Die Saat des heiligen Feigenbaums

A provocative & politically charged drama that also serves as a scathing critique of oppressive rule through the devastating account of a family's unraveling, The Seed of the Sacred Fig is an increasingly incendiary story that takes its time to acquaint us with the family dynamics before seeds of paranoia & mistrust take root in the household and turn the whole thing into a familial nightmare.

Written, co-produced & directed by Mohammad Rasoulof, the main incident that sets the plot into motion takes place over an hour into the picture but in that time, it does familiarise us with the volatile situation & civil unrest taking place outside the house that complicates things a lot more within the household. Rasoulof is patient in his approach and provides ample space for the characters to breathe.

The first half covers the clash in ideology & perspective that unfolds between the ladies of the house over the real-world riots & protests taking place outside their apartment, the footage of which is interspersed within the narrative. The film is expertly shot but the narration is rather clunky and only held together by strong performances from the cast. The runtime is also often felt, and the final act overstays its welcome.

Overall, The Seed of the Sacred Fig is a bold, brave & audacious effort from Rasoulof who risks his own life & puts everything on the line to deliver a scorching indictment that's timely & urgent in more ways than one. The slow-burn pace makes the length all the more daunting despite the premise being interesting on paper and the film as a whole needed to be more tightly-knitted to make its powerful message heard with thunderous clarity.

There are still places on this Earth where women risk death for committing the irremissible crime of bareheadedness; of not wearing enough fabric to God's supposed liking. Such was the case of Mahsa Amini, the Iranian woman who died in the hospital (from "unrelated causes", as the sorts of people we see in this film would try to tell us -- and themselves) after being arrested for not wearing her hijab in public, escalating the ongoing Girls of Enghelab protests to the point of major unrest that lasted from September of 2022 and all the way into the spring of 2023.

In The Seed of the Sacred Fig, directed by Mohammad Rasoulof (the Iranian filmmaker who has often found himself at odds with his government and currently resides in exile in Germany), the events are seen from the perspective of the family of an investigating judge in Tehran. Throughout the film, real TikTok and Instagram videos of the bedlam are interwoven with the narrative. The unrest is reflected in this family; the daughters question the authorities and traditions that their parents protect for little reason other than tradition itself -- and yes, a point of violence is reached.

This is a tense, atmospheric, moving film. I don't wish to reveal too much about it, but I will say this: if this film becomes as big and impactful as it ought to be, its recurring phrase "I won't sit" may get co-opted by many equal rights/freedom movements to come.

Many Oscar opinion-havers this season have quipped, "I don't care who wins; I just need Emilia Pérez to lose". This concerns all categories that it's (somehow) nominated within, including Best International Feature Film. I guess I don't care who wins either. But it should be The Seed of the Sacred Fig.

The Seed of the Sacred Fig was one of the most expected premieres in Cannes due to the backstory of its creation. A film shot in secret in Iran, that led to its director and cast being sentenced to prison and lashing. So, would the movie be able to live up to the expectations despite its complicated production?

What followed was not a film, it was a MOLOTOV COCKTAIL! An incredibly brave, powerful and moving tale of morality, paranoia and resistance. The third act had people talking, but makes perfect sense to me in its symbolic context. If before the movie Rasoulof and his crew already received a big standing ovation due to the film's background, the emotive standing ovation it received after the screening was even more enthusiastic, with the also Iranian director and fellow Palme competitor Ali Abassi encouraging people to stand up and cheer.

The Seed of the Scared Fig did, unfortunately, not win the Palme d'Or in the end, and had to settle for a minor Special Jury Prize. But still, it would have been my choice for the main prize, and won over my and many other people's hearts. Women, Life, Freedom!

The movie "The Seed of the Sacred Fig" is a political thriller centered on Iman, who is searching for a promotion in Tehran's judicial system. As he ascends in his career, he is torn between personal and professional conflicts, facing moral dilemmas within his family amid the upheaval of the 2022-2023 Iran protests.

The movie is captivating for its portrayal of the clash between an archaic, sexist, and oppressive government driven by religious ideals and the freedom of expression, culture, and modern values embraced by the younger generation. This duality extends into the family dynamic, where personal beliefs collide with political pressures, creating a powerful internal conflict.

Director and writer Mohammad Rasoulof delivers an emotional movie by blending real footage of student protests following the death of Mahsa Amini in 2022.

Another standout achievement is the title The Seed of the Sacred Fig, which perfectly captures and summarizes the essence of the movie. It's a perfect and beautiful choice that sums up the story beautifully.

Many of us know about the recent protests in Iran and the tragic death of Mahsa Amini in 2022. The hijab is mandatory in Iran and is enforced by over zealous religious police. Outside of Iran it is hard to understand that something that seems trivial to us is such a big issue.

This film works because it takes us inside a family unit that is impacted by these very issues. It appears to use actual protest footage ( suitably obscured) mixed in along with the fictional actors. This gives it a more urgent edge.

The husband works as an investigator for the regime. One step away from being a judge. He is under severe pressure at work to process huge numbers of religious "crimes" without any due process. He is finding out that the price of his promotion is blind obedience.

He has two daughters. One at high school and the other at university (college.) One of the daughters has a friend who is shot after being in a crowd near a protest. We are told she was an innocent bystander.

The mum of the family is very concerned to protect the family status and reputation which will see them get a bigger apartment to live in. However this won't happen unless all aspects of life are squeaky clean. They can't even tell the daughters what the Dad does because it is a security risk.

In one of the first shots of the movie we see bullets being handed over to the Dad along with a pistol. He is being promoted but needs to be able to protect himself.

What we are seeing is an actual literal Chekhov's Gun in the story. A concept you can look up :)

The pistol disappears from the apartment and the dad must find it or face a possible jail sentence for its loss. This ramps up the tension a few levels and the film then somewhat devolves from then on.

The main impact from the film is to personalise the various political pressures on each member of the family. The best art takes us beyond the headlines to show us what is happening and how that looks and feels in real life.

The story is a fiction but feels like a documentary in many respects. As a film it is a success in helping us to empathise with real people caught up in this kind of terror.

I saw this film at a festival. There were some scenes that were unwatchable and quite emotional.

It is now coming up to the 2 year anniversary of that wave of protests. It wasn't just one person who has died in the protests. Records indicate the number is approaching 500 and the ripple waves of anxiety and stress in families can only be approximated but this film goes a fair way to doing just that.