Kayashima Naoya, ein Friseur, kämpft unter extremen Bedingungen ums Überleben, als der Zug, in dem er sich befindet, in einer verwüsteten Zukunftswelt landet, in der es weder Nahrung noch Wa... Alles lesenKayashima Naoya, ein Friseur, kämpft unter extremen Bedingungen ums Überleben, als der Zug, in dem er sich befindet, in einer verwüsteten Zukunftswelt landet, in der es weder Nahrung noch Wasser noch Kommunikation gibt.Kayashima Naoya, ein Friseur, kämpft unter extremen Bedingungen ums Überleben, als der Zug, in dem er sich befindet, in einer verwüsteten Zukunftswelt landet, in der es weder Nahrung noch Wasser noch Kommunikation gibt.
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Fun premise, ruined by absurd actions (as mentioned by other reviewers) of the lead characters.
GUY WHO DOESN'T TRUST PEOPLE - Gets life saved, has his precious tools returned, convinced not to stay behind.... still treats people like pests.
GIRL WHO THINKS SHE'S INVISIBLE - Helps everyone, plays critical role, eventually loved by all... still acts like a wet noodle.
GUY WHO THINKS HE MUST SAVE EVERYONE - Kinda does, still mopes around like a clueless tool.
They are just so unlikeable in that this traumatic defining period in their lives doesn't seem to affect them, or improve them, or change their behavior in any way. Normal people don't behave like this. Well written characters don't either.
And then the ending...oh lord the "ending". Can't really call it that. More of a two episode slog of people running around aimlessly doing their own thing without any coherence as to why it was being shown on screen. I felt like I was watching water molecules exhibiting Brownian motion. The whole, "you take her! No, you take her! No, YOU take her!" hot potato between the two male leads was nauseating as well.
By the end, I thought I was watching a really bad Korean Romance Drama, and not a "pseudo-sci-fi" show.
GUY WHO DOESN'T TRUST PEOPLE - Gets life saved, has his precious tools returned, convinced not to stay behind.... still treats people like pests.
GIRL WHO THINKS SHE'S INVISIBLE - Helps everyone, plays critical role, eventually loved by all... still acts like a wet noodle.
GUY WHO THINKS HE MUST SAVE EVERYONE - Kinda does, still mopes around like a clueless tool.
They are just so unlikeable in that this traumatic defining period in their lives doesn't seem to affect them, or improve them, or change their behavior in any way. Normal people don't behave like this. Well written characters don't either.
And then the ending...oh lord the "ending". Can't really call it that. More of a two episode slog of people running around aimlessly doing their own thing without any coherence as to why it was being shown on screen. I felt like I was watching water molecules exhibiting Brownian motion. The whole, "you take her! No, you take her! No, YOU take her!" hot potato between the two male leads was nauseating as well.
By the end, I thought I was watching a really bad Korean Romance Drama, and not a "pseudo-sci-fi" show.
I remember sitting glued to the the screen over the years of LOST, loving every minute of its mystery and weird conspiracy and undermining western culture with exceptional knowledge of travel in time, and all of the insane and quirky and deceitful characters onboard the plane, who found themselves washed up on the island and had to survive and build relationships and trust and agree to survive and build alliences with the people already on the island and find food and water and keep up hope among each other and assist births and bury the dead and be inventive and strong and compassionate etc.
Pending Train tries and fails. No tension, just stereotypic characters acting stereotypical confronted with very little happening. And maybe they represent an average of Japanese culture, but when no one had moved to find water on day two, I began wondering if the series writers were paid to extend a 3-parter to 10 or more episodes.
This is WEAK and a wast of money and other resources, chiefly human watching this in the expectance that something will improve, but that is not the case. NOTHING happens that will come as a surprise to anyone. Most characters are depicted as outright stupid - as if having lived 20, 30, 50 years under all kinds of pressure in life had not emparted preference, idiosyncracies (apart from those needed to separate main characters from each other) and a general IDEA of how to survive. Like in a universe, where No One has spend hours binging youtube videos to gather an abundence of information about all kinds of stuff related to living and surviving and pleasure and communication and relations to others etc etc. IGNORANTS, basically.
Actually I am a little horrified that this "product" has met some kinds of production standards somewhere in the world. As if its basically a tax write-off, where nobody really cares. A deal, where some actors are introduced, payment for that service met, and production costs used to leverage an abundance of wealth.
Horrible. Just horrible.
So, why 5/10?
I am at episode 6/10, and there are 5 more episodes to go. So, 1 star pr. Episode, basically. But if wont end with 10/10, be certain of that. Ye Gods!
Pending Train tries and fails. No tension, just stereotypic characters acting stereotypical confronted with very little happening. And maybe they represent an average of Japanese culture, but when no one had moved to find water on day two, I began wondering if the series writers were paid to extend a 3-parter to 10 or more episodes.
This is WEAK and a wast of money and other resources, chiefly human watching this in the expectance that something will improve, but that is not the case. NOTHING happens that will come as a surprise to anyone. Most characters are depicted as outright stupid - as if having lived 20, 30, 50 years under all kinds of pressure in life had not emparted preference, idiosyncracies (apart from those needed to separate main characters from each other) and a general IDEA of how to survive. Like in a universe, where No One has spend hours binging youtube videos to gather an abundence of information about all kinds of stuff related to living and surviving and pleasure and communication and relations to others etc etc. IGNORANTS, basically.
Actually I am a little horrified that this "product" has met some kinds of production standards somewhere in the world. As if its basically a tax write-off, where nobody really cares. A deal, where some actors are introduced, payment for that service met, and production costs used to leverage an abundance of wealth.
Horrible. Just horrible.
So, why 5/10?
I am at episode 6/10, and there are 5 more episodes to go. So, 1 star pr. Episode, basically. But if wont end with 10/10, be certain of that. Ye Gods!
Barely a science fiction except for the plot and a few rare strange things here and there.
Basic common sense things missing, actors are always fresh, wearing new clothes, survive just fine not feeling hungry for extended period of time. Some character development is the only thing that is not so bad. Strange unnatural emotions such as not being grateful for someone saving your life! Overall not very entertaining, if you have nothing else to do and you are extremely bored you can watch it in 1.5x speed. Don't let "japanese" mislead you, they can be bad too :) Highly doubt there will be a second season any time soon, if at all.
Basic common sense things missing, actors are always fresh, wearing new clothes, survive just fine not feeling hungry for extended period of time. Some character development is the only thing that is not so bad. Strange unnatural emotions such as not being grateful for someone saving your life! Overall not very entertaining, if you have nothing else to do and you are extremely bored you can watch it in 1.5x speed. Don't let "japanese" mislead you, they can be bad too :) Highly doubt there will be a second season any time soon, if at all.
The premise is good but I watched the whole first episode and can't bring myself to watch any more of it.
All the 'actors' are pretty boys and girls no normal looking people at all. They all seem to be terrible actors over acting every emotion and scene. The direction seems to go for melodramatic shots everywhere with an awful melodramatic soundtrack. In one surreal scene there is one of the characters over acting a crying ad sadness scene with an upbeat pop tune playing quite loudly as the soundtrack. It's just weird. There's a scene near the end where it shows each character's serious face multiple times - it reminded of the nodding scene in Family Guy.
All the 'actors' are pretty boys and girls no normal looking people at all. They all seem to be terrible actors over acting every emotion and scene. The direction seems to go for melodramatic shots everywhere with an awful melodramatic soundtrack. In one surreal scene there is one of the characters over acting a crying ad sadness scene with an upbeat pop tune playing quite loudly as the soundtrack. It's just weird. There's a scene near the end where it shows each character's serious face multiple times - it reminded of the nodding scene in Family Guy.
The general story and plot line of this series was decent, but even only 10 episodes seemed long and drawn out. The core problem was excessive melodrama.
Several people's backstory is told in narrative detail (regularly breaking the sense of realism). The acting was quite a bit over the top, which is probably the doing of the director rather than the actors. I did like their choice of actors; with what they were given they did a decent enough job.
Fair advance notice: the ending is an anti-climactic letdown. Sigh. You'd think by now producers would know to start with a sharp script or don't do the series at all.
Throughout this entire series I regularly wondered if anyone in 160 people had any real leadership ability or any knowledge of survival at all. The first thing they should have done was organize into subgroups based on skills and taken care of water and food requirements. Not knowing the wildlife situation, quality weaponry should have been on the agenda; perish forbid a hungry bear would have come through the camp. But it seemed there was little or no organization. Some people tried and accomplished a little through emotional encouragement... but aside from the old guy that left early on, none of them seemed to have a clue how to survive in the wild. (Seriously, they're low on food and what they focus on is a bathtub? They're kidding, right?)
The second camp fared better, but they were located in a much better spot than the first camp. They pretty much had water and food handed to them on a platter. Not much to lead there... but at least they had things in order. Even then, some of the things that went on at the second camp were pretty illogical script-wise (sorry, no spoilers).
Overall there was too much angst, too much emo, too little focus on getting their act together and surviving this thing. There are so many other gaping holes in the logic of this that I can't go into them without spoilers. It's an okay series, but the ending is one of those "Really? They're stopping it there?" type of things. Disappointing is the key word. It's like the writers just suddenly ran out of imagination, time, funding, or all three.
This series is an "okay" watch, and some people may enjoy it. But for me it was only mediocre throughout, and a poor conclusion. They could have done a lot better with this unusual and potentially interesting theme.
Several people's backstory is told in narrative detail (regularly breaking the sense of realism). The acting was quite a bit over the top, which is probably the doing of the director rather than the actors. I did like their choice of actors; with what they were given they did a decent enough job.
Fair advance notice: the ending is an anti-climactic letdown. Sigh. You'd think by now producers would know to start with a sharp script or don't do the series at all.
Throughout this entire series I regularly wondered if anyone in 160 people had any real leadership ability or any knowledge of survival at all. The first thing they should have done was organize into subgroups based on skills and taken care of water and food requirements. Not knowing the wildlife situation, quality weaponry should have been on the agenda; perish forbid a hungry bear would have come through the camp. But it seemed there was little or no organization. Some people tried and accomplished a little through emotional encouragement... but aside from the old guy that left early on, none of them seemed to have a clue how to survive in the wild. (Seriously, they're low on food and what they focus on is a bathtub? They're kidding, right?)
The second camp fared better, but they were located in a much better spot than the first camp. They pretty much had water and food handed to them on a platter. Not much to lead there... but at least they had things in order. Even then, some of the things that went on at the second camp were pretty illogical script-wise (sorry, no spoilers).
Overall there was too much angst, too much emo, too little focus on getting their act together and surviving this thing. There are so many other gaping holes in the logic of this that I can't go into them without spoilers. It's an okay series, but the ending is one of those "Really? They're stopping it there?" type of things. Disappointing is the key word. It's like the writers just suddenly ran out of imagination, time, funding, or all three.
This series is an "okay" watch, and some people may enjoy it. But for me it was only mediocre throughout, and a poor conclusion. They could have done a lot better with this unusual and potentially interesting theme.
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