IMDb-BEWERTUNG
7,5/10
12.616
IHRE BEWERTUNG
Eine Privatdetektivin und ihr androider Partner suchen auf dem Mars nach einer verschwundenen Robotikstudentin und fragen sich, inwiefern das mit der steigenden Zahl von Androiden einher geh... Alles lesenEine Privatdetektivin und ihr androider Partner suchen auf dem Mars nach einer verschwundenen Robotikstudentin und fragen sich, inwiefern das mit der steigenden Zahl von Androiden einher geht, die ihre Programmierung überwinden.Eine Privatdetektivin und ihr androider Partner suchen auf dem Mars nach einer verschwundenen Robotikstudentin und fragen sich, inwiefern das mit der steigenden Zahl von Androiden einher geht, die ihre Programmierung überwinden.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 8 Gewinne & 7 Nominierungen insgesamt
Léa Drucker
- Aline Ruby
- (Synchronisation)
Mathieu Amalric
- Chris Royjacker
- (Synchronisation)
Daniel Njo Lobé
- Carlos Rivera
- (Synchronisation)
Marie Bouvet
- Roberta Williams
- (Synchronisation)
Sébastien Chassagne
- Inspector Simon Gordaux
- (Synchronisation)
Marthe Keller
- Beryl
- (Synchronisation)
Geneviève Doang
- Jun Chow
- (Synchronisation)
- …
Thomas Roditi
- Lem
- (Synchronisation)
Thierry Jahn
- Vlasek
- (Synchronisation)
- …
Serge Faliu
- Faux M. Chow
- (Synchronisation)
- …
Eilias Changuel
- Gilbert
- (Synchronisation)
- (as Elias Changueul)
- …
Bárbara Del Sol
- Mme Viger
- (Synchronisation)
- …
Nathalie Karsenty
- Jeanine
- (Synchronisation)
- …
Angéline Henneguelle
- Manifestants
- (Synchronisation)
- …
Charlotte Juniere
- Carlos voix femme
- (Synchronisation)
- …
Jérémie Bedrune
- Flic augmenté
- (Synchronisation)
- …
Usul
- Professeur
- (Synchronisation)
Fanny Vambacas
- Standardiste
- (Synchronisation)
- …
Empfohlene Bewertungen
Visual style reminiscent of Promare, sci fi-cyberpunk world building reminiscent of I,Robot. Immersive soundtrack. That's what this movie does the best.
I also loved all the little details of the future tech: TV screen that moves to wherever you're looking, a bottle topper that acts as another barrier to prevent AA members from drinking, etc.
The weak point is the plot in my opinion, it's just average and I don't think the characters have enough backstory to really make us care deeply about them. These don't ruin the movie, but it does everything else better.
Overall, I would recommend this one. Especially for Sci Fi lovers.
I also loved all the little details of the future tech: TV screen that moves to wherever you're looking, a bottle topper that acts as another barrier to prevent AA members from drinking, etc.
The weak point is the plot in my opinion, it's just average and I don't think the characters have enough backstory to really make us care deeply about them. These don't ruin the movie, but it does everything else better.
Overall, I would recommend this one. Especially for Sci Fi lovers.
While this might not be a genre bending film there is much to like about it. Starting with the beautiful animation style that is very fluid, colorful and detailed at every turn. The 2D art style meshes well with the story and its futuristic vibe. The music and sounds also compliment the overall feel of the film. The English dubbed version is well done with each voice suiting the characters perfectly. The dialogue is always purposeful providing context or aiding in the characters development. The characters however are not strong enough to be memorable. Even the villain is very stereotypical.
There are some funny moments but just enough to keep things light hearted. The pacing and structure allow for an easy viewing experience. There are some action and chase sequences which break up the exposition but nothing too over the top. The film was fine when it was a mystery thriller but when it changes course to try and be something with a deeper meaning it takes a plunge. Ultimately the ending was a letdown leading to a lower rating. This is still a good film but the ending was underwhelming.
There are some funny moments but just enough to keep things light hearted. The pacing and structure allow for an easy viewing experience. There are some action and chase sequences which break up the exposition but nothing too over the top. The film was fine when it was a mystery thriller but when it changes course to try and be something with a deeper meaning it takes a plunge. Ultimately the ending was a letdown leading to a lower rating. This is still a good film but the ending was underwhelming.
The world building really elevated this movie. It felt like there was a tv season's worth of material compressed into a 1.5 hour movie, but it worked, and it worked wonderfully. The world world was well thought-out, everything fit together well.
It's about a private investigator and her robot partner investigating the disappearance of a college student. As we learn more about the case, we also learn about the world this story is set in. This movie is like a perfect showcase for "show, don't tell". There's very little exposition, if any.
It's one of the best sci-fi movies I've watched recently, animated or otherwise. Highly recommended.
It's about a private investigator and her robot partner investigating the disappearance of a college student. As we learn more about the case, we also learn about the world this story is set in. This movie is like a perfect showcase for "show, don't tell". There's very little exposition, if any.
It's one of the best sci-fi movies I've watched recently, animated or otherwise. Highly recommended.
For many sci-fi animated movies, audience captivation is driven purely by world building. Neon scenes and expansive horizons are often used to draw attention from a weak story. Not so in this beautifully animated sci-fi detective drama. The story finds the perfect balance between much loved detective clichés and unexpected turns in a story line, that has no need for smoothing by over hyped futurism. Despite this, the imaginative graphics cleanly place the viewer into the future, pushing us just far enough into the 'what could be' to retain a believability that compliments the story. This should be on your list of sci-fi movies to see before you die.
The movie made me feel the full spectrum of emotions. I laughed, cried a bit, was moved by the deep repercussions of the story. Could've run for 30 minutes more and I wouldn't have been mad
It's definitely a beautiful movie too. Animation is good, despite a few low-fps sequences, it still works because of the hand drawn art style and crazy backgrounds. Knowing what the crew went through, I understand the need for some simpler parts. Designs are inspired, threading perfectly between the obvious references and something really personal. Music's very good and the overall sound mixing was perfect.
For a first movie, Périn and Sarfati really put the bar extremely high, I'm really wondering what their next move/movie will be. But first, time to rewatch this one.
It's definitely a beautiful movie too. Animation is good, despite a few low-fps sequences, it still works because of the hand drawn art style and crazy backgrounds. Knowing what the crew went through, I understand the need for some simpler parts. Designs are inspired, threading perfectly between the obvious references and something really personal. Music's very good and the overall sound mixing was perfect.
For a first movie, Périn and Sarfati really put the bar extremely high, I'm really wondering what their next move/movie will be. But first, time to rewatch this one.
Wusstest du schon
- WissenswertesFirst feature length movie for director Jérémie Périn. He had already directed episodes of the TV show Lastman (2016). In 2018, producer Didier Creste contacted him and Laurent Sarfati, the creator and writer of Lastman, to work on a movie adaptation of their series. Instead, they convinced him to produce an original idea, a neo-noir sci-fi animation movie, for which he was able to find financing, and which eventually became Mars Express.
- VerbindungenReferenced in Film Junk Podcast: Episode 977: Queer + Flow (2025)
Top-Auswahl
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Details
Box Office
- Budget
- 9.000.000 € (geschätzt)
- Bruttoertrag in den USA und Kanada
- 200.581 $
- Eröffnungswochenende in den USA und in Kanada
- 94.738 $
- 5. Mai 2024
- Weltweiter Bruttoertrag
- 1.540.232 $
- Laufzeit1 Stunde 28 Minuten
- Farbe
- Seitenverhältnis
- 2.00 : 1
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