Hawaii

¡Qué buena película! Although it's very slow and the "music" is a little distracting at times, especially during the extended beginning sequence, this is an excellent Spanish-language gay-themed movie from Argentina.

The camera and director linger on small details and gestures, and create a very credible atmosphere and true tension and drama despite very little dialog.

I enjoyed this movie so much that I almost immediately watched it again. Perhaps not for those who prefer fast-paced action movies, I found this movie to be very engaging, interesting and fulfilling.

Highly recommended.

the past. and its possibility to be basis of present. a film about other as part of your definition. remarkable for its delicacy and touching nuances. for the precision of acting and for the exploitations of small, ordinary gestures. a film who impress. the cause - its smart mixture between vulnerability of the lead characters worlds. the atmosphere who reminds memories of viewer and a lot of hypothesis about story evolution. and for the balance of ages as land for memories. a seductive movie. for its details . for the tension. for the crumbs of childhood as pillar of ages. and, sure, for its end. a kind of gem. or, maybe, only a delicate picture from a summer.

One of my favorite gay films ever. A charming tale about a young man (Martín, played by Mateo Chiarino) who is down on his luck, homeless and poor much of his life who returns to his birth town and randomly goes to work for a childhood friend (Eugenio, played by Manuel Vignau) as a handy man. The wealthy Eugenio, who is gay, takes a liking to the attractive Martin and eventually provides him with clothes and a place to stay. Eugenio subtly hits on Eugenio, who is seemingly blind to the advances. Both characters are deftly played, very nice directing and a storyline that at times is suspenseful. Won't give a spoiler but the ending is worthy sticking around for. Very enjoyable movie! Parental alert: frontal nudity by both actors, but not overboard with it.

I was first introduced to Marco Berger with "Plan B", still one of my favorite films. In both that film and "Hawaii" Mr. Berger has done some of the finest modern story-telling I've had the pleasure to experience.

These are definitely NOT American films - they are slow to develop, sparse on dialogue and largely visual in nature. Those qualities by themselves make these films creative and interesting. But it is the development of both the story and the characters that really bring the films to life.

The single item that makes a film work (in my estimation) is whether or not an audience can feel that a character has come to life in the film - has come alive, feels real to us. "Hawaii" does that every bit as effectively as "Plan B." It is an additional measure of quality (and a great treat) that a film have more to say to an audience on a second, third or fourth viewing. Both of these films do that handily.

It is of particular note in this film to watch the slow building of a relationship between these two men. And, as in "Plan B", their sexuality in some respects is incidental to the connection the men in both films form. There is a breadth and depth to these relationships that seems rare these days in film.

Can't recommend both "Plan B" and "Hawaii" enough. Outstanding films.

I couldn't be happier! Marco Berger touched my heart again with this winning dramatic romance between two timid individuals, unsure of life and love. "Hawaii" makes the perfect addition to the collection of Marco Berger's offerings. Be sure to catch them all. They make a perfect film festival all by themselves.

"Hawaii" lays out the day to day interactions between Eugenio (played by the unconventionally handsome Manuel Vignau, "Bruno" from "Plan B") and Martín (played by Mateo Chiarino) that build a budding romance neither knows how to address. Tension builds until, finally, a fateful kiss that changes everything. I spent the rest of the movie repeating the mantra "please, please, please, please" for the perfect ending. See if I got my wish...