IMDb-BEWERTUNG
6,3/10
3219
IHRE BEWERTUNG
Eine staubige Straße zu einer Stadt des Todes. Die Zeit wechselt von einem Bewusstsein zum anderen in einem hypnotischen Fluss von Träumen, Wünschen und Erinnerungen, einer Welt der Geister.Eine staubige Straße zu einer Stadt des Todes. Die Zeit wechselt von einem Bewusstsein zum anderen in einem hypnotischen Fluss von Träumen, Wünschen und Erinnerungen, einer Welt der Geister.Eine staubige Straße zu einer Stadt des Todes. Die Zeit wechselt von einem Bewusstsein zum anderen in einem hypnotischen Fluss von Träumen, Wünschen und Erinnerungen, einer Welt der Geister.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 7 Gewinne & 30 Nominierungen insgesamt
Manuel Garcia-Rulfo
- Pedro Páramo
- (as Manuel García-Rulfo)
Tenoch Huerta
- Juan Preciado
- (as Tenoch Huerta Mejía)
Horacio Garcia Rojas
- Donis
- (as Horacio García-Rojas)
Empfohlene Bewertungen
A wonderful film.
The acting is top notch. This movie shows that there are wonderful Mexican actors and that we CAN write a good script, so I will not be forgiving any sub par job in the future.
The movie is gorgeous. Everything is done with love and care. My only (very small) complaint would be some of the CGI. But it doesn't take away from the wonderful story-telling and the visuals.
If paying attention is not your forte, maybe the movie is not for you. By the way, the movie is magical realism, that means it combines fantastical elements with day-to-day life. The reviews that say "it does not make sense", do they also complain about other genres? Does Avengers make sense? Star Wars?
Every character has a story to tell. It's not about villains and heroes. There's no divine retribution.
En verdad me hizo pensar que los mexicanos ya estamos muertos, solo estamos esperando a que alguien nos lo diga.
The acting is top notch. This movie shows that there are wonderful Mexican actors and that we CAN write a good script, so I will not be forgiving any sub par job in the future.
The movie is gorgeous. Everything is done with love and care. My only (very small) complaint would be some of the CGI. But it doesn't take away from the wonderful story-telling and the visuals.
If paying attention is not your forte, maybe the movie is not for you. By the way, the movie is magical realism, that means it combines fantastical elements with day-to-day life. The reviews that say "it does not make sense", do they also complain about other genres? Does Avengers make sense? Star Wars?
Every character has a story to tell. It's not about villains and heroes. There's no divine retribution.
En verdad me hizo pensar que los mexicanos ya estamos muertos, solo estamos esperando a que alguien nos lo diga.
Juan Rulfo might be one of the most influencial Latin American writters of all time, and Pedro Paramo is without a doubt his masterpiece, so having to adapt it into any kind of work (a film, a tv series, a play) is a risk very few screenwriters, directors and producers can afford.
Four times Academy Award® nominee cinematographer - and now director - Rodrigo Prieto knows very well how to use all his resources and talent to create a flawless visually and technical stunning enviroment worthy of praise with the help of Academy Award® winner Eugenio Caballero in charge of the production design, and Academy Award® winner Gustavo Santaolalla in the music score.
The cast is amazing too, especially the supporting performances by Dolores Heredia, Roberto Sosa and Ilse Salas.
Goya® winner Mateo Gil does an impressive work adapting Rulfo's book, keeping in mind the narrative of the book is not lineal and might be difficult to follow, therefore this is a movie that needs to be watched while paying attention.
Four times Academy Award® nominee cinematographer - and now director - Rodrigo Prieto knows very well how to use all his resources and talent to create a flawless visually and technical stunning enviroment worthy of praise with the help of Academy Award® winner Eugenio Caballero in charge of the production design, and Academy Award® winner Gustavo Santaolalla in the music score.
The cast is amazing too, especially the supporting performances by Dolores Heredia, Roberto Sosa and Ilse Salas.
Goya® winner Mateo Gil does an impressive work adapting Rulfo's book, keeping in mind the narrative of the book is not lineal and might be difficult to follow, therefore this is a movie that needs to be watched while paying attention.
I live in Small city from the north of Mexico and I feel really related to this movie. My grand mother told me a few story's about our ancestries and events that happened time ago on our city. And I can tell you that the people in Mexico it really acted like that. I loved this movie I really recommend to watch!!!. Im going to tell you one of my grandmother story "one time in my city a guy wearing a charro suit was walked around the streets until he find the guy that he was looking for and he just shot him right in the chest and killed him, then he walked away disappearing in the dry river while the police and people were looking for him,but no one never knew who he was or why he kill the guy from my town.
I didn't know this was adapted from a novel until I read some of these reviews, but now that makes sense. There is a depth of pain and sorrow wrought from the passions and injustices of our human condition in every frame of this film, and I am guessing in every page of the novel, which I have not read. Some reviews seem to think it does not do justice to the book, but imo, as a film it is beautifully tragic. And very well filmed and acted. There are probably many cultural elements about the story I missed, like One Hundred Years Of Solitude, but also like that film it's a fabulous and deep work. My only complaint is I lost track of some of the characters, who they were and what time they represented. But it all came into focus later. 8/10.
Having read the book first, I'm a little torn on which I like better.
Some moments in the story hit better on paper. Overall, however, the movie is easier to follow. It's a very faithful adaptation in terms of what happens in the plot. The visuals & transitions between scenes do a great job of helping the viewer understand the cacophony of characters & the constant jumping around between places in the timeline. Simply being able to see which character's face is talking & how old they look makes it easier to fit all the pieces together-even if some vague aspects are left up to interpretation by the end.
They also do a good job of leaning into the horror elements. They don't simplify the plot to reduce it to a jump-scare thriller. It simply has some nice moments of creepy tension. Tenoch Huerta-Mejía performs well in these scenes.
Similarly, Manuel Garcia-Rulfo performs so believably as Pedro Páramo, being somehow sympathetic (you believe he's having the emotions he shows) despite all the horrible shit he does.
In the end, I have to give the slight edge to the movie. It works better.
Some moments in the story hit better on paper. Overall, however, the movie is easier to follow. It's a very faithful adaptation in terms of what happens in the plot. The visuals & transitions between scenes do a great job of helping the viewer understand the cacophony of characters & the constant jumping around between places in the timeline. Simply being able to see which character's face is talking & how old they look makes it easier to fit all the pieces together-even if some vague aspects are left up to interpretation by the end.
They also do a good job of leaning into the horror elements. They don't simplify the plot to reduce it to a jump-scare thriller. It simply has some nice moments of creepy tension. Tenoch Huerta-Mejía performs well in these scenes.
Similarly, Manuel Garcia-Rulfo performs so believably as Pedro Páramo, being somehow sympathetic (you believe he's having the emotions he shows) despite all the horrible shit he does.
In the end, I have to give the slight edge to the movie. It works better.
Wusstest du schon
- WissenswertesAnna Terrazas, the costume designer, said in an interview that the use of turquoise and blue was strategically used to represent the love of Pedro Páramo for Susana San Juan. In their very first scene, Susana and Pedro are flying a blue kite and Susana wears a dress in a light shade of turquoise. "I found that color precisely for Susana, because in the book there's a lot of reference to water when talking about Susana", said Terrazas.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- 佩德羅.巴拉莫
- Drehorte
- Bledos, San Luis Potosí, Mexiko(Comala)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 900.000 MX$ (geschätzt)
- Laufzeit
- 2 Std. 10 Min.(130 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.00 : 1
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