Jack Strong

Ryszard Kuklinski is a name practically every person outside of Poland wouldn't recognize today. However, according to the movie Jack Strong, he's one of the most important figures in putting an end to the Cold War--a real hero to his people and the West. It seems that this Polish military officer was a very, very important spy who risked his life to undermine the Soviets who controlled his nation.

The movie begins with a very grisly killing. Fortunately, you don't really get to see very much--and it's the last scene like this in the film. The man who was killed was apparently a Pole who was spying for the West--and his reward when captured was being tossed into a blast furnace! A forewarning of what COULD happen to the leading character in this film.

Now the story jumps ahead a few years to 1968--the year that the Soviets invaded Czechoslovakia to destroy the Czechs' attempt at self-rule. One of the men responsible for this plan, ironically, was Kuklinski (later code named 'Jack Strong'). While he hated the Soviets, he was, at the time, a man who worked closely with them in his capacity with the Polish military. But as the years pass, Kuklinski becomes more and more disenchanted with the system. Like most Poles, he longs for his country to be free of Soviet domination. After a harsh attack on some protesters, Kuklinski finally made up his mind--he'll secretly pass on secrets to the Americans. And, over the next decade, he was instrumental in passing on many important military secrets--including plans for a possible invasion of the West as well as plans to start a nuclear war! Exactly what happens next is vague--and that's the best part of the film. Kuklinski's fate is something the viewer isn't aware of until the very end and the film does a great job of keeping you on the edge of your seat--especially when Kuklinski is discovered and he and his family has to make a run for their lives.

A few years back, "Tinker Tailor Soldier Spy" came out and many critics were beside themselves praising this spy thriller. It also received three Oscar nominations. Well, I tried watching it twice--and both times found myself falling asleep. I wasn't all that impressed and I was happy when I talked to others that they, too, found the movie rather dull. However, in the case of "Jack Strong", the film never bored me for a second. Part of this could be because the film is a true story but a lot of the credit goes to the fine acting and excellent direction by Wladyslaw Pasikowski--it is excellent from start to finish. It is so well constructed and interesting that I wouldn't be surprised if this film also is Oscar-nominated. The only question I have is for which category? Although most of the film is in Polish, much is also in English--so I have no idea if it's even eligible for the Best Foreign Language nomination. Additionally, even today, the Poles are deeply divided in their feelings about Kuklinski--and many still consider him a traitor. Because of this, the Poles might not even submit it for the competition even if it is eligible. Regardless, it's well worth seeing--exciting and intelligently made from start to finish.

I have always been an avid reader of spy novels and I was one to never turn down a good cold war era movie. Jack Strong being a polish movie raised some doubts and I was convinced it was some mediocre attempt at a spy thriller with average acting at best. Boy was I in for a surprise. This movie had me at the edge of my seat and kept me guessing to the very end. I am not going to attempt to deconstruct the movie and try to analyze it in depth but if you are fascinated by spy thrillers as I am, this movie is definitely not one you will want to miss. And to the reviewer who gave it one star I think you hold something against the poles especially as you are from Latvia. A cold war era grudge maybe?

"I had to choose between serving my country or the Red Empire" (Ryszard Kuklinski)

Described as "the first Polish officer in NATO" by Zbigniew Brzezinski, Ryszard Kuklinski was one of the most absorbing figures of the recent history as a man who played a decisive role in the Cold War. At the 10th anniversary of Kuklinski's death, Wladyslaw Pasikowski, a rather newcomer director (known for his AFTERMATH made two years earlier), has made this film with exceptional insight into the interpretation of a specific reality, with courage (taking into account the various negative viewpoints caused by some political affiliations of its critics and accusations against Kuklinski from post-communist) and extraordinary evaluation of modern needs within cinema trends. But within this uncommon evaluation, we are interested in an ordinary viewer who goes to see this film for various reasons: to get to know history; to find the depiction of the protagonist's heroic deeds, surely; but, in many cases, to get some thrill, some action, something we all, even unconsciously, expect of cinema. After all, JACK STRONG is, foremost, a movie. Therefore, I am not going to be a historical judge in this review but rather look at the film from a movie freak's standpoint, more in terms of purely cinematic means as done by the reviewers before me.

The film is supplied with resonance at its depiction of Communist Soviet Union vs. the Capitalist world of the United States. Two realities that stand in total opposition. In that context, JACK STRONG serves as the almost flawless illustration of the Cold War period where Poland (swallowed by communism) and the protagonist, Ryszard Kuklinski (1930-2004), appear in between two powers. The Polish colonel, deluding his comrades, is actually a spy to NATO passing the top secret documents to CIA. What do these documents refer to? Soviet plans to use nuclear weapons and, to put it shortly, immense hazard of nuclear war, a poisonous policy raised on anti-craft bases. He contacts Americans using the most 'unpredictable' almost 'primitive' devices that, anyway, contribute to our imagination - device called 'spark.' By placing himself and his family in unbelievable risks, can he handle that political duality for long? Or more to ask, perhaps sounding paradoxically, does he do it for himself or out of his patriotic motives?

The former question seems almost rhetorical. The latter question, however, (which refers to strong accusations against this man), within the quotation by Kuklinski I entailed at the beginning and, in particular, the word 'serve' should aid in eliminating the unfair seeds of doubt. SERVE excludes all egocentric drives. But there is something else, the beginning of the movie that does not appear to be wordy in script but tremendously powerful in visuals. The film opens with a shocking scene (that in a way sets the tone for the entire story). Oleg Pienkowski, as we may deduce, had been doing exactly what Kuklinski takes up and comes to an end that barely differs from Holocaust. So to say, the Soviets that suppress the east block seem to indicate what fate awaits all those 'traitors' that dare spill the beans about their policy. In that very context, we understand Kuklinski's motives. Serving communists that were within our country was, actually, serving the Red Empire. Therefore, by being a spy to CIA, he actually served America in the Cold War but, consequently, served Poland too in its way to freedom. That makes his story exceptionally absorbing and captivating as fleeing in wooden boxes. Asked at the finale if it was worth, he concludes all these events, all these sorrows in a beautiful sentence. But let me highlight performances.

JACK STRONG is a movie which features Patrick Wilson in an interesting role of Daniel. Among the supporting characters, its strong point lies in portraying historical characters, including Oleg Maslennikov as the Russian military commander Kulikov, Volodymyr Necheporenko as Brezniev and Krzysztof Dracz as Wojciech Jaruzelski responsible for the imposition of martial law in Poland. But all our attention is called on Marcin Dorocinski in the lead whose American pseudonym "Jack Strong" finds its manifestation in this portrayal.

He echoes all the flawless hyper-psychological-spy roles ever depicted by handling the role with exceptional duality of choices: he can be divided into two realities of a personality: formal and private, a colonel and father/husband. One cannot go without the other in responsibility but hardly does it go in pairs within one reality. The former requires the sacrifice from the latter and vice versa. That is beautifully depicted in his family conflicts, in the choices he makes, in the rapport with his two sons, Bogdan (Piotr Nerlewski) and Waldek (Jozef Pawlowski), his wife Hanna's (Maja Ostaszewska) suspicions. Finally, however, we get the redeeming aspect of reconciliation prompted by desperate acts to build a safer future in America.

JACK STRONG, besides all the psychological-historical-political balance, is a wonderfully entertaining movie with tensions that equal the best American productions. Obviously, there is a gray aspect of times, specific times in Poland but moments of pure adrenaline are not to be skipped. What I mean here is, foremost, the 'car race' in the icy streets of Warsaw which finely combines humor with tension and blend reality with fantasy. Polish, English and Russian in the movie add authenticity to the characters' nationalities. And many other strong points that are simply noticeable when seeing the film.

Serve his own country...where monsters were disguised as masters...was a hard task for the conscience and honor on the verge of wretched captivity. He chose the hardest, what price did he/they pay? What reward did he/they get? Merely a memorial tribute or, perhaps, something more.

A successful movie that manages to resist the temptation of being a shallow historical make-believe. Consequently, it is a fine history lesson for the viewers keen on that stuff. It also manages to hold our attention and meet the supreme expectation of a contemporary movie-goer: ACTION. 9/10

During the Cold War, Russia's subjugation of Poland created an incongruous situation for the Polish army, forced in part to comply with Moscow policy. For officers like Ryszard Kuklinski (Marcin Dorocinski) the day-to-day became a battle of conscience in an effort to compromise between raw moral choices with no ideal solutions. Kuklinski, a strategic planner in the Warsaw Pact, feels guilt for his part played in the planning of the Czechoslovakian invasion and for the army handling of the 1970 Polish protests. Looming under the genuine threat of a third world war, he also realises that Poland would become a nuclear wasteland if such a war were ever realised. Kuklinski decides that he can best serve his country only indirectly by undermining the USSR and takes the difficult decision to supply top secret information to the American CIA.

Ever since the second world war, we've had spy movies ranging from the glamour of James Bond, the wild fantasies of The Ipcress Files, to the dogged intricacies of Tinker Tailer Soldier Spy. But stories from the former 'block' nations have the potential to possess dark, suffocating, foreboding qualities, that may not be entirely new to the spy genre in itself, but feel greatly heightened by their personal touch, because they are telling the stories of ordinary men or women, forced to make extraordinary choices. The Lives of Others (Germany 2006) is one such movie that comes to mind, or even Barbara (Germany 2012) (Technically Barbara is a story of defection rather than spying, but it shares similar qualities).

There is a level of detail outlining the way Kuklinski passed over information to, and communicated with, his American counterparts that really brings the spy world to life in this movie. Sure it has some run-of-the-mill thriller clichés and plot devices: close calls while taking clandestine photos; unwanted guests arriving in at awkward moments; equipment failures, etc., but we give the movie liberty knowing that it is but a dramatisation condensed to encapsulate the overarching dangers the real life character would have had to face and endure over those years. The tone, the pacing, the scoring, help create a movie that echoes the genuine moral dilemmas Kuklinski must face, striving to deal with the contradictions that greet him on a daily basis. At the time it really would have been a tug-of-war of the conscience and heart; not wanting to be a traitor to his army, but not wanting to inflict harm to his countrymen, while at the same time unable to ignore the whim and will of Moscow, these conflicting influences tear at the soul of our protagonist – least not to mention how they influence and affect his marriage and family life. The simple but effective score plays like a heartbeat thunderously building in anxiety, mounting to an ever inevitable climax. Strong performances all round help create the paranoid world of the foreboding Cold War.

This is a strong and tight thriller, part enlightening in exposing the complicated relationship between Russia and its satellite states, but most of all it is a personal story of how one man can find himself trapped between circumstance, having no clear or easy choice, only heart, and perseverance in moral direction.

Possible that Kukliński was a double agent, of the Soviet GRU, used in an operational game with the CIA. A Polish Minister of Internal Affairs during communist times, Czesław Kiszczak revealed such a theory in a later interview, while a former Soviet military attaché, Yuriy Rylyov, claimed so directly in an interview. Historians, like Paweł Wieczorkiewicz and Franciszek Puchała (a general in the Polish Army during communist times) suggest, that the knowledge Kukliński had was exaggerated, and while he had a lot of information about the Polish Army and the organization of the Warsaw Pact in general, he could not have had detailed information on Soviet plans, since no one in Poland had it. Puchała supported his opinion in official hearings of Kukliński by Polish prosecutors during his revised trial. Revealing plans about the enforcement of martial law in Poland, which would make a Soviet invasion unnecessary, could have been profitable for the Soviet side, ensuring that the USA would not be surprised by martial law and would not undertake unpredictable actions against the Soviets. It is noteworthy, that despite Kukliński's revelations, the USA did not warn Solidarity about martial law. The Soviets took the escape of such an important spy nonchalantly and did not demand any consequences from the Polish politician responsible for intelligence, namely Czesław Kiszczak. Also, the matter of Kukliński's sons' deaths is unclear and they may have been part of a protection program; besides, according to Wieczorkiewicz, such revenge on a defector's family would be quite unusual for Soviet intelligence.