Kris Chaney erfüllt sein Versprechen, die Tochter eines gefährlichen Gangsters zu entführen, wird sowohl von dem Gangster als auch von El Corvo, einem psychopathischen Mörder mit seinen eige... Alles lesenKris Chaney erfüllt sein Versprechen, die Tochter eines gefährlichen Gangsters zu entführen, wird sowohl von dem Gangster als auch von El Corvo, einem psychopathischen Mörder mit seinen eigenen mysteriösen Plänen, verfolgt.Kris Chaney erfüllt sein Versprechen, die Tochter eines gefährlichen Gangsters zu entführen, wird sowohl von dem Gangster als auch von El Corvo, einem psychopathischen Mörder mit seinen eigenen mysteriösen Plänen, verfolgt.
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For awhile Scott Adkins had quite a few good movies in a row, then something went wrong and he was starring in one dog after another, movies I would never re-watch. With Diablo, Adkins has returned to his days of well made, action packed movies. While the story is somewhat predictable, it's still a good , moving story and the 3 leads in this, Adkins, Allana De La Rossa and Marko Zaror are all excellent. Zaror is quite a commanding presence on screen. It's a fast paced film, never boring, loads of fighting, mayhem, guns, knives and loads of suspense. It's also well filmed and looks fantastic. I was expecting to be disappointed again, but Adkins is back with a vengeance.
This is an edge of your seat action movie in many scenes. The plot is not too complex, but it keeps you guessing at some points. I totally enjoyed this, especially the fight scenes. I recommend this to any lover of action movies.
Scott Adkins fight scenes with the main villain are well choreographed. It's also great to have a movie where the hero has a worthy adversary to fight. It's interesting to know they're both real life martial arts experts. I guess that's what made the fight scenes so interesting to watch.
The movie is set in Colombia, so there are some scenes where they speak Spanish at length, but it's nothing you can't follow. Overall, I thoroughly enjoyed this movie and would recommend to any lover of action movies.
Scott Adkins fight scenes with the main villain are well choreographed. It's also great to have a movie where the hero has a worthy adversary to fight. It's interesting to know they're both real life martial arts experts. I guess that's what made the fight scenes so interesting to watch.
The movie is set in Colombia, so there are some scenes where they speak Spanish at length, but it's nothing you can't follow. Overall, I thoroughly enjoyed this movie and would recommend to any lover of action movies.
Diablo is the latest collaboration from three dynamic martial arts, action genre craftsmen; Scott Adkins, Marko Zaror, and, Director, Ernesto Díaz Espinoza. The synergy of these three artists has resulted in a martial arts action film that is significantly great than the sum of its parts. This is one of the best action films released in years.
The story involves a recently released prisoner, played by Adkins, looking to seek revenge against his former crime partner and reveal long kept secrets that have the power to upend that partner's privileged life. The mission is complicated by the tenacity and resistance of Adkins' teenage kidnap victim, his partner's daughter. The addition of El Corvo, played by Zaror, a psychotic and deadly killer places Adkins' mission, and everyone's lives in mortal danger.
Diablo does what all successful, sustaining action and martial arts films do; that is, it doesn't rely solely on the action and fight choreography to carry the film. Diablo is a solid film. The script is good and plays out in a well told and tightly edited way. The filmmakers start this 91 minute rollercoaster ride by jumping immediately into the story and the action; however, the artful execution never leaves the viewer confused about what is happening, or how we got here. This is good storytelling.
There are four (4) central characters in this film. They are all well played and all carry their weight in service of the story. The film's main character, Kris Chaney, is player by Scott Adkins. Adkins is not only a solid martial arts action star whose action film credits are plentiful; he is also an adept actor, stunt man, writer, Director, and fight choreographer. He plays the role of aggrieved man on a mission well in this film. His greatest strength is in not overplaying the role. That is a sign, to me, that he has come into his own as a screen actor that transcends the genre.
Mark Zaror's chilling portrayal of El Corvo is nothing short of masterful. He strikes the right balance between No Country For Old Men's Anton Chigurth and Enter the Dragon's Mr Han, in Diablo, for a truly memorable villain. While Zaror's acumen in screen fighting has always been well established, this film makes it clear that he is also a really good movie actor, as well. I think viewers will be truly haunted by his performance in Diablo. While Adkins is, perhaps, the most recognizable member of the cast to US audiences, it is Zaror's character for whom the film is named.
As for the two additional, central characters played by Alana De La Rossa and Lucho Velasquez, their performances evidence a thoughtfulness in casting. Both are adept actors that play their parts memorably, but, like Adkins, serve the ensemble. Weakness in portrayal of either of these roles could have jeopardized the final product. Fortunately, the opposite was true; they elevate the film entirely.
Ernesto Díaz Espinoza, the seasoned Chilean filmmaker, whose martial arts homage, Fist of the Condor (2023), brought him to the attention of wider American martial arts audiences, has masterfully woven the elements of this film together into one of the most exciting and watchable films I have seen in years. His long standing relationship with Marko Zaror, certainly, benefitted this production. It is also a testament to his skills as a filmmaker that he was able to get the most out of his collaboration with Adkins and Zaror, not just as actors, but as Producers, writers, and fight choreographers. Sometimes the outcome of too many talents in one film production is destructive; that is not the case in Diablo.
While this movie could have been told as an action film, or a drama, it is, at its core, a high level and riveting martial arts action film. The thoughtful fight choreography is well designed, well executed, well filmed, and well edited. While still telling a great story, the film packs considerable action and fighting into its tight run time. We start with a great martial arts scene and the fighting does not let up. There are no throwaway fights in Diablo; they are all exciting to watch. Adkins and Zaror, respectively, have long histories of fight scene filmographies, yet their approach to this one is bold and unique and highly watchable. They capture gritty combat without the use of the dreaded "shaky cam" and the audience feels every punch and every kick. This is what martial arts film fighting should look like, but rarely does.
The three (3) filmmakers here all have a great knowledge of martial arts film history. Adkins is encyclopediac in this regards. That love and knowledge of martial arts films is felt in this one. There is no way to watch these two and not harken back to the climactic fight scene between Chuck Norris and Bruce Lee in Way of the Dragon (1972). This film's fight scenes will surely be rebroadcast of highlight reels for year's to come.
Diablo is the best action and martial arts film I have seen this year, and one of the best in a long time.
The film is violent and brutal in parts.
I highly recommend Diablo.
The story involves a recently released prisoner, played by Adkins, looking to seek revenge against his former crime partner and reveal long kept secrets that have the power to upend that partner's privileged life. The mission is complicated by the tenacity and resistance of Adkins' teenage kidnap victim, his partner's daughter. The addition of El Corvo, played by Zaror, a psychotic and deadly killer places Adkins' mission, and everyone's lives in mortal danger.
Diablo does what all successful, sustaining action and martial arts films do; that is, it doesn't rely solely on the action and fight choreography to carry the film. Diablo is a solid film. The script is good and plays out in a well told and tightly edited way. The filmmakers start this 91 minute rollercoaster ride by jumping immediately into the story and the action; however, the artful execution never leaves the viewer confused about what is happening, or how we got here. This is good storytelling.
There are four (4) central characters in this film. They are all well played and all carry their weight in service of the story. The film's main character, Kris Chaney, is player by Scott Adkins. Adkins is not only a solid martial arts action star whose action film credits are plentiful; he is also an adept actor, stunt man, writer, Director, and fight choreographer. He plays the role of aggrieved man on a mission well in this film. His greatest strength is in not overplaying the role. That is a sign, to me, that he has come into his own as a screen actor that transcends the genre.
Mark Zaror's chilling portrayal of El Corvo is nothing short of masterful. He strikes the right balance between No Country For Old Men's Anton Chigurth and Enter the Dragon's Mr Han, in Diablo, for a truly memorable villain. While Zaror's acumen in screen fighting has always been well established, this film makes it clear that he is also a really good movie actor, as well. I think viewers will be truly haunted by his performance in Diablo. While Adkins is, perhaps, the most recognizable member of the cast to US audiences, it is Zaror's character for whom the film is named.
As for the two additional, central characters played by Alana De La Rossa and Lucho Velasquez, their performances evidence a thoughtfulness in casting. Both are adept actors that play their parts memorably, but, like Adkins, serve the ensemble. Weakness in portrayal of either of these roles could have jeopardized the final product. Fortunately, the opposite was true; they elevate the film entirely.
Ernesto Díaz Espinoza, the seasoned Chilean filmmaker, whose martial arts homage, Fist of the Condor (2023), brought him to the attention of wider American martial arts audiences, has masterfully woven the elements of this film together into one of the most exciting and watchable films I have seen in years. His long standing relationship with Marko Zaror, certainly, benefitted this production. It is also a testament to his skills as a filmmaker that he was able to get the most out of his collaboration with Adkins and Zaror, not just as actors, but as Producers, writers, and fight choreographers. Sometimes the outcome of too many talents in one film production is destructive; that is not the case in Diablo.
While this movie could have been told as an action film, or a drama, it is, at its core, a high level and riveting martial arts action film. The thoughtful fight choreography is well designed, well executed, well filmed, and well edited. While still telling a great story, the film packs considerable action and fighting into its tight run time. We start with a great martial arts scene and the fighting does not let up. There are no throwaway fights in Diablo; they are all exciting to watch. Adkins and Zaror, respectively, have long histories of fight scene filmographies, yet their approach to this one is bold and unique and highly watchable. They capture gritty combat without the use of the dreaded "shaky cam" and the audience feels every punch and every kick. This is what martial arts film fighting should look like, but rarely does.
The three (3) filmmakers here all have a great knowledge of martial arts film history. Adkins is encyclopediac in this regards. That love and knowledge of martial arts films is felt in this one. There is no way to watch these two and not harken back to the climactic fight scene between Chuck Norris and Bruce Lee in Way of the Dragon (1972). This film's fight scenes will surely be rebroadcast of highlight reels for year's to come.
Diablo is the best action and martial arts film I have seen this year, and one of the best in a long time.
The film is violent and brutal in parts.
I highly recommend Diablo.
The first time they fough it was in the very awesome Undisputed 3 and it gave us one of the best western martial art fight of its decade.
The second time it was in Savage Dog and altough not "terrible", it was very underwhelming.
This one really was great ! Very different than Undisputed due to not only the setting but Marko having a metal hand wich plays in the story. Its brutal and its not short !
And its not only Scott vs Marko but the movie as a whole as a lot of fights and they done pretty well. Yes some of them feel a bit like "hey we need a fight here, so lets put an excuse for one" but do you turn up for a Scott Adkins movie for great story telling or for action?
The story is both good and full of holes/under developed. The relationship between Scott/Kris and Elissa was fun to follow. I think they had good chemistry and i really enjoyed the performance from Alanna de la Rossa.
Marko Zaror balding look really is not flattering but work perfectly for the character he plays in this. He look very creepy and altough his character is written as very stoic, he manage to convince in his physical acting.
Now the biggest issue is if you look a little deeper in the story, there is really major holes and plot points issues, and lots of stuff is not flesh out. This is a simple story yes, but i do think it could had used an extra 20 to 30 minutes to be flesh out a bit.
But as i said if you tune in for a Scott Adkins movie (featuring Marko Zaror), you ain't doing it for a deep story or some amazing dialogues. You want a movie about butt kickings and this is exactly what you gonna get with this.
I gave many movies 7 out of 10 and they were just "fine", and they were movies i had no intend to watch again. I could totally see myself watch Diablo again, i had a lot of fun with the movie, so therefore its gonna be an 8.
Just keep in mind i review movies on the fun i had with them first and foremost (but can aknowledge a "good movie" that is simply not for me) and i am more lenient with direct to VOD lower budget movies, so its a subjective score.
The second time it was in Savage Dog and altough not "terrible", it was very underwhelming.
This one really was great ! Very different than Undisputed due to not only the setting but Marko having a metal hand wich plays in the story. Its brutal and its not short !
And its not only Scott vs Marko but the movie as a whole as a lot of fights and they done pretty well. Yes some of them feel a bit like "hey we need a fight here, so lets put an excuse for one" but do you turn up for a Scott Adkins movie for great story telling or for action?
The story is both good and full of holes/under developed. The relationship between Scott/Kris and Elissa was fun to follow. I think they had good chemistry and i really enjoyed the performance from Alanna de la Rossa.
Marko Zaror balding look really is not flattering but work perfectly for the character he plays in this. He look very creepy and altough his character is written as very stoic, he manage to convince in his physical acting.
Now the biggest issue is if you look a little deeper in the story, there is really major holes and plot points issues, and lots of stuff is not flesh out. This is a simple story yes, but i do think it could had used an extra 20 to 30 minutes to be flesh out a bit.
But as i said if you tune in for a Scott Adkins movie (featuring Marko Zaror), you ain't doing it for a deep story or some amazing dialogues. You want a movie about butt kickings and this is exactly what you gonna get with this.
I gave many movies 7 out of 10 and they were just "fine", and they were movies i had no intend to watch again. I could totally see myself watch Diablo again, i had a lot of fun with the movie, so therefore its gonna be an 8.
Just keep in mind i review movies on the fun i had with them first and foremost (but can aknowledge a "good movie" that is simply not for me) and i am more lenient with direct to VOD lower budget movies, so its a subjective score.
I am sure the script was produced by AI, but the visual quality and colors are nice.
Drink Wine, a lot of it - Thought this would be a fun action flick. It wasn't. Nothing made sense, the acting was flat, and then I realised I should have consumed a bottle of wine before watching this! Scott has made better movies and this isn't one of them.
The country shown here is badly represented for Tourism, looks dirty, unsafe and boring sadly.
This is one of those movies that you can play and then focus on your guests or friends and chat about anything or check your email or social media without any guilt!
Drink Wine, a lot of it - Thought this would be a fun action flick. It wasn't. Nothing made sense, the acting was flat, and then I realised I should have consumed a bottle of wine before watching this! Scott has made better movies and this isn't one of them.
The country shown here is badly represented for Tourism, looks dirty, unsafe and boring sadly.
This is one of those movies that you can play and then focus on your guests or friends and chat about anything or check your email or social media without any guilt!
Wusstest du schon
- WissenswertesFilming began in February 13, 2024 and wrapped in March 9, 2024.
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Details
- Laufzeit1 Stunde 31 Minuten
- Farbe
- Seitenverhältnis
- 2.39:1
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