Anthologie-Serie, die dunklen Humor mit Genres wie Verbrechen, Horror oder Drama vermischt.Anthologie-Serie, die dunklen Humor mit Genres wie Verbrechen, Horror oder Drama vermischt.Anthologie-Serie, die dunklen Humor mit Genres wie Verbrechen, Horror oder Drama vermischt.
- 3 BAFTA Awards gewonnen
- 14 Gewinne & 22 Nominierungen insgesamt
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Every episode has a different storyline, each one extremely well written, keeping you guessing until the very end. In no way can you predict what is going to happen in any of the episodes.
The best black comedy series I've ever seen, well worthy of a 10 star rating.
When asked if the Voyager space probe should carry an audio recording of J. S. Bach's music, Carl Sagan (or possibly Freeman Dyson) supposedly replied: "That would just be showing off." If we assume aliens have any concept of dark humour and visual storytelling, the same could be said about this series.
The first three episodes are absolute masterpieces of their respective (quite different) styles, which is even more impressive when you realise they were all written and directed by the same people.
Episode 4 is probably the weakest of the first series, but episode 5 is fairly solid and the finale goes back to near perfection, manipulating the audience's assumptions to deliver a surprise even after we've learned to expect it.
The second series can't quite live up to the first. There are a few stylistic highlights (especially the 2nd and 4th episodes) and a few laughs (especially in episode 3), but the plots are more disjointed, the twists more predictable, the direction blander, the endings less satisfying. Even the order of the episodes somehow feels "wrong". It's still better than 99% of what's on TV, and definitely worth watching, but it won't humiliate alien film-makers as thoroughly as the previous season.
The first three episodes are absolute masterpieces of their respective (quite different) styles, which is even more impressive when you realise they were all written and directed by the same people.
Episode 4 is probably the weakest of the first series, but episode 5 is fairly solid and the finale goes back to near perfection, manipulating the audience's assumptions to deliver a surprise even after we've learned to expect it.
The second series can't quite live up to the first. There are a few stylistic highlights (especially the 2nd and 4th episodes) and a few laughs (especially in episode 3), but the plots are more disjointed, the twists more predictable, the direction blander, the endings less satisfying. Even the order of the episodes somehow feels "wrong". It's still better than 99% of what's on TV, and definitely worth watching, but it won't humiliate alien film-makers as thoroughly as the previous season.
As a Yank I've always admired The Brits ability to mold a great tv series. But Inside No. 9 is off the charts. Great scripting and even greater acting. A classic.
It is a wonderful show, which shows variety, imagination, creativity, humour and fiendish cleverness. One of the charms of Inside No.9 is not knowing what you're going to get, slapstick, car humour, sadness, joy, wit, the only thing you're sure of is the use of number nine.
Series 5 has just started, Deadline seemed a very long time ago. Many amazing episodes, Twelve days of Christine is still my favourite, and one of the best thirty minutes of tv ever made, exquisite in every single way. A Quiet Night in and Riddle of the Sphinx are also magical, Once Removed is one of the most imaginative things I've ever seen, wonderful episode.
They've managed to keep it original, intriguing and unique, I can't wait to see what comes next.
It's one of those shows that you can watch several times and see new things, such is the sheer brilliance of the writing.
Not many are better than this. I love it. 10/10
Series 5 has just started, Deadline seemed a very long time ago. Many amazing episodes, Twelve days of Christine is still my favourite, and one of the best thirty minutes of tv ever made, exquisite in every single way. A Quiet Night in and Riddle of the Sphinx are also magical, Once Removed is one of the most imaginative things I've ever seen, wonderful episode.
They've managed to keep it original, intriguing and unique, I can't wait to see what comes next.
It's one of those shows that you can watch several times and see new things, such is the sheer brilliance of the writing.
Not many are better than this. I love it. 10/10
I have always found everything Steve Pemberton and Reece Sheersmith have written and performed in together total mesmerising. Their stories are highly original and imaginative. All their characters are thoroughly amusing, sometimes poignant and usually down right odd! I love stories with a twist, and so far the tales in this series have not disappointed, they get you thinking and are full of anticipation, Steve and Reece, please keep writing together! I loved The League of Gentlemen and Psychoville and this is well on par with that. They appear to be influenced by the horror genre and their individual episodes are reminiscent of The Twiighlight Zone only more sophisticated. Their acting is so convincing and they can easily portray all the crazy characters without going over the top. Supported by some well known faces, it is interesting to see the interaction between the actors. In my eyes these guys can do no wrong! Can't fault the series so far!
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- WissenswertesSteve Pemberton stated in an interview (Mail February 25, 2017) that the only link between the stories is a small statue of a hare that he and Shearsmith place in each set.
- VerbindungenFeatured in 50 Years of BBC2 Comedy (2014)
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