Füge eine Handlung in deiner Sprache hinzuThere has been a mysterious murder of two young people. Who killed them?There has been a mysterious murder of two young people. Who killed them?There has been a mysterious murder of two young people. Who killed them?
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"Taxali Gate" has finally arrived, and it's the movie I've been eagerly anticipating for quite some time. Let me begin by expressing that after a significant time gap, I experienced goosebumps watching a Lollywood film, the last being "Maula Jutt."
This crime thriller delves into the lives of the underprivileged inhabitants of the Taxali Gate neighborhood. Throughout its runtime, the film maintains a tight grip on its audience. Unlike the typical modern-age "Anarkali," it delivers a resounding rebuke to societal and systemic corruption, portraying the harsh realities with brutal honesty that transcends gender barriers.
Yasir Hussain's portrayal of Shafiq is nothing short of magnificent, with his natural and effortless demeanor, accent, and humorous quips adding depth to the character.
Ayesha Omar shines as Muskan, delivering the performance of her career with boldness and authenticity, particularly notable in her introduction and courtroom scenes.
Special mention must be made of Nayyar Ijaz's transformation from a jubilant wedding dancer to a shattered father, showcasing his exceptional talent.
Mehar Bano's portrayal of Zainab, transitioning from carefree to victimized, is executed with impeccable viciousness.
Iffat Omar's portrayal as a lawyer is flawless, while Umer Aalam and Babar Ali deliver commendable performances.
The cinematography stands out as one of the best in Pakistani cinema, complemented by a crisp and engaging screenplay.
This movie caters to audiences appreciative of serious cinema and stellar performances. However, the slightly lower turnout at the evening screening highlights the challenges faced by Lollywood, overshadowed by cringy caryryonjatta or other Internationally failed crap.
"Taxali Gate" exceeds expectations, offering powerful performances that elevate it to the ranks of fine Lollywood cinema. The only drawback lies in the censorship of some impactful dialogues, though subtitles partially compensate for this loss.
In conclusion, "Taxali Gate" is a must-watch for cinema enthusiasts, promising an unforgettable experience. Ayesha Omar fans, in particular, are in for a treat.
This crime thriller delves into the lives of the underprivileged inhabitants of the Taxali Gate neighborhood. Throughout its runtime, the film maintains a tight grip on its audience. Unlike the typical modern-age "Anarkali," it delivers a resounding rebuke to societal and systemic corruption, portraying the harsh realities with brutal honesty that transcends gender barriers.
Yasir Hussain's portrayal of Shafiq is nothing short of magnificent, with his natural and effortless demeanor, accent, and humorous quips adding depth to the character.
Ayesha Omar shines as Muskan, delivering the performance of her career with boldness and authenticity, particularly notable in her introduction and courtroom scenes.
Special mention must be made of Nayyar Ijaz's transformation from a jubilant wedding dancer to a shattered father, showcasing his exceptional talent.
Mehar Bano's portrayal of Zainab, transitioning from carefree to victimized, is executed with impeccable viciousness.
Iffat Omar's portrayal as a lawyer is flawless, while Umer Aalam and Babar Ali deliver commendable performances.
The cinematography stands out as one of the best in Pakistani cinema, complemented by a crisp and engaging screenplay.
This movie caters to audiences appreciative of serious cinema and stellar performances. However, the slightly lower turnout at the evening screening highlights the challenges faced by Lollywood, overshadowed by cringy caryryonjatta or other Internationally failed crap.
"Taxali Gate" exceeds expectations, offering powerful performances that elevate it to the ranks of fine Lollywood cinema. The only drawback lies in the censorship of some impactful dialogues, though subtitles partially compensate for this loss.
In conclusion, "Taxali Gate" is a must-watch for cinema enthusiasts, promising an unforgettable experience. Ayesha Omar fans, in particular, are in for a treat.
Yesterday, I watched a this movie. It was beyond the expectations, a cinematic experience that hold you from start to finish. It's not a commercial movie. Every character's performance is remarkably natural to a compelling storyline. The picturesque elevates the film above industry standards, showcasing the authenticity of the local area.
While the language used may seem like a hindrance, it could be to reflect the true essence of that area. Therefore it is advisable to avoid watching this film with young children.
I feel that this movie deserves recognition on a global scale, perhaps even at the Oscars. Its quality rivals that of international productions, demonstrating the talent and creativity present in Pakistani cinema.
However, it's disheartening to note the lack of audience turnout during screenings while I was watching in Mississauga. Despite the film's brilliance, many Pakistanis seem more inclined to support foreign productions over their own. This disparity highlights the need for greater support of our Pakistani productions and serves as a call to action for audiences to embrace and celebrate their own cultural.
In conclusion, "Texali Gate" is a cinematic gem that deserves widespread acclaim. I urge all Pakistanis to experience this masterpiece.
While the language used may seem like a hindrance, it could be to reflect the true essence of that area. Therefore it is advisable to avoid watching this film with young children.
I feel that this movie deserves recognition on a global scale, perhaps even at the Oscars. Its quality rivals that of international productions, demonstrating the talent and creativity present in Pakistani cinema.
However, it's disheartening to note the lack of audience turnout during screenings while I was watching in Mississauga. Despite the film's brilliance, many Pakistanis seem more inclined to support foreign productions over their own. This disparity highlights the need for greater support of our Pakistani productions and serves as a call to action for audiences to embrace and celebrate their own cultural.
In conclusion, "Texali Gate" is a cinematic gem that deserves widespread acclaim. I urge all Pakistanis to experience this masterpiece.
I strongly recommend this movie it is highly entertaining- it is certainly at the top of my list of good Pakistani movies I really love this movie. Acting of Pakistani actress just love it . Movie starting was so great and a lot of suspense . Ending of the movies was so unexpected. I just highly recommend you this movie go and watch. Taxali gate is one of the best films released looking forward to its sequal. Everyone has done justice to their role and characters. Everyone's acting was really amazing . This movie shows that Pakistani laws for low graded people in this case what should a woman need to do is explain clearly love it just love it .
Cheaper cameras and lenses from neighboring China surely has improved the visual fidelity of Pakistani movies in the recent times. Sadly, the self-proclaimed directors who also claim to be writers end up making good looking but soulless films that end suddenly. Fine cast with veteran names fails to make the film shine. Just poor. Only 3 points and they too are because of Nayyar Ijaz. These rave reviews on the media are only to lure you out. Because marketing.
The film moves to and fro between days. Most of the story is linear. Still it moves back and forth. There are just loud moments where the story gets buried under loud music which is distracting instead of making a good impact on the movie. The language is intense which goes along the theme, but the actor Yasir Hussain needs as much effort into acting as much he has connections in the media. Ragged jeans, messy shirt and uncombed hair don't make one a great director. Good work does. You will forget the story once you step out of the cinema hall where only the last seats had less than ten people. I wish IMDb allowed me to attach photos along the review to show. Avoid the film. Better luck next time Mr Director, Writer, Philosopher, and so much more.
The film moves to and fro between days. Most of the story is linear. Still it moves back and forth. There are just loud moments where the story gets buried under loud music which is distracting instead of making a good impact on the movie. The language is intense which goes along the theme, but the actor Yasir Hussain needs as much effort into acting as much he has connections in the media. Ragged jeans, messy shirt and uncombed hair don't make one a great director. Good work does. You will forget the story once you step out of the cinema hall where only the last seats had less than ten people. I wish IMDb allowed me to attach photos along the review to show. Avoid the film. Better luck next time Mr Director, Writer, Philosopher, and so much more.
Very direct, no drag, beautifully captured the true essence of the ground reality. Very good performances from everyone....
Whoever is complaining, should watch cartoon network. 😆
If you are a Pakistani or Indian, you will definitely enjoy it.
Lahori touch of jokes are very amusing......... The only thing bad was a censor board. They have cut the dialogues which is almost like ruining a great work. Don't watch it with your family if they are conservative.
Ayesha umer's performance was more than I expected and Yasir was above all. I think one of the top movies made in Pakistan for every kind of audience.
Lahori touch of jokes are very amusing......... The only thing bad was a censor board. They have cut the dialogues which is almost like ruining a great work. Don't watch it with your family if they are conservative.
Ayesha umer's performance was more than I expected and Yasir was above all. I think one of the top movies made in Pakistan for every kind of audience.
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Details
Box Office
- Budget
- 25.000.000 PKR (geschätzt)
- Weltweiter Bruttoertrag
- 2.189 $
- Laufzeit1 Stunde 35 Minuten
- Farbe
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