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Das Leben von Chhatrapati Sambhaji Maharaj, dem Sohn von Chhatrapati Shivaji Maharaj.Das Leben von Chhatrapati Sambhaji Maharaj, dem Sohn von Chhatrapati Shivaji Maharaj.Das Leben von Chhatrapati Sambhaji Maharaj, dem Sohn von Chhatrapati Shivaji Maharaj.
- Auszeichnungen
- 3 Nominierungen insgesamt
Ankit Anil Sharmaa
- Santaji
- (as Ankit Anil Sharma)
Zusammenfassung
Reviewers say 'Chhaava' is acclaimed for its grand scale, historical authenticity, and Vicky Kaushal's powerful performance as Sambhaji Maharaj. The film is celebrated for intricate battle sequences and detailed costumes. However, it faces criticism for inconsistent pacing, weak music, and underdeveloped supporting characters. Some find it overly dramatic and lacking narrative depth, with historical inaccuracies and Bollywood clichés. Despite these issues, many appreciate its effort to highlight an important historical chapter.
Empfohlene Bewertungen
First, let me clarify - I'm not undermining the efforts of the actors. Vicky Kaushal is an absolute delight to watch, and he truly looks the part. There's no doubt he has completely embodied the essence of the character - he feels like fire, water, earth, and air all at once. His portrayal is exactly what this role needed.
However, here's what didn't work for me:
- Dialogue & Screenplay Issues - For a good portion of the film, I barely felt there were any dialogues! It was mostly background music filling in the gaps, seemingly covering up weak writing. The first 120 minutes felt like a prolonged setup, leading to the torture sequence - which, while impactful, doesn't make up for the lack of depth in the earlier part of the movie.
Final Thoughts
Brilliant acting, but that's about it. I felt the same way after watching Sam Bahadur - where key moments of strategy and planning were rushed through a poorly placed song. Instead of truly experiencing the peak of the story, we're only shown it from a distance and told, "This is where we're going," but never actually taken there. That's Chhaava in a nutshell-visually striking, but ultimately unsatisfying.
However, here's what didn't work for me:
- Lack of Memorable Characters - Apart from Kavi Kalash (played brilliantly by Vineet Kumar Singh), there aren't any other standout characters. The film needed more people we could connect with and care about.
- Casting of Yesubai - Rashmika Mandanna might visually fit the role, but let's be honest-this character should have been played by a Marathi actress. The fact that the makers chose a non-Hindi (let alone non-Marathi) speaking actor suggests they prioritized mass appeal over authenticity and storytelling.
- Background Score - I didn't even realize A. R. Rahman composed the music until I heard his signature cooing mid-film. And honestly, that realization left me disappointed. The background score wasn't always impactful, and at times, it was so loud that it drowned out the dialogues.
- Guerilla Warfare Strategy? - When Sambhaji Maharaj discusses his guerrilla tactics against the Mughals, the scene feels more like exaggerated jingoism rather than actual strategic planning. Was there really no better historical documentation to flesh out this sequence with more authenticity? Instead, whatever the characters predict in that scene unfolds exactly over the next 40 minutes, making the whole sequence feel simplistic and underdeveloped.
- Dialogue & Screenplay Issues - For a good portion of the film, I barely felt there were any dialogues! It was mostly background music filling in the gaps, seemingly covering up weak writing. The first 120 minutes felt like a prolonged setup, leading to the torture sequence - which, while impactful, doesn't make up for the lack of depth in the earlier part of the movie.
Final Thoughts
Brilliant acting, but that's about it. I felt the same way after watching Sam Bahadur - where key moments of strategy and planning were rushed through a poorly placed song. Instead of truly experiencing the peak of the story, we're only shown it from a distance and told, "This is where we're going," but never actually taken there. That's Chhaava in a nutshell-visually striking, but ultimately unsatisfying.
At its core, Chhaava is not just about a warrior-it's about the idea of resilience, sacrifice, and legacy. It's about what it means to fight for something greater than oneself. The film leaves the audience not just with admiration for Sambhaji Maharaj but with a deep respect for the ideals he stood for. It is a rare historical film that manages to entertain, educate, and inspire all at once. Whether you're a history enthusiast or just someone who loves a great story, this film is an absolute must-watch. Whether you're a history enthusiast or just someone who loves a great story, this film is an absolute must-watch.
The cinematography in this movie is nothing short of spectacular.
. Art direction is superb.
. Every frame feels like a painting, with beautifully composed shots that highlight the grandeur of the Maratha Empire. Whether it's the vast expanse of a battlefield, the golden hues of a sunset over a fort, or the intricate detailing of a palace, the visuals transport the audience back in time. The use of lighting, especially in dramatic sequences, adds a poetic quality to the storytelling, making key moments even more impactful.
. Actors have performed well. Storytelling by the director is also engaging even with the limitations as per the biopic of such a legend which ends brutally as of betrayal.
. But at someplaces background music is too loud like other grand movies since the last two years in an influence of south indian commercial works!
Moreover, at many places the action movements took a complete opposite side from- laws of physics. Again like south indian movies.
. It focuses on pride, family, a son, a king, a selfless devotee & a warrior with extreme physical strength.
Best movie of this year yet.
So I suggest to everyone to watch this to know the history of forgotten heroes.
. Art direction is superb.
. Every frame feels like a painting, with beautifully composed shots that highlight the grandeur of the Maratha Empire. Whether it's the vast expanse of a battlefield, the golden hues of a sunset over a fort, or the intricate detailing of a palace, the visuals transport the audience back in time. The use of lighting, especially in dramatic sequences, adds a poetic quality to the storytelling, making key moments even more impactful.
. Actors have performed well. Storytelling by the director is also engaging even with the limitations as per the biopic of such a legend which ends brutally as of betrayal.
. But at someplaces background music is too loud like other grand movies since the last two years in an influence of south indian commercial works!
Moreover, at many places the action movements took a complete opposite side from- laws of physics. Again like south indian movies.
. It focuses on pride, family, a son, a king, a selfless devotee & a warrior with extreme physical strength.
Best movie of this year yet.
So I suggest to everyone to watch this to know the history of forgotten heroes.
One of the strongest aspects of Chhaava is its screenplay, which balances action with emotion. The dialogues are impactful, filled with the weight of history and the fire of revolution. There are several moments where the intensity of the dialogues alone sends shivers down the spine, particularly in confrontations between Sambhaji Maharaj and his adversaries. The supporting cast deserves a special mention-each character plays a crucial role in shaping the hero's journey. The women in the film, especially the portrayal of Sambhaji Maharaj's mother and his wife, add depth to the story, showcasing their influence and resilience in a world dominated by war and politics. The music
.
And background score elevate the film's grandeur, making key moments even more unforgettable. The battle sequences are choreographed with precision, striking a fine balance between realism and cinematic spectacle.
. The film doesn't shy away from depicting the brutality of war, yet it never loses sight of the human emotions that drive these conflicts.
And background score elevate the film's grandeur, making key moments even more unforgettable. The battle sequences are choreographed with precision, striking a fine balance between realism and cinematic spectacle.
. The film doesn't shy away from depicting the brutality of war, yet it never loses sight of the human emotions that drive these conflicts.
I want to ask the makers? Why not choose Ajay Atul instead of a jewel thief Rehman?
Were you deaf when he composed music in electric guitar to raise emotions, romantic scene in piano? Where is the folk Maharashtrian music? Most of the times I felt like I'm watching Braveheart by Mel Gibson.
Climax though conceptualized in best way but not going with facts.
If a person reads Chaava novel, there are myriad facts that are missing.
Director was very careful to keep a secular angle.
Vicky National award fix. Guirella warfare was not properly graphed. Only one who have the read the book would understand the nuances.
Were you deaf when he composed music in electric guitar to raise emotions, romantic scene in piano? Where is the folk Maharashtrian music? Most of the times I felt like I'm watching Braveheart by Mel Gibson.
Climax though conceptualized in best way but not going with facts.
If a person reads Chaava novel, there are myriad facts that are missing.
Director was very careful to keep a secular angle.
Vicky National award fix. Guirella warfare was not properly graphed. Only one who have the read the book would understand the nuances.
Anmol Jamwal's Most Anticipated Movies of 2025
Anmol Jamwal's Most Anticipated Movies of 2025
Film critic Anmol Jamwal shares the Indian movies he's most looking forward to in 2025, and why you should add them to your Watchlist.
Wusstest du schon
- WissenswertesThe speech scene before Sambhaji's final assault on Aurangzed was not rehearsed. The enthralling war-cry of "Om Namah Parvati Partaye Har Har Mahadev" (Glories to the consort of Goddess Parvati, Mahadev) was an improvisation by Vicky Kaushal. The script only mentioned the chants of "Jai Bhavani and Har Har Mahadev." However, when Kaushal delivered the line, Utekar decided to retain it for it was more raw and natural flowing.
- PatzerThe prayer callus on Aurangzeb's forehead changes shape, size and placement through out the movie.
- Zitate
Chhatrapati Sambhaji Maharaj: Aurangzeb; the Swaraj you want to finish, is not any Sultanate; it is the Vision of Freedom of Chhatrapati Shivaji Maharaj, you can never destroy it!
- Alternative VersionenThe film was passed with a UA certificate by the Central Board of Film Certification (CBFC). However, the film had to go through certain modifications. The dialogue 'Mughal sultanat ka zehar' (The venom of the Mughal Empire) was replaced with 'Uss samay, kayi shaasak aur sultanat khud ko zinda rakhne ki koshish kar rahe the' (In those dark times, countless rulers and kingdoms fought for survival). Another dialogue 'Khoon toh aakhir Mughalon ka hi hai' (The blood is of the Mughals after all) was changed to 'Khoon toh hai Aurang ka hi' (The blood is of Aurang after all). The words 'haramzaadon' and 'haramzaada' were muted while 'Aameen' was replaced with 'Jai Bhavani'. A certain dialogue in the first half was replaced while a scene showing Maratha warriors clad in a saree was also removed. Further, '16 saal' (16 years) was replaced with '14 saal' (14 years), '22 saal ka ladka' (22-year old boy) was replaced with '24 saal ka ladka' (24-year old boy) while '9 saal' (9 years) was modified to 'kayi saal' (many years). Lastly, the CBFC members asked the makers to insert an audio-text disclaimer stating the name of the book from which the film is adapted and that it doesn't intend to defame anybody or distort historical facts.
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 4.800.000 $
- Eröffnungswochenende in den USA und in Kanada
- 1.790.000 $
- 16. Feb. 2025
- Weltweiter Bruttoertrag
- 8.219.603 $
- Laufzeit
- 2 Std. 41 Min.(161 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39:1
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