Eine furchtlose Lehrerin, die heimlich sieben ihrer Schülerinnen versammelt, um im revolutionären Iran verbotene westliche Klassiker zu lesen.Eine furchtlose Lehrerin, die heimlich sieben ihrer Schülerinnen versammelt, um im revolutionären Iran verbotene westliche Klassiker zu lesen.Eine furchtlose Lehrerin, die heimlich sieben ihrer Schülerinnen versammelt, um im revolutionären Iran verbotene westliche Klassiker zu lesen.
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Only a woman who has lived in Iran and felt every moment of this film with her whole being can truly understand its real value someone who has endured the pain can describe it
It may not captivate the global audience but every scene is one we have lived
Pain in Persian language reads the same from every side it is still pain.
A literature teacher returns to Iran after the revolution in 1979 and with her own eyes, which get wetter and wetter as the film goes on, sees the changes that happen in her beautiful country and how women suffer injustice, violence, and some of them are violently raped and executed. It looks unbearable but she stays and even continues to teach this banned Western literature in secret. Her story is heartbreaking, and with her eyes we see other stories and broken lives; but what is even more important is that maybe, hopefully, in the future the people of Iran will be able to watch this. As part of their history. As part of their troubled past.
An israeli director making a film about Iran already tells whatever is needed to say. Absolutely ridiculous and pathetic to say the very least. This is an insult to human intelligence really, do these guys think we're all sleeping here?! Hahah like an american making a movie about russia.....yeah, NOPE! It doesn't work like that. Golshifteh also a total sellout clearly, these people have no dignity whatsoever. EMBARRASSING.
Let's start with the story or rather the lack of one There was no clear plot or direction and what was there was so disjointed and unengaging that I found myself completely uninterested in what was happening It felt like the filmmakers were trying to make something profound, but ended up with an incoherent mess instead
The characters were another huge letdown None of them were remotely compelling or worth caring about They felt flat and underdeveloped and I never once found myself emotionally invested in their struggles I was just waiting for it to end, hoping for some kind of resolution or revelation, but nothing ever really happened
The acting was absolutely atrocious The performances were stiff, lifeless, and completely unconvincing. It felt like none of the actors had any genuine connection to their roles, and their dialogue often came off as forced and unnatural. This lack of chemistry between the cast really sunk the whole film
And then there's the direction wow. Just... wow. It was an absolute disaster. The pacing was sluggish, the cinematography was uninspired, and the overall tone of the film felt more like a high school project than a professionally made movie The direction did nothing to elevate the material, and in fact, it only made the film more excruciating to watch
In short, Reading Lolita in Tehran is one of the worst movies I've ever seen. It fails on every level, from the plot to the performances to the direction. I wouldn't recommend it to anyone it's an exhausting, forgettable experience that I wouldn't wish on my worst enemy.
From what I've read here, some may see it as exaggerated or one-sided, especially those who lived through the same time period and came away with different memories or interpretations. But "Reading Lolita in Tehran" isn't trying to offer a comprehensive history of post-revolutionary Iran. It's telling a very specific story, one rooted in the inner lives of women navigating a system that sought to control not only their actions, but their thoughts.
To me, what makes the film truly moving is how these discussions become a lifeline, sort of a rare space where they can finally be themselves, even if only briefly. The idea that some of them couldn't even feel safe being authentic inside their own homes is heartbreaking.
The film quietly captures the suffocation of life under authoritarian patriarchy, the struggle to imagine a future as a woman, the daily negotiations between visibility and safety, and the simmering anger that many men (and the regime itself) seem to harbor toward both women and the West. Yet rather than dramatize these themes, the film presents them with restraint, which makes them feel all the more real and disturbing.
The movie it's not flashy, but it's honest. For anyone interested in the emotional and psychological cost of life under repression, especially from the perspective of women, this film is well worth watching. It's quietly radical, emotionally honest, and deserves more attention than it has received.
To me, what makes the film truly moving is how these discussions become a lifeline, sort of a rare space where they can finally be themselves, even if only briefly. The idea that some of them couldn't even feel safe being authentic inside their own homes is heartbreaking.
The film quietly captures the suffocation of life under authoritarian patriarchy, the struggle to imagine a future as a woman, the daily negotiations between visibility and safety, and the simmering anger that many men (and the regime itself) seem to harbor toward both women and the West. Yet rather than dramatize these themes, the film presents them with restraint, which makes them feel all the more real and disturbing.
The movie it's not flashy, but it's honest. For anyone interested in the emotional and psychological cost of life under repression, especially from the perspective of women, this film is well worth watching. It's quietly radical, emotionally honest, and deserves more attention than it has received.
Wusstest du schon
- WissenswertesDespite the film's title, "Reading Lolita in Teheran" was filmed in Italy, mostly at Cinecitta. The film's female lead actresses are Iranian artist banned by the islamic regime. Golshifteh Farahani and Zar Amir Ebrahimi live in Paris and they are not allowed to go back to their home country because of their participation in Occidental movies.
- VerbindungenFeatures Opfer (1986)
- SoundtracksBaraye
Written by Shervin Hajipour
Performed alive by Coldplay & Golshifteh Farahani on October 29, 2022 at Estadio River Plate in Buenos Aires, Argentina
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- Weltweiter Bruttoertrag
- 1.386.128 $
- Laufzeit
- 1 Std. 48 Min.(108 min)
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- 2.35 : 1
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