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Auslöschung

Originaltitel: Annihilation
  • 2018
  • 16
  • 1 Std. 55 Min.
IMDb-BEWERTUNG
6,8/10
382.899
IHRE BEWERTUNG
BELIEBTHEIT
1.119
326
Natalie Portman, Jennifer Jason Leigh, Tuva Novotny, Gina Rodriguez, and Tessa Thompson in Auslöschung (2018)
Lena, a biologist and former soldier, joins a mission to uncover what happened to her husband inside Area X - a sinister and mysterious phenomenon that is expanding across the American coastline. Once inside, the expedition discovers a world of mutated landscape and creatures, as dangerous as it is beautiful, that threatens both their lives and their sanity.
trailer wiedergeben1:01
38 Videos
99+ Fotos
Alien-InvasionBody-HorrorPsychologischer HorrorAbenteuerDramaEntsetzenMysteriumScience-FictionThriller

Ein Biologe begibt sich auf eine gefährliche, geheime Expedition, bei der die Gesetze der Natur keine Geltung haben.Ein Biologe begibt sich auf eine gefährliche, geheime Expedition, bei der die Gesetze der Natur keine Geltung haben.Ein Biologe begibt sich auf eine gefährliche, geheime Expedition, bei der die Gesetze der Natur keine Geltung haben.

  • Regie
    • Alex Garland
  • Drehbuch
    • Alex Garland
    • Jeff VanderMeer
  • Hauptbesetzung
    • Natalie Portman
    • Jennifer Jason Leigh
    • Tessa Thompson
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,8/10
    382.899
    IHRE BEWERTUNG
    BELIEBTHEIT
    1.119
    326
    • Regie
      • Alex Garland
    • Drehbuch
      • Alex Garland
      • Jeff VanderMeer
    • Hauptbesetzung
      • Natalie Portman
      • Jennifer Jason Leigh
      • Tessa Thompson
    • 2.2KBenutzerrezensionen
    • 464Kritische Rezensionen
    • 79Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 17 Gewinne & 63 Nominierungen insgesamt

    Videos38

    Evolution TV Spot
    Trailer 1:01
    Evolution TV Spot
    Official Trailer
    Trailer 2:25
    Official Trailer
    Official Trailer
    Trailer 2:25
    Official Trailer
    Teaser Trailer
    Trailer 1:47
    Teaser Trailer
    Annihilation
    Trailer 2:32
    Annihilation
    IMDbrief: Meet the Top Stars & Breakout Stars of 2018
    Clip 2:49
    IMDbrief: Meet the Top Stars & Breakout Stars of 2018
    Entering The Shimmer
    Clip 0:56
    Entering The Shimmer

    Fotos179

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 174
    Poster ansehen

    Topbesetzung32

    Ändern
    Natalie Portman
    Natalie Portman
    • Lena
    Jennifer Jason Leigh
    Jennifer Jason Leigh
    • Dr. Ventress
    Tessa Thompson
    Tessa Thompson
    • Josie Radek
    Benedict Wong
    Benedict Wong
    • Lomax
    Sonoya Mizuno
    Sonoya Mizuno
    • Humanoid & Katie (Med Student)
    David Gyasi
    David Gyasi
    • Daniel
    Oscar Isaac
    Oscar Isaac
    • Kane
    John Schwab
    John Schwab
    • Paramedic
    Gina Rodriguez
    Gina Rodriguez
    • Anya Thorensen
    Tuva Novotny
    Tuva Novotny
    • Cass Sheppard
    Sammy Hayman
    Sammy Hayman
    • Mayer
    Josh Danford
    Josh Danford
    • Shelley
    Kristen McGarrity
    Kristen McGarrity
    • Lena Double
    Kola Bokinni
    Kola Bokinni
    • Peyton
    • (Nicht genannt)
    Annarie Boor
    Annarie Boor
    • Scientist
    • (Nicht genannt)
    Kirk Bowett
    • Special Forces
    • (Nicht genannt)
    Kirk Bowett
    • Special Forces
    • (Nicht genannt)
    Luis Cherubini
    • Special Ops Soldier
    • (Nicht genannt)
    • Regie
      • Alex Garland
    • Drehbuch
      • Alex Garland
      • Jeff VanderMeer
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen2.2K

    6,8382.8K
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    Empfohlene Bewertungen

    8ajwh-53593

    Strange, abstract, mesmeric

    I've thought about this film for days after seeing it. I don't even know what specifically I've been thinking about, all I can say is it left a big impression on me. I disagree with those who say it's intellectual. I don't think it is nor was it intended to be. It's visceral, primal, just like the world inside The Shimmer.

    For me, films work on three hierarchical levels: at the very basic, they should be entertaining. All films should succeed here (but not all do, which is why we should rightly slam those that don't!). Then, there are films that are not only entertaining but also elicit an emotional response; they move us in some way. Finally, there are entertaining films that are moving but also have meaning; they resonate on a deeper, often metaphysical level. To my mind, Annihilation achieves all three.

    Forget the plot holes. They exist in every film, otherwise they wouldn't be stories. Some of my favourite films have canyon-sized plot holes and inconsistencies. If you analyse any film you'll find them, and often you don't have to look very hard, e.g. Back to the Future. Do the plot holes and gaps in logic stop BTTF from being a great film? Not to my mind, because I'm invested in the movie. Plot holes only matter to me when they draw me away from the film; if it fails to entertain me.

    Does the plot in Annihilation even really matter? The film is about the experience, the visuals and audio, the curiosity, the suspense. A world that could only be accessible to us in our imaginations is here brought to life on the screen. It asks a lot of questions but isn't interested in the answers. It's bold, brave, challenging. Some of it is spectacular, some of it less so. Naturally, that will split opinion, but we've become too accustomed to the ready-packaged "Happy Meal Movies" that the studios churn out for us. We're addicted to them like we're addicted to sugary fast food. We should welcome any film that attempts to wean us off that and broaden our palates.

    This is a proper cinematic film, so what a shame it is that here in the UK (and many other countries) we were denied the pleasure of seeing it on the big screen. I can only imagine how even more beguiling and entrancing the experience would've been.

    Turn off the lights, switch off your phones, and sit back and feed your imagination and sense of wonder. I know that's why I watch and love films. 8.5/10.
    8eyefordetail

    Good sci-fi with refreshing touch. Enjoy it, don't intellectualise it.

    It's hard to find novel sci-fi these days, but this movie explored a few new directions that I found entertaining. The story is good and the execution carried and developed the suspense well. Sometimes a movie needs to be rated as how engaging it is, how it kept your attention and how it made you feel, not how many "plot holes" there are, how "logical" it was and such intellectual drivel. Enjoying a movie is like drinking a beer - you like it or you don't, but please don't give me a diatribe on the size of the bubbles and whether the colour is golden amber or light gold. Who cares? I enjoyed the movie and the acting and was engaged to the end. Which means in entertainment value: Goal achieved.
    7jmattlandrum

    Do you need all the answers and a nice tight ending? If so, don't watch.

    Do you need all the answers and a nice tight ending? If so, don't watch. I say that not because I look down on anyone who needs that. Sometimes I need that. This is one of those more ethereal thinkers that some like and some don't though there is some pretty good action too. There are several scenes that honestly just scared the crap outta me. The acting is good. The effects are good. The premise is interesting. From the reviews, I was expecting much more glaring plot holes and fewer questions which were actually answered. I am trying to avoid spoilers so let me just say that I thought that while there were not a lot of concrete answers, we got some good theories proposed.

    In slamming the movie, I saw one reviewer compare it to Sunshine, which he also hated. That review was what actually flipped the switch and got me to watch it, but I'd say that is a good test. If you don't like movies like Sunshine (also written by Alex Garland), you probably won't like this.
    7LongLiveTheNewFlesh27

    A brilliant movie hidden in a mediocre movie

    The only advice I can give to anybody going to see Annihilation is: stick with it. I definitely was close to checking out around the middle point, but quickly my interest was piqued and in the blink of an eye the movie turned into a profound, 2001 meets Under The Skin meets Predator surreal science fiction near- masterpiece.

    The first half is so patiently mediocre that the second half almost feels like a completely different movie, making the movie a mixed bag but one that's totally worth it. Some of the performances are great, some are okay, and at least one is noticeably bad. Natalie Portman turns in a great performance (she carries the entire film) and Jennifer Jason Leigh gives a reserved and underplayed angle to a well worn out archetype. The side characters however, like Gina Rodriguez and Tessa Thompson, are mostly annoying and sometimes border on being simply bad. Oscar Isaac is very good.

    Most of the technical choices are good. The cinematography isn't particularly flashy but it captures the world behind the shimmer in all of it's messed up glory (the last twenty minutes are truly a thing to behold). The music choices are also a mixed bag. Soft strum guitar comes in at random intervals and doesn't really work, but the dark, brooding thump of a certain synth track really gives you a sense of cosmic horror.

    I don't want to spoil anything, so I'm going to leave it at that. Go support this movie, even if it isn't perfect. There are so many great things about it that they way outweigh the flaws.
    6lluewhyn

    Interesting concept, flawed execution

    While watching the movie, I was both engrossed by the events playing out onscreen while at the same time thinking "this could be done better". To me, the writing felt like it was done by a smart Middle-Schooler: smart enough to understand some science concepts and have a few interesting ideas, but too naive in the world to create realistic or logical human behavior.

    There are just too many times that things occur that have no sense or logic. I'm not talking about the "alien" aspect, which is supposed to be somewhat mysterious and incomprehensible, but about the way that the humans in the story act or react to what's going on. The way that the government is handling the phenomenon seems strangely hands-off for what should be the most important event in the history of humanity, and the individuals involved make lots of odd decisions just to drive the story forward.

    On top of that, there is a framing device where a survivor is being interrogated about the events of what is shown throughout the movie, and it not only doesn't provide any additional illumination to bother with the clunkiness, it tends to deflate a lot of the tension by giving away certain plot points before you see them on screen. The ending is more just vague for the sense of being mysterious rather than making you really ask questions afterward. I suspect that if you asked the Director how the ending related to the rest of the movie, he would't be able to give more of an answer than he wanted things to be left open-ended.

    Finally, the characters are all fairly morose and sedated. There's a (weak) explanation in the movie for this, but the overall low energy makes you not care too much about any of the characters.

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    • Wissenswertes
      Due to a poorly received test screening, David Ellison, a financier at Paramount, became concerned that the film was "too intellectual" and "too complicated," and demanded changes to make it appeal to a wider audience, including making Natalie Portman's character more sympathetic and changing the ending. Producer Scott Rudin sided with Garland in his desire to not alter the film, defending the film and refusing to take notes. Rudin had final cut.
    • Patzer
      Sentries would never light the inside of a watchtower, which would illuminate themselves and make it impossible for them to see anything outside.
    • Zitate

      Lena: Why did my husband volunteer for a suicide mission?

      Dr Ventress: Is that what you think we're doing? Committing suicide?

      Lena: You must have profiled him. You must have assessed him. He must have said something.

      Dr Ventress: So you're asking me as a psychologist?

      Lena: Yeah.

      Dr Ventress: Then, as a psychologist, I think you're confusing suicide with self-destruction. Almost none of us commit suicide, and almost all of us self-destruct. In some way, in some part of our lives. We drink, or we smoke, we destabilize the good job... and a happy marriage. But these aren't decisions, they're... they're impulses. In fact, you're probably better equipped to explain this than I am.

      Lena: What does that mean?

      Dr Ventress: You're a biologist. Isn't the self-destruction coded into us? Programmed into each cell?

    • Verbindungen
      Featured in Chris Stuckmann Movie Reviews: Annihilation (2018)
    • Soundtracks
      Helplessly Hoping
      Performed by Crosby Stills & Nash (as Crosby Stills and Nash)

      Written by Stephen Stills

      Licensed courtesy of Warner Music UK

      Published by Gold Hill Music Inc (BMI)

    Top-Auswahl

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    FAQ

    • How long is Annihilation?Powered by Alexa
    • Is "Annihilation" based on a book?
    • What is the difference between the book and the movie?
    • Why does the Shimmer distort and transform the DNA of every creature? Does this mean that the Alien is a hostile entity?

    Details

    Ändern
    • Erscheinungsdatum
      • 12. März 2018 (Deutschland)
    • Herkunftsländer
      • Vereinigte Staaten
      • Vereinigtes Königreich
    • Offizieller Standort
      • Official Facebook
    • Sprache
      • Englisch
    • Auch bekannt als
      • Aniquilación
    • Drehorte
      • Former RAF Bentwaters, Woodbridge, Suffolk, England, Vereinigtes Königreich(Exterior shots of army base)
    • Produktionsfirmen
      • Paramount Pictures
      • Skydance Media
      • Scott Rudin Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 40.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 32.732.301 $
    • Eröffnungswochenende in den USA und in Kanada
      • 11.071.584 $
      • 25. Feb. 2018
    • Weltweiter Bruttoertrag
      • 43.070.915 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 55 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
      • Dolby Surround 7.1
      • Dolby Atmos
    • Seitenverhältnis
      • 2.39 : 1

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