Eine verlassene Stadt im Mittleren Westen, in der Frendo, der Clown, ein Symbol des vergangenen Erfolgs, als schreckliche Plage wieder auftaucht.Eine verlassene Stadt im Mittleren Westen, in der Frendo, der Clown, ein Symbol des vergangenen Erfolgs, als schreckliche Plage wieder auftaucht.Eine verlassene Stadt im Mittleren Westen, in der Frendo, der Clown, ein Symbol des vergangenen Erfolgs, als schreckliche Plage wieder auftaucht.
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Clown in a Cornfield is one I had high hopes for, especially with it being directed by the same guy who made Tucker and Dale vs Evil. But this one doesn't bring anything new to the table. It's a slasher comedy we've all seen before with familiar character types, forgettable kills and only a handful of moments that actually land the humor.
The first half really didn't work for me. The dialogue felt forced, the tone was awkward and the cringe factor was high. It wasn't until the second half that the cast seemed to find some chemistry and things started to flow a little better. The setting is solid and there are flashes of fun, but they're buried under a script that plays it too safe.
Maybe I set my expectations too high but with the creative edge of Tucker and Dale behind it, I expected more. As it stands, this is just a passable slasher with a fun backdrop but not much staying power.
The first half really didn't work for me. The dialogue felt forced, the tone was awkward and the cringe factor was high. It wasn't until the second half that the cast seemed to find some chemistry and things started to flow a little better. The setting is solid and there are flashes of fun, but they're buried under a script that plays it too safe.
Maybe I set my expectations too high but with the creative edge of Tucker and Dale behind it, I expected more. As it stands, this is just a passable slasher with a fun backdrop but not much staying power.
This flick was based off on recent horror related young adult fiction by Adam Cesare and was just average. It offers some good practical and cgi gore effects, full of tongue-in-cheek humor.
It offers an inclusive grouping of characters probably that the current administration wouldn't approve of. One of the characters kinda looks like Elon Musk!
The only that original is the intergenerational jokes between older and younger characters. Things like a rotary dial phone, etc. Comes off pretty funny. The clowns were not a creepy as many reviewers have claimed.
The acting chops were not above average, but not horrible. The film is most likely coming at a time where producers are responding to clown with extreme violence like the recent success of Damian Leone's "Terrifier" franchise.
This film has probably got popularity of a new generation of filmgoers trying to feel the 80s/90s straight to gore films. In the way, their new interest is probably to chase folk horror and more subtle horror like "Midsummer" and "The Witch" away
I guess this film by Eli Craig should be indebt to "Terrifier"-crowd funders and independent horror supporters. It's need to be said that Craig is also a trendsetter with horror comedy like "Tucker and Dale vs Evil" (obviously inspired by "Evil Dead" franchise).
It offers an inclusive grouping of characters probably that the current administration wouldn't approve of. One of the characters kinda looks like Elon Musk!
The only that original is the intergenerational jokes between older and younger characters. Things like a rotary dial phone, etc. Comes off pretty funny. The clowns were not a creepy as many reviewers have claimed.
The acting chops were not above average, but not horrible. The film is most likely coming at a time where producers are responding to clown with extreme violence like the recent success of Damian Leone's "Terrifier" franchise.
This film has probably got popularity of a new generation of filmgoers trying to feel the 80s/90s straight to gore films. In the way, their new interest is probably to chase folk horror and more subtle horror like "Midsummer" and "The Witch" away
I guess this film by Eli Craig should be indebt to "Terrifier"-crowd funders and independent horror supporters. It's need to be said that Craig is also a trendsetter with horror comedy like "Tucker and Dale vs Evil" (obviously inspired by "Evil Dead" franchise).
What an insult this film is to anyone who's favourite movie genre is Horror!! The film itself is Predictable, unoriginal, no story whatsoever,it's basically just clowns killing young people,that's all there is to it and i've seen it done better so many times before in other horror movies, trust me when I say don't waste your money going to the cinema to watch this utter garbage. Please don't!! I'd only rate this 4 out of 10 and I was quite looking forward to seeing this film, any film that is shown in the cinema is usually half decent, this wasn't at all, in certain scenes I was laughing as it was so absurd.
What made Adam Ceasare's book so great was that we really got to know the characters, and had long enough in the terrifying situations to really soak them in. The movie, on the other hand, feels like it flies by. It's fun, quick paced, and Quinn Maybrook is still an undeniably fun character. I loved the humor injected throughout, and every kill is great. I just wish the movie was perhaps 20 minutes longer so that we could really feel the horror elements. Ultimately it feels like they rush by the scary parts and overemphasize the message of the movie.
There's also a huge change from the book in how and why the final attack occurs, and I am not a big fan of the change.
There's also a huge change from the book in how and why the final attack occurs, and I am not a big fan of the change.
Sometimes, you just want a good, straightforward slasher, and that's exactly what Clown in a Cornfield delivers. It's gory, tense, and doesn't mess around. The setup is classic: Quinn moves to a small town, only to discover that it's hiding a deadly secret. Enter the killer clown, and suddenly the cornfields aren't just a creepy backdrop-they're a trap.
The film knows what it is and doesn't pretend otherwise. It's violent, fun, and self-aware, with some creative kills and just enough backstory to make you care about who lives and who doesn't. Sure, it leans into some slasher clichés, and there were a few "Why would you do that?!" moments, but honestly, that's half the fun of watching a movie like this.
It's not breaking new ground, but it doesn't need to. It's the kind of movie you watch for the tension, the chase scenes, and the brutal confrontations. If you're a fan of classic slashers with a bit of modern flair, you'll have a blast.
The film knows what it is and doesn't pretend otherwise. It's violent, fun, and self-aware, with some creative kills and just enough backstory to make you care about who lives and who doesn't. Sure, it leans into some slasher clichés, and there were a few "Why would you do that?!" moments, but honestly, that's half the fun of watching a movie like this.
It's not breaking new ground, but it doesn't need to. It's the kind of movie you watch for the tension, the chase scenes, and the brutal confrontations. If you're a fan of classic slashers with a bit of modern flair, you'll have a blast.
2025 SXSW Film & TV Festival Cheat Sheet
2025 SXSW Film & TV Festival Cheat Sheet
Get the lowdown on the buzziest films we screened in Austin, including Jenna Ortega in Death of a Unicorn, the dark comedy Friendship, and more movies you'll want to add to your Watchlist.
Wusstest du schon
- WissenswertesMajor score for IFC on their biggest opening weekened recorded with a 3.6 million gross
- PatzerA bow saw can't cut off a head.
- VerbindungenReferenced in Dead Meat Podcast: Upcoming Horror Sneak Peeks (2025)
- SoundtracksWhat Do I Owe
Written by Michael John Barnicle and Mark De Rosa
Performed by Dummy
Courtesy of Pravda Records
By arrangement with Groove Garden
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Клоун Френдо
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 7.251.799 $
- Eröffnungswochenende in den USA und in Kanada
- 3.648.991 $
- 11. Mai 2025
- Weltweiter Bruttoertrag
- 9.414.640 $
- Laufzeit1 Stunde 36 Minuten
- Farbe
- Seitenverhältnis
- 2.39:1
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