Schwester Paxton und Schwester Barnes geraten im Haus des potenziellen Gläubigers Mr. Reed in ein vertracktes Katz-und-Maus-Spiel, bei dem sich die beiden Missionarinnen nicht allein auf ihr... Alles lesenSchwester Paxton und Schwester Barnes geraten im Haus des potenziellen Gläubigers Mr. Reed in ein vertracktes Katz-und-Maus-Spiel, bei dem sich die beiden Missionarinnen nicht allein auf ihren Glauben verlassen können.Schwester Paxton und Schwester Barnes geraten im Haus des potenziellen Gläubigers Mr. Reed in ein vertracktes Katz-und-Maus-Spiel, bei dem sich die beiden Missionarinnen nicht allein auf ihren Glauben verlassen können.
- Regie
- Drehbuch
- Hauptbesetzung
- Nominiert für 1 BAFTA Award
- 4 Gewinne & 38 Nominierungen insgesamt
- Driver with Car
- (Nicht genannt)
- Missionary #1 (Elder Simmons)
- (Nicht genannt)
Zusammenfassung
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Grant's performance is engaging, but there's an intangible quality missing, something that keeps the movie from fully resonating. Perhaps it's Grant himself, who doesn't quite shed his familiar charm to embody a character steeped in philosophical conflict. Alternatively, it might be the script, which seems torn between delivering an engaging story with a profound message and indulgent lecture through Grant as the medium. This identity crisis leaves the film feeling somewhat ungrounded, making The Heretic a fascinating watch but ultimately difficult to categorise as either wholly successful or lacking.
The supporting cast did an excellent job in quite difficult roles for them to play alongside Grant as the lead.
Annoying missionaries, and to the missionaries the annoying 'customer' who wants to debate at length.
The film played expertly with the sense of unknown and the accompanying dread that was created from it.
Hugh Grant's Mr Reed playing so well at walking the line but not crossing it. Moving things forward without giving an inkling of where it was going. Giving the impression of choice but was there really any?
Where it faltered for me was in the 3rd act where it revealed probably too much about him. Just another nutter, but wouldn't it have been cool if we were never quite sure.
I loved that they toyed with the current dilemma of not know who to trust about what. Things seems bad but then they gave a plausible explanation etc etc. We're engulfed in it and there is no clear sign that one party still holds to reason logic and honest over the other.
A world of Plausible lies, or is it the truth? You simply can't tell any more.
The script was detailed and pop culture referential.
Lots of clever asides, ("You're thinking of the butterfly effect").
I liked the ambiguity a lot, and the central "what's in the afterlife" conundrum, or was Reed basing his con on that set up? It was intriguing, and I was buying it.
It was almost a runaway original and innovative great script apart from a handful of loose end points which took it down several notches from the very high standard it set for itself.
Where it fell down was the very quick lesson about "the one true god". I didn't follow the reasoning and up to this point it played very well. Then the caged entourage who "do it willingly"? That was an interesting point not sold very well either. I loved how it tied to the following of religion, but it lost me here too.
And the final failing was the saviour who managed to bleed out but then climb several stairs deliver a death blow, although it wasn't clear what Reed was trying to do at this point anyway, and then he passed away.
This could have been a timeless great movie if they'd managed to solve a few niggling contrivances.
As it was it was better for the questions it asked, thought experiments and warping tropes.
Chloe East and Sophie Thatcher play Mormon missionaries who pay Mr. Reed a visit with the hope of converting him to their religion. Reed, however, has his own sinister agenda. What follows is an intense game of cat and mouse, the missionaries desperately trying to reason with their host while trying to find a way to escape from his home.
The film's strongest scenes are those in the first half of the film, in which Reed disquietingly questions the girls' beliefs while positing plausible alternatives - Grant is both affable and subtly menacing. Much of the first hour is simply conversation between Reed and the missionaries, and yet it is superbly unsettling, hinting at the man's craziness without going over the top. The latter half of the film is slightly less effective, visceral horror replacing the verbal dread, but it is still entertaining, and the film closes leaving the viewer with plenty of food for thought.
7/10.
Hugh Grant delivers a standout performance, with Sophie Thatcher and Cloe East also shining in their roles. The director, cinematographer, and set designer deserve credit too, as they gradually immerse you into the growing madness of Grant's character and his eerie home.
Unfortunately, the plot is the film's weakest point. The tension and mystery build beautifully at first, but around the two-thirds mark, it starts to unravel. The climax left me slightly underwhelmed, as I was expecting something more profound. Still, 'Heretic' is an excellent horror film in its own right - enjoyable, but not quite as memorable as I had hoped.
Wusstest du schon
- WissenswertesSophie Thatcher and Chloe East were both raised Mormon and were able to give valuable insight into the religion when shooting the movie. They are no longer Mormon.
- PatzerA woman who was starved and in a weakened state as the captive women were wouldn't have had the strength to open the metal trap door, move the dead weight of a dead body and dump it down the shaft. Also the body was not near the base of the ladder so it would have had to have been dragged after being dropped. All that would have had to have been accomplished without making noise to alert the girls that it was happening.
- Zitate
Mr. Reed: [air quoting] You know, "With great power comes great responsibility."
Sister Paxton: Spider-Man.
Mr. Reed: Voltaire.
Sister Paxton: Right.
- Crazy CreditsThe end credits state that no Generative Al was used in the making of the film.
- VerbindungenFeatured in Movie Reviews: Heretic | The Best Christmas Pageant Ever (2024)
- SoundtracksJust Like a Butterfly (That's Caught in the Rain)
Performed by Ipana Troubadours
Written by Harry M. Woods (as Harry Woods) and Mort Dixon
Published by Callicoon Music (ASCAP), Bienstock Publishing Company obo Redwood Music Ltd. (PRS), Warner Chappell Music Ltd. (PRS)
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment (Canada)
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Details
Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 27.986.380 $
- Eröffnungswochenende in den USA und in Kanada
- 10.829.810 $
- 10. Nov. 2024
- Weltweiter Bruttoertrag
- 59.777.970 $
- Laufzeit
- 1 Std. 51 Min.(111 min)
- Farbe
- Seitenverhältnis
- 2.39 : 1