Bad Things

If this little gem is any indication, Shudder seems to have switched from producing horror films to producing horrific ones. The meager attempts to be scary in this script are bits lifted from other movies. Unfortunately these bits are so poorly directed they only serve to stir up unfavorable comparisons to the originals they were heisted from. Instead of the spooky little girls of The Shining, the hall of this film's hotel is haunted by two lithe young women jogging in place, looking like rejects from a failed aerobics program. Texas Chainsaw Massacre is also represented, and for more than one reason I wish the chainsaw wielding actor was wearing a mask like Leatherface.

Production values are rock bottom. A potentially creepy location is completely wasted on the milksop screenplay. Why there's a "production designer" listed in the credits is a total head scratcher. I would love to know what exactly they did to transform what appears to be a recently vacated hotel into what appears to be a recently vacated hotel. But maybe I'm wrong. Despite one character describing the place as "the Four Seasons of the 80s" it looks more like a Target shopping center converted into a Holiday Inn.

The costumes are a mixed bag ranging from ridiculous to hot. In one scene an actress appears wearing what can only be described as a clown gown ripped straight from the pages of a Zippy the Pinhead comic book. Earlier in the film we're treated to the same trans actress prancing through the halls in her underpants. We also get Molly Ringwold in a scorching red ensemble, looking absolutely delicious for a woman of any age.

If you're a fan of Shudder's agenda, which puts more emphasis on promoting progressive social values than providing scares, you might enjoy this tale of young LGBTQ+ lovers and friends wasting time in an empty hotel. Just sprinkle some No-Doz on yiour popcorn.

Watching this movie is like watching a car fire across the street. The only reason you keep watching is to see how bad it really is. You might hope it could become "so bad it's good", but no... it's just bad, but shows signs of possibly having had potential and that only makes it worse. I watched all the way to the end, unfortunately.

It feels like another film maker could have made a decent version of this film. There's some promising moments. (e.g. A super interesting "haunted" scene with a bunch of customers who probably aren't real.) However, the moments that are interesting only add to the disappointment of how bad the film ends up being, as a whole.

There are interesting characters here, none of whom are likeable because they are so terrible to each other, but that could have used somehow. Instead It's all just squandered opportunities.

I would have rated it a 1 except that a couple of the performers do a decent job. So, I'll give them points even though they can't save the script. (In the end I just felt embarrassed for them, having to have been in such a bad movie.) I'm sure the people playing the main character's trans/lesbian love interests could do well in other films. I'll actually look them up. I'd bet they are in better movies where their performances aren't wasted by bad writing/direction.

Better directing and writing could have resulted in a good movie, but in the end, this film just sucks. Its momentary glimmers of potential and its brief scenes generating interest, only makes its ultimate emptiness and disappointment more frustrating.

Bad Things (2023) is a movie that was recently added to Shudder. The storyline follows a group of friends who are being supportive to a friend who recently inherited a hotel and hopes to either run it or sell it with her mom. It quickly becomes apparent that something isn't right and they believe it's someone not something causing their concern. Is the hotel haunted, is someone messing with them, or is it both?

This movie is written and directed by Stewart Thorndike (Lyle) and stars Gayle Rankin (Men), Hari Nef (Barbie), Annabelle Dexter-Jones (Ravage), Rad Pereira (Betty), Jared Abrahamson (Fear the Walking Dead) and Molly Ringwald (Sixteen Candles).

This had some unique elements and reminded me of a poor man's The Shining...like if it took place in the Poconos. The acting was actually pretty solid. There's some mental state subplots that were interesting. The characters are pretty unique too. Unfortunately, there was little to no horror elements until the very ending...then the last 15 minutes was impressive. The twists at the end actually surprised me that it was worthwhile with such a poor setup. There's some cool kills at the very, very end...but other than that this is fairly stale. I would score this a 4.5-5/10 and recommend seeing it once only for horror enthusiasts.

I give it 2 stars because it wasn't boring, precisely. It simply made no sense and wasn't scary in the least...that is, unless you count how frighteningly ugly and stupid the characters were. These people are friends?? I don't believe it. I was completely unable to suspend my disbelief and was acutely aware of the films shortcomings every moment.

Incredibly unlikeable characters (despite minimal development), a meandering and pointless plot that fleshed out exactly nothing, and an utter lack of logical support leave the film a nonsensical mishmash.

I'd seen the directors first offering, Lyle. A better film, though not good, it and Bad Things leaves me wondering if Thorndike is deliberately and actively trying to depict lesbians as unhinged, abusive, and dull-witted wastes-of-breath? And to ruin film?

It's easy to dismiss Bad Things as the queer version of The Shining but initially, at least, there are a few ideas worth appreciating here. This should ideally have been centered around Gayle Rankin's Ruthie.. and her trauma, manifestations, and slow descent into absolute chaos. Instead, writer-director Stewart Thorndike randomly shifts perspectives (especially when things begin to get interesting) to the other characters, taking us out of the one-woman-breakdown thread, and desperately trying to blur the lines between what's real and what's not. The entire episode then feels like a pointless exercise in the end, mostly because the perspective then transitions back to Ruthie's and we once again witness her losing her mind.

Also, the scenes that were supposed to induce a creepy feeling absolutely fail to do so. The shots of random people showing up at the restaurant, at the facade, and elsewhere, are laughably executed. If the hotel and its snowy surroundings had terrible history, then we ought to have known that because that'd have added to the atmospherics. I did like how the story incorporated Molly Ringwald's character into the film, and while not a surprise, it's nicely woven into the proceedings. When it comes to performances, I think the cast did a fairly decent job. That's one reason why the film is perfectly okay to sit through, even when it fails on the narrative and horror-inducing fronts.