Fortsetzung der Trainspotting-Saga, in der die alten Figuren wieder zusammentreffen.Fortsetzung der Trainspotting-Saga, in der die alten Figuren wieder zusammentreffen.Fortsetzung der Trainspotting-Saga, in der die alten Figuren wieder zusammentreffen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 6 Gewinne & 8 Nominierungen insgesamt
- Veronika
- (as Anjela Nedyalkova)
Empfohlene Bewertungen
I awaited the release of T2 with immense anticipation and desperately wanted to see this film. But, despite a significant amount of bias on my part, my honest take was that the premise felt a little forced and contrived.
It was always going to lack the grit, energy, authenticity, depth of meaning and crackerjack dialogue of the original. Part of me feels they should have left the 1996 masterpiece to sit singularly, where it belongs, as the greatest British film of all time.
But then again I can't fault them for attempting to resurrect the story, as Irvine Welsh did. The acting performances aren't as raw, heartfelt or believable as the first and that youthful energy is certainly missing. But it's the screenplay that disappoints in my opinion - it's a little loose, vague and disconnected. I'd even go as far as to describe it as ordinary and unremarkable.
In all fairness, I think these issues were pretty much unavoidable. Following Trainspotting was an impossible task. The film suffers from the universal truth that life becomes more humdrum the older you get, meaning that creating a dynamic storyline was inevitably more challenging.
Even if the original film isn't as dear to you as it is to me, if you watched them back to back it would be pretty obvious that T2 is a failure, sadly.
I thought this would be a negative, but actually this is what the film does, but it is a strength not a weakness. The film reconnects with the characters, who are all in their different places, some having moved more than others. Regardless though, they are all looking back. Some of them look back with fondness when their violence was at its peak, others feel regret for what little they have to show for life - some putting that on themselves, others putting it into blame on others for closing off options. This sense of hitting a certain age and looking back is universal I think, and it works well here. The base plot is not as good, but this element of nostalgia (fond and regretful) mixes across the film well and carries it through.
It also allows the film to do what it does in terms of style. It references the original film a lot, but thanks to this theme, it doesn't feel like it is trying to replicate it or ride on its coattails, but rather it is a touchpoint for the characters, the cast, the crew, and the viewer. Doing this strengthens that theme. Of course, it also repeats the energy of the original film, with the director/cinematographer very much pushing the style and design. This doesn't work quite as well when sometimes there is not quite the substance to carry it off.
How it would work for younger viewers, or those who have never seen the first film, I don't know. But for me it had the style and energy it needed to keep it all moving, but what worked most was that it took that feeling of a backwards looking film, and made that a strength that ran through the 4th wall from the characters out to the production and to the viewer. It is not a match for the original film but it works very well as a companion piece.
My God I was wrong.
I don't know what changed, or what made me want to give it another go but I'm very glad I did.
The film brings is upto date with the main characters of the first film is such a well thought and done way. None of them have made a particular good job of getting their lives on track, and that's OK. Because, how many of us have?
It's a truly thoughtful look at what it means for a bunch of friends that once meant so much to each other and then lost track and meet up again. The bad vibes are all there, the good memories.
The memories and nostalgia the film evokes within itself is amazing. Spuds role especially, that - That's just pure genius topped with a giant 'I've think I've thought of a title" shaped cherry.
I see many bad reviews of this film, and get it. I really do. I personally told as many people i could to avoid this film if they had any love for the first one.
And now I feel like I've done them a disservice.
Please, give this film a second chance and don't expect it tell you the story you want.
Let it tells its own story because it definitely deserves the chance.
The original Trainspotting was brilliant. Funny, gritty and harrowing it dealt with the issue of drug addiction in a suffocatingly intense yet humorous way. It wasn't just about drug addiction but friendship and, ultimately, about a crime caper and betrayal.
Directed by Danny Boyle, who directed Trainspotting 1, Trainspotting 2 doesn't have the grimness of the first movie, as the drug addiction side is hardly a factor. For me, that is what made Trainspotting 1 a masterpiece, the way it covered drug addiction in a realistic yet humorous manner. T2 is more about friendship and the after-effects of T1's betrayal, resulting it being more of an action-revenge sort of movie.
Plot is good, though there are some contrivances and inconsistencies. Quite emotional at times too, as we see some loops from T1 closed, friends reunited and 40-somethings taking stock of their lives.
Humour-wise, T2 is great, and as good as, if not better than, T1. Some very funny scenes and dialogue.
Not essential that you've watched T1 to follow and enjoy T2, as there are enough flashbacks and other clues to fill you in on what happened in T1. However, watching T1 before T2 certainly would help the experience. There are plenty of side-references and subtle nods to T1 and these enhance the enjoyment of T2.
Overall, a great movie, though not in the same league as Trainspotting 1. Very funny at times, with a good plot and some interesting themes.
Danny Boyle's Movies Ranked by IMDb Rating
Danny Boyle's Movies Ranked by IMDb Rating
Wusstest du schon
- WissenswertesJonny Lee Miller offered to shave his head to look older, but Danny Boyle insisted that Sick Boy retain his iconic blond hair.
- PatzerSpud and Renton both state that Renton left Spud £4,000 at the end of Trainspotting. "His share." If you go back and watch Trainspotting the money is in £2,000 bundles. Renton only leaves 1 bundle in the box at the airport.
- Zitate
Veronika: What's 'Choose life'?
Renton: What?
Veronika: 'Choose life'. Simon says it sometimes. He says "Choose life, Veronika!"
Renton: 'Choose life'. 'Choose life' was a well meaning slogan from a 1980's anti-drug campaign and we used to add things to it, so I might say for example, choose... designer lingerie, in the vain hope of kicking some life back into a dead relationship. Choose handbags, choose high-heeled shoes, cashmere and silk, to make yourself feel what passes for happy. Choose an iPhone made in China by a woman who jumped out of a window and stick it in the pocket of your jacket fresh from a South-Asian Firetrap. Choose Facebook, Twitter, Snapchat, Instagram and a thousand others ways to spew your bile across people you've never met. Choose updating your profile, tell the world what you had for breakfast and hope that someone, somewhere cares. Choose looking up old flames, desperate to believe that you don't look as bad as they do. Choose live-blogging, from your first wank 'til your last breath; human interaction reduced to nothing more than data. Choose ten things you never knew about celebrities who've had surgery. Choose screaming about abortion. Choose rape jokes, slut-shaming, revenge porn and an endless tide of depressing misogyny. Choose 9/11 never happened, and if it did, it was the Jews. Choose a zero-hour contract and a two-hour journey to work. And choose the same for your kids, only worse, and maybe tell yourself that it's better that they never happened. And then sit back and smother the pain with an unknown dose of an unknown drug made in somebody's fucking kitchen. Choose unfulfilled promise and wishing you'd done it all differently. Choose never learning from your own mistakes. Choose watching history repeat itself. Choose the slow reconciliation towards what you can get, rather than what you always hoped for. Settle for less and keep a brave face on it. Choose disappointment and choose losing the ones you love, then as they fall from view, a piece of you dies with them until you can see that one day in the future, piece by piece, they will all be gone and there'll be nothing left of you to call alive or dead. Choose your future, Veronika. Choose life.
- Crazy CreditsThe initial final credits appear over modified scenes of tower blocks and other buildings being demolished. Once the cast credits appear, the background changes to amorphous, swirling, mainly black/ white/ grey shapes.
- VerbindungenFeatured in Film '72: Folge #45.10 (2016)
- SoundtracksShotgun Mouthwash
Performed by High Contrast
Written by Lincoln Jordan Barrett
Courtesy of 3 Beat Productions Ltd / All Around The World
Under license from Universal Music Operations Ltd
Published by 3Beat Music Limited
Administered By Kobalt Music Publishing Ltd
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- T2 Trainspotting: La vida en el abismo
- Drehorte
- Sofia, Bulgarien(final sequence with Veronika at train station)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 18.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 2.402.004 $
- Eröffnungswochenende in den USA und in Kanada
- 170.575 $
- 19. März 2017
- Weltweiter Bruttoertrag
- 41.681.746 $
- Laufzeit
- 1 Std. 57 Min.(117 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1