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Angélique - Eine große Liebe in Gefahr

Originaltitel: Angélique
  • 2013
  • 12
  • 1 Std. 53 Min.
IMDb-BEWERTUNG
6,1/10
1940
IHRE BEWERTUNG
Gérard Lanvin and Nora Arnezeder in Angélique - Eine große Liebe in Gefahr (2013)
Angelica, Marquise of Angels (2013)
trailer wiedergeben2:13
3 Videos
99+ Fotos
Costume DramaAdventureDramaHistoryRomance

In Frankreich, bevor Ludwig XIV. den Thron bestieg, wird eine junge Baronin gezwungen, gegen ihren Willen zu heiraten, und wird in ein Netz aus Verrat und Mord verwickelt, das sie und ihren ... Alles lesenIn Frankreich, bevor Ludwig XIV. den Thron bestieg, wird eine junge Baronin gezwungen, gegen ihren Willen zu heiraten, und wird in ein Netz aus Verrat und Mord verwickelt, das sie und ihren Mann bedroht, den sie tief verliebt hat.In Frankreich, bevor Ludwig XIV. den Thron bestieg, wird eine junge Baronin gezwungen, gegen ihren Willen zu heiraten, und wird in ein Netz aus Verrat und Mord verwickelt, das sie und ihren Mann bedroht, den sie tief verliebt hat.

  • Regie
    • Ariel Zeitoun
  • Drehbuch
    • Nadia Golon
    • Philippe Blasband
    • Ariel Zeitoun
  • Hauptbesetzung
    • Nora Arnezeder
    • Gérard Lanvin
    • Tomer Sisley
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,1/10
    1940
    IHRE BEWERTUNG
    • Regie
      • Ariel Zeitoun
    • Drehbuch
      • Nadia Golon
      • Philippe Blasband
      • Ariel Zeitoun
    • Hauptbesetzung
      • Nora Arnezeder
      • Gérard Lanvin
      • Tomer Sisley
    • 10Benutzerrezensionen
    • 26Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos3

    Angelica, Marquise of Angels (2013)
    Trailer 2:13
    Angelica, Marquise of Angels (2013)
    Angelica, Marquise of Angels (2013)
    Trailer 1:13
    Angelica, Marquise of Angels (2013)
    Angelica, Marquise of Angels (2013)
    Trailer 1:13
    Angelica, Marquise of Angels (2013)
    Angelica, Marquise of Angels (2013)
    Trailer 2:08
    Angelica, Marquise of Angels (2013)

    Fotos203

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    + 199
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    Topbesetzung45

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    Nora Arnezeder
    Nora Arnezeder
    • Angélique de Sancé de Monteloup
    Gérard Lanvin
    Gérard Lanvin
    • Le comte Joffrey de Peyrac
    Tomer Sisley
    Tomer Sisley
    • Philippe de Plessis-Bellière
    David Kross
    David Kross
    • Le Roi…
    Simon Abkarian
    Simon Abkarian
    • L'avocat François Desgrez
    Matthieu Boujenah
    Matthieu Boujenah
    • Le marquis d'Andijos
    Miguel Herz-Kestranek
    Miguel Herz-Kestranek
    • Le marquis de Plessis-Bellière
    Julian Weigend
    Julian Weigend
    • Fouquet
    Rainer Frieb
    Rainer Frieb
    • Mazarin
    Florence Coste
    Florence Coste
    • Margot
    Mathieu Kassovitz
    Mathieu Kassovitz
    • Nicolas…
    John Dobrynine
    John Dobrynine
    • De La Reynie
    Fabrice Rodriguez
    Fabrice Rodriguez
    • Prince de Condé
    Michel Carliez
    Michel Carliez
    • Chevalier de Germontaz
    Patrick Descamps
    Patrick Descamps
    • Archevêque de Toulouse
    Alain Robert
    • Flipot
    Anna Orlando
    Anna Orlando
    • Comtesse de Lazareff
    Karine Valmer
    Karine Valmer
    • Hortense
    • Regie
      • Ariel Zeitoun
    • Drehbuch
      • Nadia Golon
      • Philippe Blasband
      • Ariel Zeitoun
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen10

    6,11.9K
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    Empfohlene Bewertungen

    Vincentiu

    beautiful

    the photography. the costumes. the cast. three pillars for a different adaptation of Anne Golon's novel. the romanticism has different level and nuances. Nora Arnezeder is not Michelle Mercier and Gerard Lanvin is different by Robert Hossein. but that fact is one of great good points because the story has as target a new public from a new century. and that fact does it credibility and force, a special charm, a new image about a story who seems be well - known. the wise manner to use the nuances - that is its basic virtue. the not passionate style, the delicacy for details, Angelique as fighter more than a victim or woman looking her protector. a beautiful film and an inspired project. and, sure, a new series. full of high ambition.
    1klocokowna

    Bad movie in all ways

    Malformed original story with absolutly tragic acting performances. C-grade soup opera. Cant compare with original movie in any way.
    1Simon-Rogopag

    Insufferable

    The new Angelique to me is a sign of everything that's wrong with the French TV of last 20 or maybe even 30 years. French art-house cinema is still pretty strong, and they often produce quite good commercial movies too , but TV is a different story. French TV used to produce some nice, immensely watchable (if not particularly profound) literary adaptations that used to be very popular with viewers far beyond France, especially in many eastern European countries and former USSR. What we get now is absolutely unwatchable, inconsistent, and pretentious. There are good exceptions like Engrenages or Les Revenants, but these are more like French takes on popular US TV models. When it comes to material based on the history of France, the French TV is churning up things like faux-arty but completely incomprehensible new version of Accursed Kings after Maurice Druon, atrociously amateurish new version of La Dame de Monsoreau after Dumas and this dud - Angelique, Marquise of Boredom. The original film series is often criticized for the turning the source material into some Alexandre Dumas- Lite period adventure pieces, but that is exactly why I loved them. In all honesty, the source books are not masterpieces. I have read almost all of them and I believe that at best they are just a cape and sward adventures in lush period settings told from a woman's perspective (kind of precursor of The Outlander), at worse (and every subsequent book is getting worse and worse) they are just your average romance novels that are supposed to have Fabio on the cover (ok, maybe slightly better researched and written than your average romance novel, but you know still a type of book where the titular lady hero spends pages objectifying various sexy studs, still holding a candle for a love of her life and simultaneously getting in touch with her inner goddess...). The original film adaptations (5 films) were made by Bernard Borderie who few years before that made perhaps the most satisfying (yet still imperfect) adaptation of The Three Musketeers. He treated Angelique in the same way, making it a rollercoaster of fast paced adventures of the beautiful heroine with swordfights, poisonings, exotic locales, and a little bit of sexual titillation. The quality of films varied - I consider 1st and 3rd films excellent, 2nd and 5th are OK and 4th is even worse (though its worst part - a hilarious "torture by cats" scene comes directly from the source material). Now, there are certain dedicated fans of the books that consider that these films don't do justice to the source material but sorry, in my opinion they mostly improve upon the books (and in my opinion there are very few films out that improve upon the books). I wonder what these critics think of this new take that manages to make the France of Louis XIV look as a completely unattractive and unpleasant place, has the ladies and gentlemen behave like street thugs, and turn the titular character into some kind of swashbuckling tomboy. I did not like anything about this series from casting to costume design. The old film had a gorgeous leading actress - Michelle Mercier, whose popularity for a while even rivaled that of Brigitte Bardot. Nora Arnezeder seems to be a beautiful and talented young lady - and maybe with a right material and presentation she can become a prominent star - but the way she is directed, dressed, even lit in this series make her look completely plain and forgettable. As to the gentleman around her? In addition to charismatic Rober Hossein as Joffrey, almost every suitor of Angelique was drop dead gorgeous: Gulianno Gemma, Sammi Frey, Jean-Louis Trintignant, and many more. Here they all look drab and boring. However, the worst offender is the director - the directing is simply inept, from time to time even amateurish. And am not speaking about artistic choices, I am speaking about simple things like setting up a scene, transitions between pivotal events, built up of tension or rather lack of thereof. I read some reviews praising the costumes and sets, come on, you can't be serious?!
    1helsy-1

    Horrible, nothing good

    What's wrong with French movie industry? That movie just should not exist. Beautiful story was jinxed with this nonsense. Angelique is terrible, definitely not Michele Mercier. Comte de Peyrac is old. Common, he is 30 years old in the book not 60+ weirdo. Nicolas is same age as Angelique, not boring dude in his 40th... Degre is ok but can't be compared with Jean Rochefort. I am very disappointed. Seriously, it was such a beautiful series of movies from 60th, still perfect even now. I watched it recently, whole series. Beautiful costumes, nature, personages. Nothing of that I can find in this movie: dark scenes, bleached colors, weird costumes... awful, just awful.
    8micule-ieva

    The new look of the the old.

    I really appreciated the new film. It focuses more on the era (and now as well) issues - political, social, religious and personal. The choice of the actors are very good. I hope that there will be a next film (or several ones).

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    • Wissenswertes
      Asked about the sex scene with Nora Arnezeder, Gérard Lanvin said, "The love scene was the most difficult to shoot. At the time, when I read the script, I said to myself, this can't be happening: I'm on a bed with a young woman, and I've never done it before." Nevertheless, the actor overcame his concerns to shoot the scene, establishing a strong professional relationship with his colleague, and trusting the director. "When the fateful moment arrives, it's no longer you or Nora, but Angélique and Peyrac. It's the way she's filmed, and I know that Ariel isn't a voyeur. You had to have professional affection for Nora, and above all respect."
    • Verbindungen
      Referenced in Vecherniy Urgant: Evgeny Mironov (2013)
    • Soundtracks
      Angélique
      Music by Michel Magne

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    FAQ16

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    Details

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    • Erscheinungsdatum
      • 12. Juni 2014 (Deutschland)
    • Herkunftsländer
      • Frankreich
      • Belgien
      • Tschechische Republik
      • Österreich
    • Offizielle Standorte
      • Official site
      • Official site (France)
    • Sprache
      • Französisch
    • Auch bekannt als
      • Angélique
    • Drehorte
      • Österreich
    • Produktionsfirmen
      • A.J.O.Z. Films
      • EuropaCorp
      • France 3 Cinéma
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    Box Office

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    • Weltweiter Bruttoertrag
      • 996.304 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 53 Minuten
    • Farbe
      • Color
    • Seitenverhältnis
      • 2.35 : 1

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