Tokyo Tribe

If you wanna know what this movie is about, think of 'The Warriors' only as a manga comic or think of 'West Side Story' only as a Japanese rap opera. Think of it as an amalgam of the two, only as if the story was instead conceived during a fever dream, pumped full of crack cocaine, overdosing on metamphetamine, before then getting totally blown out of proportion.

It's like Asian Snoop Dog and Far East Satan had a child that through pondering the value of big dicks, accepts conversion to Christianity by Feminist Jiu-Jitsu-Buddha. It's a Menippean satire that based on the holy principles of hip hop invents its own reality, then cuts it into pieces with the help of samurai swords, gattling guns, and razor blade ventilators, before letting it rise again by the power of bass-laden words from the Battle Rap Bible.

I dare say: if you haven't seen it, you have never seen anything like it!

Even more offbeat and outlandish than 'Why Don't You Play in Hell?', this follow-up feature from Sion Sono is a rap musical about feuding gangs, set in contemporary Japan. While unquestionably a bizarre mesh of genres, the project works magnificently thanks to the energy and imagination that Sono brings to every frame. The sets and costumes are a wonder to behold with heavy doses of neon lights, human statue furniture, walls made of red balloons... there is even a gun with a mobile phone built into it and a van with chandeliers attached to the side mirrors! The minimal special effects and spirited choreography are pretty good too and while the violence is nowhere near as brutal or memorable as in 'Play in Hell', it is an experience all the same. Attempting to nut out of finer details of the plot is a little tricky here. There are a heap of key characters, very few of whom are developed in any depth, and side plots including a missing daughter and a mystical quest delivered via hologram crop up without ever being properly resolved. Never to mind, what can be deciphered here is enticing on its own and the film includes some neat messages too regarding how easy it is to pitch gangs against one another and the very petty reasons that some men have for starting (turf or other) wars. There is a fair bit of dark comedy in the mix too and the overall movie is so outrageous and willfully uncanny that its entertainment value is hard to deny as long as one is prepared to forgo the tropes of traditional narratives and indulge in something a little more 'out there'.

Well, what can I say? That was something a bit different! If I had known in advance that what I was about to watch was a Japanese hip-hop musical about warring gangs in an alternate Tokyo, I suspect at least a few alarm bells might have gone off. The idea is so wilfully absurd that the movie could easily fall into car crash territory. But you are probably thinking that there is a 'however' coming up here and you would indeed be correct, as in the event Tokyo Tribe proved to be a properly exhilarating movie experience. The originality on display was pretty mind-boggling not just in terms of basic idea but also in execution. There is a story but I realised pretty early on that paying full attention to it was not really a primary requirement. Needless to say, I can't actually be bothered summarising the plot synopsis. What this one is resolutely all about is style over substance. For some viewers that is a cinematic crime but I personally think that we get a little too much 'substance' and not anywhere near enough genuine style in our modern movies. Tokyo Tribe is an example of a film that is great, great style and is pure cinema from start to finish.

Seemingly it was based on a manga comic, which isn't exactly surprising given the sheer insanity that unfolds on the screen. It has an extremely colourful aesthetic with great sets and costuming. The look is constantly interesting and surprising, a fantastic spectacle overall. But this crazy film also has most of its dialogue rapped as well. I hadn't even been aware of Japanese hip-hop before this so it was an education I can tell you. The style of filming with lots of long takes was somewhat similar to the style that many rap music videos adopted, so this is another disparate element mixed into the overall concoction. So what do we have here? Well, we have martial arts fighting (although not so much so that it gets overbearing), some good old fashioned sexploitation elements, a beat-boxing maid, a Mr Big gangster with an ever-present dildo, human furniture, a tank driving Samurai, a super-strong black henchman, (very) cute Japanese women of various shapes and sizes, some men with misguided hair-cuts, a wheel of death, a depressed youth in a hoodie who pitches up every so often like a Greek Chorus, comic-book violence and bling weaponry. There is even more going on than this as well but that's the best I can do for now. On the whole, this is a highly entertaining action-comedy-musical with a real energy and originality. This really does define the term one of a kind!

The costumes/movie set are quite breathtaking and songs are very catchy. Another eccentric movie by Sion even if it doesn't break any grounds. It's probably hard to watch again as the plot is extremely superficial and never takes itself seriously. Never knew Rap was a thing in Japan until I googled some of the actors from the movie that are actually real artists irl.

You'll either find this mash up of gang violence, martial arts action and hip-hop musical (it is told almost entirely in rap verse), based on a popular Manga series ingenious or totally bonkers, but director Sion Sono delivers a movie that goes beyond the midnight-movie oddness of the plot, and has a knack of making the dumbest of ideas work. In a futuristic Japan, territorial street gangs form opposing factions collectively known as the Tokyo Tribes. When one of the gang leaders breaks the fragile peace, it triggers a brutal street war for supremacy. Featuring a cannibalistic yakuza boss and his son who has a room full of human furniture, a (computer-generated) tank rolling down the streets of Tokyo and bombing buildings, a lot of humour, and even a homage to Bruce Lee (not Kill Bill) in Game of Death, there's a lot to like in this movie even if the novelty of it all does start to wear a little thin after a while.