Crossing: Auf der Suche nach Tekla

Director Levan Akim has done it again. Made a very memorable film. And educational. The previous And Then We Danced took place in Georgia. Here the action takes place in the world metropolis Istanbul.

Like his previous film, Akim again addresses issues related to minorities, in this case trans women. Again, he manages to teach me at least a lot about what it is like to live as a trans woman in a challenging environment. But like in the previous film, this one is also full of charm and warmth. So it is not a black and sad film that we are watching. Here there is warmth and courage among those we follow along the way.

I see such clear parallels to the previous film, which was about a young gay dancer who was ostracized from his environment in Georgia. Here there is a touching story about a family member who is looking for a dear niece who was once just asked by her loved ones to leave, because of who she is. We read in the face of the aunt who is searching that she wants a reunion and that feelings about the loss of relationships are a hard burden to bear.

In the search for the niece, we encounter an incredible number of fascinating destinies in the metropolis of Istanbul. As I understand it, most of the characters in this film are newcomers and have little or no acting experience. What director Akim has managed to get them to perform is astonishing and eye-catching. Here, everyone delivers, and is believable and convincing.

And I also want to add, I love the scenes from Istanbul. Amazing city.

This film deserves a large audience.

I look forward to the next film from this incredibly fascinating director.

I really liked how the title explains perfectly what this film is about. It's about people who crosses to a different country, whose own lives crosses with characters that are nothing like them, and finally about people who are crossing genders on a quest to find themselves. The acting was superb, specially Evrim's character played by Deniz Dumanli. All the characters are complex and extremely interesting and I really loved how the movie has a slight twist making you expect one thing and delivering another. Istanbul depiction was beautiful but not in a postcard touristy way and it really showed the vibe of this huge, exotic, amazing city. What I liked the most was the connections that we could see forming between people who are unlikely to be hanging out. The music and cinematograpghy were also both very good. I strongly recommend this movie to any film lover.

I saw this movie early this year on a preview. It just blew me now that I didn't do review on it. I hope is not to late. This movie is by far the best movie I've seen upon til now. So well played. So beautifully captured by the director. While the movie goes on you just want to know more and what is going to happend. Levan Akin- the director did also the beautiful fantastic move "And then we danced" equally as good as this one. He is really a fantastic director. Vibrant and tells the story so well and almost not using "real" actors, and yet they are so fantastic. I really recommend this movie.

There's something entirely plausible about the performance from Mzia Arabuli in this poignant drama. She is the retired school teacher "Lia" who is determined to track down her niece now that her sister has recently died. She lives in Georgia, likes a drink or two, and thinks that "Tekla" has fled to neighbouring Turkey where she is able to live her life more freely. She is trans - and that's not a situation encouraged at home! "Lia" hasn't a word of Turkish, though, so she agrees to take local wide boy "Achi" (Lucas Kankava) with her as a sort of guide-cum-translator. The seedier side of Istanbul beckons for both of them, but what chance of tracking down one person in a city of millions? Fortunately, the young man can't sleep one night and goes out to explore. He makes some new friends and these friends lead them to newly qualified lawyer "Evrim" (Deniz Dumanli) who promises to try to help... Now it would have been very easy for auteur Levan Akin to do this the A+B=C way, but he doesn't. He doesn't make the film about the search for "Tekla" so much as about a search by this woman to find herself, to reignite her sense of purpose and to to put into perspective issues that drive families apart leaving everyone bereft of affection and understanding. It's that role that Arabuli plays with an honesty that really works. There's an almost maternal chemistry between her and the young "Achi" and as they search, we see a city that really is a potpourri of just about every aspect of humanity - some friendly, so less so. I found this to be quite an effective film about live-and-let-live in a city where poverty and wealth exist side by side and where there appears to be a largely prevailing degree of tolerance and, to an extent, generosity of spirit. It's hopeful but not unrealistic, and proof that there's plenty of life in the old girl yet!

Levan Akin's new film wonderfuly captures the essence of istanbul. The composition and shots combined with the strong chemistry of the main characters make up for a wholesome story. Mzia Arabuli is wonderful and her character is one of the best aspects of the movie. Storywise crossing features a fresh script by combining the modest lives of 3 people and creates an story that strongly bonds together by showing different aspects of each characters lives, coincidentally based in the same condition but with different purposes. The only exception in the film was the choice of music as it didn't make a strong impact and definitely could have been used better. Especially in the ending scene. But overall despite being a festival film(for people with bias), crossing takes its place as one of the greater movies of 2024 that should definitely be seen for its unique story and characters.