a huge contrast with the darkness of the corrupt characters. Leviathan is a brilliant film that works as a social satire. Leviathan is a monstrous sea creature mentioned in the Bible, and it is the perfect title for a film that focuses on a small man facing monstrous obstacles. I was surprised that I ended up enjoying this film as much as I did. I still have a lot of catching up with my foreign films, but so far this is my favorite and my frontrunner for the Oscars.

The performances in this film were also great. Aleksey Serebryakov plays the lead character and he captures the essence and humanity of the hard working class. He has built his own home were he lives with his wife and child working as a mechanic. His wife works at a fish factory. He is desperate and angry for the injustice he is suffering knowing that he is about to lose his home and property. His good friend who is now a lawyer in Moscow has come to his rescue. He is also brilliantly played by Vladimir Vdovichenkov. He is the voice of reason in the film and is always trying to calm down Nikolay who has a strong temper. The corrupt lawyer is played by Roman Madyanov. He makes it easy for the audience to hate him because he represents all the injustice and corruption that we face. Nikolay's wife is played by the beautiful Elena Lyadova and she does a great job of portraying this fragile character. However my favorite supporting performance came from Anna Ukolova who plays a friend of the family and also works with Nikolay's wife. She always has some sarcastic comment about men or officials and she delivers most of the laughs in the movie. Her character helped lighten up the mood at times. The other thing that lightens the mood is the constant drinking in the movie (warning: you might get drunk just by watching them jug down those Vodka bottles). The harsh conditions that these people face force them to find refuge in their alcohol in order to suppress their pain (something many people can relate to as well). What really stands out in this film is that instead of portraying some of the key scenes Zvyaginstev decides to omit them and we are only exposed to the results and its consequences.