Voy! Voy! Voy!

Went to see the movie today with my family and daughter, and although my daughter was reluctant to go (she's 14) - she came. End result was, we loved, the kids loved it, and truly, every minute counted.

The film took us on a journey of laughter, emotions, sadness, awe, shock, hope, despair .. all happening in a very smooth storyline that flows in a way that although shocking, seems normal ... It's also because the acting was superb. Mohamed Farrag is a master, he did a great role and did it perfectly. Bayoumi Fouad is always excelling. Nelly Karim is great in anll her role. But another wow for Taha Dessouky and Farrag's mum.

Knowing the film originated from a true story made it all the more interesting and intriguing.

But what I also have to note here, aside from the overall production, and how the despair of many Egyptians was depicted, flawlessly, is the directing. Getting that work together and compiling it that smoothly in 2 hours, with the level of directing, production, storytelling, and flow, only shows us the abilities of Omar Hilal, the director. Really impressed. And what is more impressive is that we were 5 people, 2 kids, we all left saying the same thing.

Entertainment at its best. Great job everyone. Truly amazing work.

What's most exciting about this film is its departure from the formulaic and often shallow movies that have dominated Egyptian cinema. It represents a bold step towards creating meaningful and thought-provoking films that resonate with both local and international audiences. It's a refreshing change from the typical silly comedies and predictable romances, and it paves the way for a new era of Egyptian cinema.

In conclusion, this Egyptian film is a true gem that deserves recognition and praise. With its outstanding filming, impeccable writing, and exceptional acting, it's a testament to the evolving and promising future of Egyptian cinema. It not only entertains but also challenges and inspires, leaving a lasting impression on anyone fortunate enough to experience it.

Welcome back Egyptian cinema. It's finally a great egyptian movie since a while!

It's very cool , light comedy and miserable.

The film took us through a mixed feelings. Sometimes it gives us laughter then gives us emotions that made me cry in a scence.

The cast is a perfect choice. I don't think there is someone overracting or not suitable for the role.

All of them is stunning , Taha desoky especially is shining in this role.

Each role helps the another and this is how the movie should be.

Also , It's a very great start from director Omar Hilal. Makes us wait for his next works.

I loved it so much and it's highly recommended.

The movie was so enjoyable time passed out and felt like every second of the movie was worth it, like for real it has a lot of actions you can't get bored in such amazing movie.

The cast of the movie did a real great job as usual heavy actors that we used to see and they're perform really well as usual, but beside the acting the story combined with acting performances was a nice combo.

Thanks to Faraj performance I'm really happy with his performance in addition to Bayoumi performance and Mohammed al dasouky as well.

I recommend this movie for +15 people because it contains little sensitive clips.

Inspired by true events, Voy Voy Voy presents itself full of comedic realism. A directional debut worth the praise.

Omar Hilal's narrative style strongly depended on dark comedy, which added an interestingly engaging layer to the storytelling while maintaining the balance of the classic Egyptian movie style. As a result, you will find yourself laughing out loud while still being emotionally focused at the same time through many scenes.

The movie followed a cohesive structure and development of the story with strong writing focused on details and smart revelations, character building led by realistic performances from an incredible ensemble cast, and the right mix of dramatic emotional beats that I feel were utilized properly a bit later in the runtime but nonetheless left their impact by the end.

The examination of real-life events and the depth of tackling crucially fateful societal issues from a relevant approach to the viewer created a sense of connection to the story and a sort of moral sympathy for the character's challenges despite the acts of fraud, which leaves your thoughts provoked in the grey areas of right and wrong. And from this perspective, I loved the efforts to leave the audience's interpretation of the character's images (whether as heroes or villains) open to varying personal perceptions.